Sounds, affects and a square: Sound and listening modes as dialogic and palimpsestic social discursivities with the power to configure other distributions of the sensitive.

This work proposes to reflect on a double significant dimension: the sonorous dimension as social discursivity and as affecting materiality that unfolds in multiple performative scenes of everyday life, and the dimension of listening as a sensitive epistemological mode capable of making the senses o...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Pita Romero, Soledad
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Nordeste. Facultad de Humanidades 2025
Materias:
Sonoridades
Escuchas
Dialogismo
Palimpsesto social
Sonorities
listeners
dialogism
social palimpsest
Acceso en línea:https://revistas.unne.edu.ar/index.php/nea/article/view/8408
Aporte de:
Revistas UNNE - Universidad Nacional del Noroeste (UNNE) de Universidad Nacional del Nordeste
id I48-R154-article-8408
record_format ojs
spelling I48-R154-article-84082025-10-24T13:28:02Z Sounds, affects and a square: Sound and listening modes as dialogic and palimpsestic social discursivities with the power to configure other distributions of the sensitive. Sonidos, afectos y una plaza: Lo sonoro y los modos de escucha como discursividades sociales dialógicas y palimpsésticas con la potencia de configurar otros repartos de lo sensible Pita Romero, Soledad Sonoridades Escuchas Dialogismo Palimpsesto social Sonorities listeners dialogism social palimpsest This work proposes to reflect on a double significant dimension: the sonorous dimension as social discursivity and as affecting materiality that unfolds in multiple performative scenes of everyday life, and the dimension of listening as a sensitive epistemological mode capable of making the senses of that same sonorous everyday life appear. We start from a dialogic conception of discursive genres and assume the practices of everyday life as social performative discursivities. Addressing both dimensions in relation implies assuming them as socio-discursive practices that are reciprocally configured in a dialogical plot. Este trabajo se propone reflexionar en torno de una doble dimensión significante: la dimensión sonora como discursividad social y como materialidad afectante que se despliega en múltiples escenas performáticas de la cotidianeidad y la dimensión de la escucha como modo epistemológico sensible capaz de hacer aparecer los sentidos propios de esa misma cotidianeidad sonante. Se parte de una concepción dialógica de los géneros discursivos y se asumen las prácticas de la cotidianeidad como discursividades performáticas sociales. Abordar ambas dimensiones en relación implica asumirlas como prácticas sociodiscursivas que se configuran recíprocamente en una trama dialógica. Universidad Nacional del Nordeste. Facultad de Humanidades 2025-10-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unne.edu.ar/index.php/nea/article/view/8408 10.30972/nea.728408 Ñeatá; Vol. 7 Núm. 2 (2025): Dossier: El legado de Pampa Arán; 1-11 2718-7268 spa https://revistas.unne.edu.ar/index.php/nea/article/view/8408/8466
institution Universidad Nacional del Nordeste
institution_str I-48
repository_str R-154
container_title_str Revistas UNNE - Universidad Nacional del Noroeste (UNNE)
language Español
format Artículo revista
topic Sonoridades
Escuchas
Dialogismo
Palimpsesto social
Sonorities
listeners
dialogism
social palimpsest
spellingShingle Sonoridades
Escuchas
Dialogismo
Palimpsesto social
Sonorities
listeners
dialogism
social palimpsest
Pita Romero, Soledad
Sounds, affects and a square: Sound and listening modes as dialogic and palimpsestic social discursivities with the power to configure other distributions of the sensitive.
topic_facet Sonoridades
Escuchas
Dialogismo
Palimpsesto social
Sonorities
listeners
dialogism
social palimpsest
author Pita Romero, Soledad
author_facet Pita Romero, Soledad
author_sort Pita Romero, Soledad
title Sounds, affects and a square: Sound and listening modes as dialogic and palimpsestic social discursivities with the power to configure other distributions of the sensitive.
title_short Sounds, affects and a square: Sound and listening modes as dialogic and palimpsestic social discursivities with the power to configure other distributions of the sensitive.
title_full Sounds, affects and a square: Sound and listening modes as dialogic and palimpsestic social discursivities with the power to configure other distributions of the sensitive.
title_fullStr Sounds, affects and a square: Sound and listening modes as dialogic and palimpsestic social discursivities with the power to configure other distributions of the sensitive.
title_full_unstemmed Sounds, affects and a square: Sound and listening modes as dialogic and palimpsestic social discursivities with the power to configure other distributions of the sensitive.
title_sort sounds, affects and a square: sound and listening modes as dialogic and palimpsestic social discursivities with the power to configure other distributions of the sensitive.
description This work proposes to reflect on a double significant dimension: the sonorous dimension as social discursivity and as affecting materiality that unfolds in multiple performative scenes of everyday life, and the dimension of listening as a sensitive epistemological mode capable of making the senses of that same sonorous everyday life appear. We start from a dialogic conception of discursive genres and assume the practices of everyday life as social performative discursivities. Addressing both dimensions in relation implies assuming them as socio-discursive practices that are reciprocally configured in a dialogical plot.
publisher Universidad Nacional del Nordeste. Facultad de Humanidades
publishDate 2025
url https://revistas.unne.edu.ar/index.php/nea/article/view/8408
work_keys_str_mv AT pitaromerosoledad soundsaffectsandasquaresoundandlisteningmodesasdialogicandpalimpsesticsocialdiscursivitieswiththepowertoconfigureotherdistributionsofthesensitive
AT pitaromerosoledad sonidosafectosyunaplazalosonoroylosmodosdeescuchacomodiscursividadessocialesdialogicasypalimpsesticasconlapotenciadeconfigurarotrosrepartosdelosensible
first_indexed 2025-08-17T05:02:27Z
last_indexed 2025-11-17T05:00:35Z
_version_ 1849012398397063168

Ejemplares similares