Second Person interaction in chamber music performance

Interaction in chamber music ensembles has been studied from various fields of knowledge and from different approaches. However, bibliographic review shows that although interaction in chamber music ensembles has motivated the work of numerous researchers, investigation to date have tended to focus...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autores principales: Milomes, Luciana Rosario, Valles, Mónica Leonor
Formato: Objeto de conferencia Resumen
Lenguaje:Inglés
Publicado: 2021
Materias:
Música
Interaction
Chamber music
Second Person Perspective
Social Cognition
Acceso en línea:http://sedici.unlp.edu.ar/handle/10915/136899
https://drive.google.com/file/d/1C-3kSYu8e7gWDQr6LvzxsbqQtBzalYBu/view
Aporte de:
SEDICI (UNLP) de Universidad Nacional de La Plata
id I19-R120-10915-136899
record_format dspace
institution Universidad Nacional de La Plata
institution_str I-19
repository_str R-120
collection SEDICI (UNLP)
language Inglés
topic Música
Interaction
Chamber music
Second Person Perspective
Social Cognition
spellingShingle Música
Interaction
Chamber music
Second Person Perspective
Social Cognition
Milomes, Luciana Rosario
Valles, Mónica Leonor
Second Person interaction in chamber music performance
topic_facet Música
Interaction
Chamber music
Second Person Perspective
Social Cognition
description Interaction in chamber music ensembles has been studied from various fields of knowledge and from different approaches. However, bibliographic review shows that although interaction in chamber music ensembles has motivated the work of numerous researchers, investigation to date have tended to focus on group social organization, musical and social coordination and communication between musicians. Several studies still maintain a solipsistic approach of the musician as someone who receives information from their musical partners, observes their behaviour and interprets it reflectively. In addition, most of the research focuses towards bodily movement from a sensorimotor perspective rather than as an expression of musicians intentionality. Up to now there are still certain aspects of musical practice related to musicians experience in interaction, the attributions they perform and interaction dynamics that have not yet been addressed. The Second Person Perspective of mental attribution - 2PP - (Gomila, 2002; Perez, 2013) focuses on a particular type of interaction (direct, face-to-face and bodily) and it is considered that it can offer answers to understand certain aspects of communication between musicians that have not yet been explored.
format Objeto de conferencia
Resumen
author Milomes, Luciana Rosario
Valles, Mónica Leonor
author_facet Milomes, Luciana Rosario
Valles, Mónica Leonor
author_sort Milomes, Luciana Rosario
title Second Person interaction in chamber music performance
title_short Second Person interaction in chamber music performance
title_full Second Person interaction in chamber music performance
title_fullStr Second Person interaction in chamber music performance
title_full_unstemmed Second Person interaction in chamber music performance
title_sort second person interaction in chamber music performance
publishDate 2021
url http://sedici.unlp.edu.ar/handle/10915/136899
https://drive.google.com/file/d/1C-3kSYu8e7gWDQr6LvzxsbqQtBzalYBu/view
work_keys_str_mv AT milomeslucianarosario secondpersoninteractioninchambermusicperformance
AT vallesmonicaleonor secondpersoninteractioninchambermusicperformance
bdutipo_str Repositorios
_version_ 1764820457507258371

Ejemplares similares