Between sound and movement in embodied tango performance : Implications for the study of the performative style in tango

In a previous study Alimenti Bel & Martínez (2015) identified differences that characterize the compositional and the sound performative styles in the music of Aníbal Troilo’s and Osvaldo Pugliese’s tango orchestras. The relationships between phenomenal accents and grouping units of the sonic me...

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Detalles Bibliográficos
Autor principal: Alimenti Bel, Demian
Formato: Objeto de conferencia Resumen
Lenguaje:Inglés
Publicado: 2017
Materias:
Música
sound-body movement; Troilo; Pugliese; tango
Acceso en línea:http://sedici.unlp.edu.ar/handle/10915/65267
Aporte de:
SEDICI (UNLP) de Universidad Nacional de La Plata
id I19-R120-10915-65267
record_format dspace
institution Universidad Nacional de La Plata
institution_str I-19
repository_str R-120
collection SEDICI (UNLP)
language Inglés
topic Música
sound-body movement; Troilo; Pugliese; tango
spellingShingle Música
sound-body movement; Troilo; Pugliese; tango
Alimenti Bel, Demian
Between sound and movement in embodied tango performance : Implications for the study of the performative style in tango
topic_facet Música
sound-body movement; Troilo; Pugliese; tango
description In a previous study Alimenti Bel & Martínez (2015) identified differences that characterize the compositional and the sound performative styles in the music of Aníbal Troilo’s and Osvaldo Pugliese’s tango orchestras. The relationships between phenomenal accents and grouping units of the sonic melodic-rhythmic patterns were analysed in both the annotated and the performed pieces, to find potential identity features in both styles. In the present work, we continue the stylistic analysis focusing on the expressiveness of the tango performer’s body movements. So far, the study of movement has been applied more to academic music than to popular music. For example, it was described the way structural features (changes of tempo and chronometric density) shape expressive movement during piano performance (Davidson (2007). After analyzing the quality of body movements and effector gestures (Laban, 1971; Leman and Godoy, 2010) in the performance of rhythmic-melodic patterns by two tango bandoneonists, we liaise them with our previous sonic outcomes, in order to describe the identity features of the sound-kinetic complex that characterizes each performative style.
format Objeto de conferencia
Resumen
author Alimenti Bel, Demian
author_facet Alimenti Bel, Demian
author_sort Alimenti Bel, Demian
title Between sound and movement in embodied tango performance : Implications for the study of the performative style in tango
title_short Between sound and movement in embodied tango performance : Implications for the study of the performative style in tango
title_full Between sound and movement in embodied tango performance : Implications for the study of the performative style in tango
title_fullStr Between sound and movement in embodied tango performance : Implications for the study of the performative style in tango
title_full_unstemmed Between sound and movement in embodied tango performance : Implications for the study of the performative style in tango
title_sort between sound and movement in embodied tango performance : implications for the study of the performative style in tango
publishDate 2017
url http://sedici.unlp.edu.ar/handle/10915/65267
work_keys_str_mv AT alimentibeldemian betweensoundandmovementinembodiedtangoperformanceimplicationsforthestudyoftheperformativestyleintango
bdutipo_str Repositorios
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