Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive

The third piece of Schoenberg's Op. 11 has been associated with his brief period of "radical athematicism." In our study, we provide strong analytical evidence against this claim. The piece is the result of developing variation applied to an initial Grundgestalt. In other words, the o...

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Detalles Bibliográficos
Autores principales: Rodríguez, Edgardo José, Martínez, Alejandro Héctor
Formato: Articulo
Lenguaje:Inglés
Publicado: 2023
Materias:
Música
Schoenberg
Atematismo radical
Variaçióno progresiva
Acceso en línea:http://sedici.unlp.edu.ar/handle/10915/162840
Aporte de:
SEDICI (UNLP) de Universidad Nacional de La Plata
id I19-R120-10915-162840
record_format dspace
spelling I19-R120-10915-1628402024-02-19T20:04:45Z http://sedici.unlp.edu.ar/handle/10915/162840 Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive Op. 11, no. 3 de Schoenberg: Compondo com notas do motivo Rodríguez, Edgardo José Martínez, Alejandro Héctor 2023-12-31 2024-02-19T14:42:52Z en Música Schoenberg Atematismo radical Variaçióno progresiva The third piece of Schoenberg's Op. 11 has been associated with his brief period of "radical athematicism." In our study, we provide strong analytical evidence against this claim. The piece is the result of developing variation applied to an initial Grundgestalt. In other words, the organic conception of form that characterized his entire body of work also structures this composition. A terceira peça do Op. 11 de Schoenberg tem sido associada com seu breve período de "atematismo radical." Em nosso estudo, fornecemos fortes evidências analíticas contra essa afirmação. A peça é o resultado do desenvolvimento da variação progressiva aplicada a uma Grundgestalt inicial. Em outras palavras, a concepção orgânica da forma que caracterizou todo o seu corpo de trabalho também estrutura essa composição. Facultad de Artes Articulo Articulo http://creativecommons.org/licenses/by-nc-sa/4.0/ Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) application/pdf
institution Universidad Nacional de La Plata
institution_str I-19
repository_str R-120
collection SEDICI (UNLP)
language Inglés
topic Música
Schoenberg
Atematismo radical
Variaçióno progresiva
spellingShingle Música
Schoenberg
Atematismo radical
Variaçióno progresiva
Rodríguez, Edgardo José
Martínez, Alejandro Héctor
Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive
topic_facet Música
Schoenberg
Atematismo radical
Variaçióno progresiva
description The third piece of Schoenberg's Op. 11 has been associated with his brief period of "radical athematicism." In our study, we provide strong analytical evidence against this claim. The piece is the result of developing variation applied to an initial Grundgestalt. In other words, the organic conception of form that characterized his entire body of work also structures this composition.
format Articulo
Articulo
author Rodríguez, Edgardo José
Martínez, Alejandro Héctor
author_facet Rodríguez, Edgardo José
Martínez, Alejandro Héctor
author_sort Rodríguez, Edgardo José
title Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive
title_short Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive
title_full Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive
title_fullStr Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive
title_full_unstemmed Schoenberg’s Op. 11, No. 3: Composing with Tones of the Motive
title_sort schoenberg’s op. 11, no. 3: composing with tones of the motive
publishDate 2023
url http://sedici.unlp.edu.ar/handle/10915/162840
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