Realism and fantasy in contemporary Argentine literature. The problem of the genres from a derridean perspective

This work analyzes a movement in contemporary Argentine literature: the approach of realism and fantasy based on certain renewal of their modes and contents. Central aspects of these generic transformations are a broader consideration of the real, in the case of realism, and the estrangement or aban...

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Autor principal: Bradford, Maia Lucía
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2020
Materias:
Acceso en línea:https://revistas.unne.edu.ar/index.php/clt/article/view/4469
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spelling I48-R154-article-44692023-08-02T15:27:59Z Realism and fantasy in contemporary Argentine literature. The problem of the genres from a derridean perspective Realismo y fantástico en la literatura argentina contemporánea. El problema de los géneros desde una perspectiva derrideana Bradford, Maia Lucía Argentine literature Fantastic Realism Genres Derrida Literatura Argentina Fantástico Realismo Géneros Derrida This work analyzes a movement in contemporary Argentine literature: the approach of realism and fantasy based on certain renewal of their modes and contents. Central aspects of these generic transformations are a broader consideration of the real, in the case of realism, and the estrangement or abandonment of the necessarily supernatural component in the case of the fantastic. Based on this evidence, this paper examines and recovers the operativeness of Jacques Derrida’s theory in “The Law of Genre” about “participation without belonging”. That is, the possibility that texts participate in genres without exclusively belonging to any of them, a theoretical option that results in a broader framework and, therefore, more appropriate for thinking about current literary modes. El trabajo parte de la observación de un movimiento del campo literario contemporáneo argentino: la aproximación del realismo y el fantástico a partir de cierta renovación en sus modos y contenidos. Una consideración más amplia de lo real, en el caso del realismo, y el alejamiento o abandono del componente necesariamente sobrenatural en el caso del fantástico, son aspectos centrales de estas trasformaciones genéricas. Ante esta evidencia, el artículo revisa y recupera la operatividad de la propuesta teórica de Jacques Derrida en su trabajo “La ley del género” acerca de la “participación sin pertenencia”, esto es, la posibilidad de que los textos participen de los géneros sin pertenecer exclusivamente a ninguno, opción teórica que resulta un marco más amplio y, por lo tanto, más apropiado para pensar los modos literarios del presente. Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras 2020-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf https://revistas.unne.edu.ar/index.php/clt/article/view/4469 10.30972/clt.0144469 Cuadernos de Literatura; Núm. 14 (2020): Agosto; 2-14 2684-0499 0326-5102 spa https://revistas.unne.edu.ar/index.php/clt/article/view/4469/4176 Derechos de autor 2020 Cuadernos de Literatura
institution Universidad Nacional del Nordeste
institution_str I-48
repository_str R-154
container_title_str Revistas UNNE - Universidad Nacional del Noroeste (UNNE)
language Español
format Artículo revista
topic Argentine literature
Fantastic
Realism
Genres
Derrida
Literatura Argentina
Fantástico
Realismo
Géneros
Derrida
spellingShingle Argentine literature
Fantastic
Realism
Genres
Derrida
Literatura Argentina
Fantástico
Realismo
Géneros
Derrida
Bradford, Maia Lucía
Realism and fantasy in contemporary Argentine literature. The problem of the genres from a derridean perspective
topic_facet Argentine literature
Fantastic
Realism
Genres
Derrida
Literatura Argentina
Fantástico
Realismo
Géneros
Derrida
author Bradford, Maia Lucía
author_facet Bradford, Maia Lucía
author_sort Bradford, Maia Lucía
title Realism and fantasy in contemporary Argentine literature. The problem of the genres from a derridean perspective
title_short Realism and fantasy in contemporary Argentine literature. The problem of the genres from a derridean perspective
title_full Realism and fantasy in contemporary Argentine literature. The problem of the genres from a derridean perspective
title_fullStr Realism and fantasy in contemporary Argentine literature. The problem of the genres from a derridean perspective
title_full_unstemmed Realism and fantasy in contemporary Argentine literature. The problem of the genres from a derridean perspective
title_sort realism and fantasy in contemporary argentine literature. the problem of the genres from a derridean perspective
description This work analyzes a movement in contemporary Argentine literature: the approach of realism and fantasy based on certain renewal of their modes and contents. Central aspects of these generic transformations are a broader consideration of the real, in the case of realism, and the estrangement or abandonment of the necessarily supernatural component in the case of the fantastic. Based on this evidence, this paper examines and recovers the operativeness of Jacques Derrida’s theory in “The Law of Genre” about “participation without belonging”. That is, the possibility that texts participate in genres without exclusively belonging to any of them, a theoretical option that results in a broader framework and, therefore, more appropriate for thinking about current literary modes.
publisher Universidad Nacional del Nordeste. Facultad de Humandiades. Instituto de Letras
publishDate 2020
url https://revistas.unne.edu.ar/index.php/clt/article/view/4469
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