Chimeric Theatre by Leopoldo Lugones: "Two Ilustrious Lunatics" or "The Universal Divergence" (1909)

The Argentinian Leopoldo Lugones wrote a short chimerical play entitled Two Illustrious Lunatics or The Universal Divergence –published in the poetry collection Lunario Sentimental (1909)– as a contribution to the knowledge of Miguel de Cervantes Saavedra and William Shakespeare. In this drama, an i...

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Autor principal: Cazorla, María Angelina
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
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Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8442
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spelling I28-R267-article-84422020-12-28T19:16:19Z Chimeric Theatre by Leopoldo Lugones: "Two Ilustrious Lunatics" or "The Universal Divergence" (1909) El teatro quimérico de Leopoldo Lugones: "Dos ilustres lunáticos" o "La divergencia universal" (1909) Cazorla, María Angelina Hamlet Quixote chimeric lunatic divergende Hamlet Quijote quimérico lunático divergencia The Argentinian Leopoldo Lugones wrote a short chimerical play entitled Two Illustrious Lunatics or The Universal Divergence –published in the poetry collection Lunario Sentimental (1909)– as a contribution to the knowledge of Miguel de Cervantes Saavedra and William Shakespeare. In this drama, an imaginary meeting between H (Hamlet) and Q (Alonso Quixano) takes place during a full moon evening, at a railway station at the beginning of the 20th century. We consider that analyzing this play by Lugones is a good way to approach the world view of these two characters, their opposite (but complementary) conceptions on politics and philosophy, their different styles in facing social injustice and their ways of relating to women. To understand Lugones, we will review (in a comparative-contrastive exercise) some fundamental topics such as justice, love, power and violence (among others) which appear in The Tragegy of Hamlet, Prince of Denmark and El ingenioso hidalgo don Quijote de la Mancha and were compiled in the critical essay Hamlet and Don Quixote (1860) by the Russian writer Iván Serguéievich Turguénev.   El argentino Leopoldo Lugones escribió una breve obra de teatro quimérico titulada Dos ilustres lunáticos o La divergencia universal -incluida en el poemario Lunario Sentimental (1909)- como contribución a la difusión del conocimiento de Miguel de Cervantes Saavedra y William Shakespeare. En ella se relata un encuentro imaginario entre H (Hamlet) y Q (Alonso Quijano), una noche de luna llena, en una estación de ferrocarril, a principios del siglo XX. Nos pareció oportuno recurrir al análisis de esta pieza teatral de Lugones, para decodificar la cosmovisión de estos dos personajes, y sus concepciones opuestas (pero complementarias) sobre política y filosofía; sus estilos diferentes de lucha contra la injusticia social y sus modos de concebir y relacionarse con las mujeres. Para entender a Lugones, repasaremos (con un ejercicio comparativo-contrastivo) algunos temas, como la justicia, el amor, el poder y la violencia (entre otros), que aparecen en The Tragegy of Hamlet, Prince of Denmark  y El ingenioso hidalgo don Quijote de la Mancha y, recopilados en el ensayo crítico Hamlet y Don Quijote (1860) del escritor ruso Iván Serguéievich Turguénev. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020-10-11 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8442 10.34096/tdf.n32.8442 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 32 (2020) 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8442/8331 http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8442/8472 Derechos de autor 2020 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-267
container_title_str telondefondo
language Español
format Artículo revista
topic Hamlet
Quixote
chimeric
lunatic
divergende
Hamlet
Quijote
quimérico
lunático
divergencia
spellingShingle Hamlet
Quixote
chimeric
lunatic
divergende
Hamlet
Quijote
quimérico
lunático
divergencia
Cazorla, María Angelina
Chimeric Theatre by Leopoldo Lugones: "Two Ilustrious Lunatics" or "The Universal Divergence" (1909)
topic_facet Hamlet
Quixote
chimeric
lunatic
divergende
Hamlet
Quijote
quimérico
lunático
divergencia
author Cazorla, María Angelina
author_facet Cazorla, María Angelina
author_sort Cazorla, María Angelina
title Chimeric Theatre by Leopoldo Lugones: "Two Ilustrious Lunatics" or "The Universal Divergence" (1909)
title_short Chimeric Theatre by Leopoldo Lugones: "Two Ilustrious Lunatics" or "The Universal Divergence" (1909)
title_full Chimeric Theatre by Leopoldo Lugones: "Two Ilustrious Lunatics" or "The Universal Divergence" (1909)
title_fullStr Chimeric Theatre by Leopoldo Lugones: "Two Ilustrious Lunatics" or "The Universal Divergence" (1909)
title_full_unstemmed Chimeric Theatre by Leopoldo Lugones: "Two Ilustrious Lunatics" or "The Universal Divergence" (1909)
title_sort chimeric theatre by leopoldo lugones: "two ilustrious lunatics" or "the universal divergence" (1909)
description The Argentinian Leopoldo Lugones wrote a short chimerical play entitled Two Illustrious Lunatics or The Universal Divergence –published in the poetry collection Lunario Sentimental (1909)– as a contribution to the knowledge of Miguel de Cervantes Saavedra and William Shakespeare. In this drama, an imaginary meeting between H (Hamlet) and Q (Alonso Quixano) takes place during a full moon evening, at a railway station at the beginning of the 20th century. We consider that analyzing this play by Lugones is a good way to approach the world view of these two characters, their opposite (but complementary) conceptions on politics and philosophy, their different styles in facing social injustice and their ways of relating to women. To understand Lugones, we will review (in a comparative-contrastive exercise) some fundamental topics such as justice, love, power and violence (among others) which appear in The Tragegy of Hamlet, Prince of Denmark and El ingenioso hidalgo don Quijote de la Mancha and were compiled in the critical essay Hamlet and Don Quixote (1860) by the Russian writer Iván Serguéievich Turguénev.  
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2020
url http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8442
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