The Re-Presentation of the Past. A Reading of Griselda Gambaro’s "El Campo"

Mostrar todas las versiones(2)

The theatrical representation of the past that brings back the memory of the extreme violence exerted on the bodies by the State challenges our present. This irruption of the past becomes understandable to us through the organization of certain procedures of dramatic-scenic representation. The prese...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Sapkus, Patricia
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019
Materias:
representation
time
history
violence
El campo
Gambaro
representación
tiempo
historia
violencia
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7253
Aporte de:
telondefondo de Universidad de Buenos Aires
id I28-R267-article-7253
record_format ojs
spelling I28-R267-article-72532021-01-05T15:01:52Z The Re-Presentation of the Past. A Reading of Griselda Gambaro’s "El Campo" La re-presentación del pasado. Una lectura sobre la obra dramática "El Campo" de Griselda Gambaro Sapkus, Patricia representation time history violence El campo Gambaro representación tiempo historia violencia El campo Gambaro The theatrical representation of the past that brings back the memory of the extreme violence exerted on the bodies by the State challenges our present. This irruption of the past becomes understandable to us through the organization of certain procedures of dramatic-scenic representation. The present work makes an analysis of Griselda Gambaro’s "El campo" based on a semiotic approach that allows us to investigate the implications of the representation of time and history from the perspectives of P. Ricoeur, W. Benjamin, G. Didi-Huberman, B. Sarlo and A. Kaufman. La representación teatral del pasado que trae el recuerdo de la violencia límite ejercida por el Estado sobre los cuerpos, interpela nuestro presente. Esa irrupción del pasado se nos vuelve comprensible a través de la organización de determinados procedimientos de la representación dramático-escénica. El presente trabajo realiza un análisis sobre "El campo" de Griselda Gambaro, a través de un abordaje semiótico que nos permite indagar sobre las implicancias de la representación del tiempo y la historia desde las perspectivas de P. Ricoeur, W. Benjamin, G. Didi-Huberman, B. Sarlo y A. Kaufman. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7253 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 30 (2019); 158-164 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7253/6507
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-267
container_title_str telondefondo
language Español
format Artículo revista
topic representation
time
history
violence
El campo
Gambaro
representación
tiempo
historia
violencia
El campo
Gambaro
spellingShingle representation
time
history
violence
El campo
Gambaro
representación
tiempo
historia
violencia
El campo
Gambaro
Sapkus, Patricia
The Re-Presentation of the Past. A Reading of Griselda Gambaro’s "El Campo"
topic_facet representation
time
history
violence
El campo
Gambaro
representación
tiempo
historia
violencia
El campo
Gambaro
author Sapkus, Patricia
author_facet Sapkus, Patricia
author_sort Sapkus, Patricia
title The Re-Presentation of the Past. A Reading of Griselda Gambaro’s "El Campo"
title_short The Re-Presentation of the Past. A Reading of Griselda Gambaro’s "El Campo"
title_full The Re-Presentation of the Past. A Reading of Griselda Gambaro’s "El Campo"
title_fullStr The Re-Presentation of the Past. A Reading of Griselda Gambaro’s "El Campo"
title_full_unstemmed The Re-Presentation of the Past. A Reading of Griselda Gambaro’s "El Campo"
title_sort re-presentation of the past. a reading of griselda gambaro’s "el campo"
description The theatrical representation of the past that brings back the memory of the extreme violence exerted on the bodies by the State challenges our present. This irruption of the past becomes understandable to us through the organization of certain procedures of dramatic-scenic representation. The present work makes an analysis of Griselda Gambaro’s "El campo" based on a semiotic approach that allows us to investigate the implications of the representation of time and history from the perspectives of P. Ricoeur, W. Benjamin, G. Didi-Huberman, B. Sarlo and A. Kaufman.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2019
url http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/7253
work_keys_str_mv AT sapkuspatricia therepresentationofthepastareadingofgriseldagambaroselcampo
AT sapkuspatricia larepresentaciondelpasadounalecturasobrelaobradramaticaelcampodegriseldagambaro
AT sapkuspatricia representationofthepastareadingofgriseldagambaroselcampo
first_indexed 2023-06-27T21:34:37Z
last_indexed 2023-06-27T21:34:37Z
_version_ 1769893189497389056

Ejemplares similares