Les Luthiers Fifty Years after "Snow White and de Seven Deadly Sins"

Fifty years after the pemiere of "Snow White and the Seven Deadly Sins (Profane Oratory)", Les Luthiers’ experimental theatrical performance with actors and singers, this article aims to highlight the interesting achievements of this work, which included audiovisual technological resources...

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Autor principal: Vargas Fonseca, Josefina
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
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Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8263
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spelling I28-R267-article-82632021-01-05T13:30:49Z Les Luthiers Fifty Years after "Snow White and de Seven Deadly Sins" Les Luthiers a 50 años de "Blancanieves y los siete pecados capitales" Vargas Fonseca, Josefina Les Luthiers Fiftieth Anniversary Snow White Di Tella Institute Theatrical Innovation Les Luthiers cincuentenario Blancanieves Instituto Di Tella innovación teatral Fifty years after the pemiere of "Snow White and the Seven Deadly Sins (Profane Oratory)", Les Luthiers’ experimental theatrical performance with actors and singers, this article aims to highlight the interesting achievements of this work, which included audiovisual technological resources, putting some of the experiences of the Di Tella Institute in the service of theatre. While many advances in theatrical investigations were still waiting to happen, this work shows early attempts to revitalize a complex theatrical sign and to renew theatrical communication. Thus, the demands of a young generation, affected by profound cultural changes in the late 60s, find a the way to a humorous-musical discourse based on an assembly of the theatrical stage with slide pictures, audiovisual resources and formal and informal instruments in a sucessful interdisciplinary exchange that has lasted over time. Al cumplirse cincuenta años de la representación teatral experimental "Blancanieves y los siete pecados capitales (Oratorio Profano)" de Les Luthiers con cantantes y actores, se pretende destacar los aciertos de la propuesta que incluía recursos tecnológicos audiovisuales fruto de las experiencias realizadas en el Instituto Di Tella puestas al servicio del teatro. Ante los avances posteriores y el vasto desarrollo de las investigaciones teatrales, esta obra muestra intentos por revitalizar un signo teatral complejo que entable una comunicación teatral renovada. Las demandas de una generación joven, afectada por profundos cambios culturales de fines de los 60, encuentran un discurso humorístico-musical en un ensamblaje de la escena con proyección de diapositivas, recursos audiovisuales, instrumentos formales e informales; en un intercambio interdisciplinario exitoso que se ha prolongado en el tiempo. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020-07-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8263 10.34096/tdf.n31.8263 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 31 (2020) 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8263/7240 http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8263/7241 Derechos de autor 2020 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-267
container_title_str telondefondo
language Español
format Artículo revista
topic Les Luthiers
Fiftieth Anniversary
Snow White
Di Tella Institute
Theatrical Innovation
Les Luthiers
cincuentenario
Blancanieves
Instituto Di Tella
innovación teatral
spellingShingle Les Luthiers
Fiftieth Anniversary
Snow White
Di Tella Institute
Theatrical Innovation
Les Luthiers
cincuentenario
Blancanieves
Instituto Di Tella
innovación teatral
Vargas Fonseca, Josefina
Les Luthiers Fifty Years after "Snow White and de Seven Deadly Sins"
topic_facet Les Luthiers
Fiftieth Anniversary
Snow White
Di Tella Institute
Theatrical Innovation
Les Luthiers
cincuentenario
Blancanieves
Instituto Di Tella
innovación teatral
author Vargas Fonseca, Josefina
author_facet Vargas Fonseca, Josefina
author_sort Vargas Fonseca, Josefina
title Les Luthiers Fifty Years after "Snow White and de Seven Deadly Sins"
title_short Les Luthiers Fifty Years after "Snow White and de Seven Deadly Sins"
title_full Les Luthiers Fifty Years after "Snow White and de Seven Deadly Sins"
title_fullStr Les Luthiers Fifty Years after "Snow White and de Seven Deadly Sins"
title_full_unstemmed Les Luthiers Fifty Years after "Snow White and de Seven Deadly Sins"
title_sort les luthiers fifty years after "snow white and de seven deadly sins"
description Fifty years after the pemiere of "Snow White and the Seven Deadly Sins (Profane Oratory)", Les Luthiers’ experimental theatrical performance with actors and singers, this article aims to highlight the interesting achievements of this work, which included audiovisual technological resources, putting some of the experiences of the Di Tella Institute in the service of theatre. While many advances in theatrical investigations were still waiting to happen, this work shows early attempts to revitalize a complex theatrical sign and to renew theatrical communication. Thus, the demands of a young generation, affected by profound cultural changes in the late 60s, find a the way to a humorous-musical discourse based on an assembly of the theatrical stage with slide pictures, audiovisual resources and formal and informal instruments in a sucessful interdisciplinary exchange that has lasted over time.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2020
url http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8263
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first_indexed 2023-06-27T21:34:42Z
last_indexed 2023-06-27T21:34:42Z
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