La mimesis aristotélica más allá de los límites de la Poética

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From Renaissance on, Aristotelian mimesis had exerted its influence mainly through the principie that "art imitates nature". This principie was interpreted in different and multiple ways reaching its most categorical rejection with nineteenth-century aestheticism. What is surprising is tha...

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Autor principal: Suñol, Viviana
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: 2005
Materias:
Filosofía
Mimesis
Aristóteles
Poética
Arte
Naturaleza
Aristotle
Art
Nature
Analogy
Supplementation
Acceso en línea:https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.11125/pr.11125.pdf
Aporte de:
Memoria Académica - FaHCE (UNLP) de Universidad Nacional de La Plata
id I19-R125-Jpr11125
record_format dspace
institution Universidad Nacional de La Plata
institution_str I-19
repository_str R-125
collection Memoria Académica - FaHCE (UNLP)
language Español
orig_language_str_mv spa
topic Filosofía
Mimesis
Aristóteles
Poética
Arte
Naturaleza
Aristotle
Mimesis
Art
Nature
Analogy
Supplementation
spellingShingle Filosofía
Mimesis
Aristóteles
Poética
Arte
Naturaleza
Aristotle
Mimesis
Art
Nature
Analogy
Supplementation
Suñol, Viviana
La mimesis aristotélica más allá de los límites de la Poética
topic_facet Filosofía
Mimesis
Aristóteles
Poética
Arte
Naturaleza
Aristotle
Mimesis
Art
Nature
Analogy
Supplementation
description From Renaissance on, Aristotelian mimesis had exerted its influence mainly through the principie that "art imitates nature". This principie was interpreted in different and multiple ways reaching its most categorical rejection with nineteenth-century aestheticism. What is surprising is that this principie was neve r explicitly enunciated in the Poetics as subject of the téchne poietiké, although it is frequently mentioned in different treatises devoted to the study of natural history, e.g. Meteor., Phys., Protr., etc. 1n the first pari of this paper, I present a brief examination of some passages that I believe gives evidence of the analogical value that mimetic vocabulary usually has in Aristotle. Then, in the second part I analyze the different formulations of the principie in the corpus in order to elucidate the complex relation of analogy and supplementation between the sphere of art and that of nature. My attempt contradicts Halliwell's interpretation (1999 & 2002), to whom it is imperative to distinguish the wider uses of the term from the proper artistic signification of mimesis in Aristotle's Poetics
format Artículo
Artículo
publishedVersion
author Suñol, Viviana
author_facet Suñol, Viviana
author_sort Suñol, Viviana
title La mimesis aristotélica más allá de los límites de la Poética
title_short La mimesis aristotélica más allá de los límites de la Poética
title_full La mimesis aristotélica más allá de los límites de la Poética
title_fullStr La mimesis aristotélica más allá de los límites de la Poética
title_full_unstemmed La mimesis aristotélica más allá de los límites de la Poética
title_sort la mimesis aristotélica más allá de los límites de la poética
publishDate 2005
url https://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.11125/pr.11125.pdf
work_keys_str_mv AT sunolviviana lamimesisaristotelicamasalladeloslimitesdelapoetica
bdutipo_str Repositorios
_version_ 1764820498644992003

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