A throw of the dice to read slowly: between Stéphane Mallarmé and Herberto Helder

This short essay proposes to compare the images of the sea, the void and the game in the poems Para o leitor ler de/vagar by Herberto Helder (1930-2015) and Un coup de dés jamais n'abolira le Hasard by Stéphane Mallarmé (1842-1898). In addition to the semantic field that creates a kind of silen...

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Autor principal: Mattar, Marina Ribeiro
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2021
Materias:
Herberto Helder
Stéphane Mallarmé
Silence
Game
Silencio
Juego
Acceso en línea:https://revistas.unne.edu.ar/index.php/clt/article/view/5706
Aporte de:
Revistas UNNE - Universidad Nacional del Noroeste (UNNE) de Universidad Nacional del Nordeste
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spelling I48-R154-article-57062023-08-02T15:30:10Z A throw of the dice to read slowly: between Stéphane Mallarmé and Herberto Helder Un lance de dados para leer despacio: entre Stéphane Mallarmé y Herberto Helder Mattar, Marina Ribeiro Herberto Helder Stéphane Mallarmé Silence Game Herberto Helder Stéphane Mallarmé Silencio Juego This short essay proposes to compare the images of the sea, the void and the game in the poems Para o leitor ler de/vagar by Herberto Helder (1930-2015) and Un coup de dés jamais n'abolira le Hasard by Stéphane Mallarmé (1842-1898). In addition to the semantic field that creates a kind of silence in poems, we are interested in understand how this silence acts in the structure of the poems and its possible meanings. We support our analysis in the critical works of Martelo (2010) and Campos (2002), to justify our interpretations. Este breve ensayo se propone comparar las imágenes del mar, del vacío y del juego en los poemas Para o leitor ler de/vagar de Herberto Helder (1930-2015) y Un lance de dados jamás abolirá el azar de Stéphane Mallarmé (1842-1898). Además del campo semántico que crea una especie de silencio en los poemas, nos interesa comprender de qué manera ese mutismo actúa en sus estructuras y cuáles son sus posibles significados. El análisis se apoya en los trabajos críticos de Martelo (2010) y Campos (2002). Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2021-11-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unne.edu.ar/index.php/clt/article/view/5706 10.30972/clt.0175706 Cuadernos de Literatura; Núm. 17 (2021): Noviembre; 116-120 2684-0499 0326-5102 spa https://revistas.unne.edu.ar/index.php/clt/article/view/5706/5376 Derechos de autor 2021 Cuadernos de Literatura
institution Universidad Nacional del Nordeste
institution_str I-48
repository_str R-154
container_title_str Revistas UNNE - Universidad Nacional del Noroeste (UNNE)
language Español
format Artículo revista
topic Herberto Helder
Stéphane Mallarmé
Silence
Game
Herberto Helder
Stéphane Mallarmé
Silencio
Juego
spellingShingle Herberto Helder
Stéphane Mallarmé
Silence
Game
Herberto Helder
Stéphane Mallarmé
Silencio
Juego
Mattar, Marina Ribeiro
A throw of the dice to read slowly: between Stéphane Mallarmé and Herberto Helder
topic_facet Herberto Helder
Stéphane Mallarmé
Silence
Game
Herberto Helder
Stéphane Mallarmé
Silencio
Juego
author Mattar, Marina Ribeiro
author_facet Mattar, Marina Ribeiro
author_sort Mattar, Marina Ribeiro
title A throw of the dice to read slowly: between Stéphane Mallarmé and Herberto Helder
title_short A throw of the dice to read slowly: between Stéphane Mallarmé and Herberto Helder
title_full A throw of the dice to read slowly: between Stéphane Mallarmé and Herberto Helder
title_fullStr A throw of the dice to read slowly: between Stéphane Mallarmé and Herberto Helder
title_full_unstemmed A throw of the dice to read slowly: between Stéphane Mallarmé and Herberto Helder
title_sort throw of the dice to read slowly: between stéphane mallarmé and herberto helder
description This short essay proposes to compare the images of the sea, the void and the game in the poems Para o leitor ler de/vagar by Herberto Helder (1930-2015) and Un coup de dés jamais n'abolira le Hasard by Stéphane Mallarmé (1842-1898). In addition to the semantic field that creates a kind of silence in poems, we are interested in understand how this silence acts in the structure of the poems and its possible meanings. We support our analysis in the critical works of Martelo (2010) and Campos (2002), to justify our interpretations.
publisher Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
publishDate 2021
url https://revistas.unne.edu.ar/index.php/clt/article/view/5706
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AT mattarmarinaribeiro throwofthedicetoreadslowlybetweenstephanemallarmeandherbertohelder
first_indexed 2022-08-19T12:07:26Z
last_indexed 2024-08-21T22:37:45Z
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