What Do We Do? Why and Against What Do We Do it? Tensions, Crossroads and Potencies of (Independent? Self-Managed? Tangled?) Artistic Doing

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La Plata –the capital city of Buenos Aires province– is characterized by an important artistic and cultural activity, much of which occurs in a circuit that defines itself as independent or self-managed. In this paper we will address some of the problems and contradictions related to the production...

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Autores principales: del Mármol, Mariana, Sáez, Mariana
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
Materias:
Artistic Work
(Self)Precarization
Contemporary Dance
Self-Management
Financing of the Performing Arts
Trabajo artístico
danza contemporánea
(auto)precarización
autogestión
financiamiento de las Artes Escénicas
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8250
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telondefondo de Universidad de Buenos Aires
id I28-R267-article-8250
record_format ojs
spelling I28-R267-article-82502020-12-20T14:50:32Z What Do We Do? Why and Against What Do We Do it? Tensions, Crossroads and Potencies of (Independent? Self-Managed? Tangled?) Artistic Doing ¿Con qué, por qué y contra qué hacemos? Tensiones, encrucijadas y potencias del hacer artístico ¿independiente? ¿autogestivo? ¿enredado? del Mármol, Mariana Sáez, Mariana Artistic Work (Self)Precarization Contemporary Dance Self-Management Financing of the Performing Arts Trabajo artístico danza contemporánea (auto)precarización autogestión financiamiento de las Artes Escénicas La Plata –the capital city of Buenos Aires province– is characterized by an important artistic and cultural activity, much of which occurs in a circuit that defines itself as independent or self-managed. In this paper we will address some of the problems and contradictions related to the production conditions and strategies of this circuit, based on a concrete case: a Festival of Contemporary Dance, Performance and Transdisciplinary Actions organized by a self-managed group of dancers. This case study is part of an ethnographical approach to the field of performing arts in La Plata which we have presented in previous works, and it is an example to show some of the logics of the circuit we are inquiring. La ciudad de La Plata, capital de la provincia de Buenos Aires, se caracteriza por una importante actividad artística y cultural, gran parte de la cual se produce en un circuito que se autodefine como independiente o autogestivo. En este trabajo nos proponemos abordar algunas de las problemáticas y contradicciones relativas a las condiciones y estrategias de producción llevadas adelante en este circuito por medio del análisis de un caso concreto: un festival de Danza Contemporánea, Performance y Acciones Transdisciplinarias a cargo de un grupo de bailarinxs que inscriben su tarea en la autogestión. El análisis de este caso forma parte de un abordaje etnográfico del campo de las artes escénicas platenses que hemos desarrollado de manera complementaria en trabajos anteriores y busca funcionar como ejemplo de algunas de las lógicas de funcionamiento del circuito que nos encontramos indagando. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020-07-12 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8250 10.34096/tdf.n31.8250 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 31 (2020) 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8250/7254 http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8250/7255 Derechos de autor 2020 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-267
container_title_str telondefondo
language Español
format Artículo revista
topic Artistic Work
(Self)Precarization
Contemporary Dance
Self-Management
Financing of the Performing Arts
Trabajo artístico
danza contemporánea
(auto)precarización
autogestión
financiamiento de las Artes Escénicas
spellingShingle Artistic Work
(Self)Precarization
Contemporary Dance
Self-Management
Financing of the Performing Arts
Trabajo artístico
danza contemporánea
(auto)precarización
autogestión
financiamiento de las Artes Escénicas
del Mármol, Mariana
Sáez, Mariana
What Do We Do? Why and Against What Do We Do it? Tensions, Crossroads and Potencies of (Independent? Self-Managed? Tangled?) Artistic Doing
topic_facet Artistic Work
(Self)Precarization
Contemporary Dance
Self-Management
Financing of the Performing Arts
Trabajo artístico
danza contemporánea
(auto)precarización
autogestión
financiamiento de las Artes Escénicas
author del Mármol, Mariana
Sáez, Mariana
author_facet del Mármol, Mariana
Sáez, Mariana
author_sort del Mármol, Mariana
title What Do We Do? Why and Against What Do We Do it? Tensions, Crossroads and Potencies of (Independent? Self-Managed? Tangled?) Artistic Doing
title_short What Do We Do? Why and Against What Do We Do it? Tensions, Crossroads and Potencies of (Independent? Self-Managed? Tangled?) Artistic Doing
title_full What Do We Do? Why and Against What Do We Do it? Tensions, Crossroads and Potencies of (Independent? Self-Managed? Tangled?) Artistic Doing
title_fullStr What Do We Do? Why and Against What Do We Do it? Tensions, Crossroads and Potencies of (Independent? Self-Managed? Tangled?) Artistic Doing
title_full_unstemmed What Do We Do? Why and Against What Do We Do it? Tensions, Crossroads and Potencies of (Independent? Self-Managed? Tangled?) Artistic Doing
title_sort what do we do? why and against what do we do it? tensions, crossroads and potencies of (independent? self-managed? tangled?) artistic doing
description La Plata –the capital city of Buenos Aires province– is characterized by an important artistic and cultural activity, much of which occurs in a circuit that defines itself as independent or self-managed. In this paper we will address some of the problems and contradictions related to the production conditions and strategies of this circuit, based on a concrete case: a Festival of Contemporary Dance, Performance and Transdisciplinary Actions organized by a self-managed group of dancers. This case study is part of an ethnographical approach to the field of performing arts in La Plata which we have presented in previous works, and it is an example to show some of the logics of the circuit we are inquiring.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2020
url http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8250
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first_indexed 2023-06-27T21:34:41Z
last_indexed 2023-06-27T21:34:41Z
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