Hydra and the Philosophising of Action Art.
This essay seeks to make visible some theoretical problems to which the practice of the Hydra Transfilosofía Escénica research group throws, which from experimentation strives for putting in suspense the conceptual canon of art, philosophy and academic research, in order to question, deconstruct and...
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2022
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11232 |
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I28-R267-article-112322023-10-02T14:14:20Z Hydra and the Philosophising of Action Art. Hydra y la filosofización del arte acción. Salcido, Miroslava performative philosophy theatricality becoming-minority critical power academic research Hydra Transfilosofía Escénica filosofía performativa teatralidad minoración potencia crítica investigación académica Hydra Transfilosofía Escénica This essay seeks to make visible some theoretical problems to which the practice of the Hydra Transfilosofía Escénica research group throws, which from experimentation strives for putting in suspense the conceptual canon of art, philosophy and academic research, in order to question, deconstruct and transvalue these definitions and the frameworks of power that produce their speeches, as well as their spaces and identities. Scenic trans-philosophy is postulated as an interstitial thought that establishes a cross between ethics, aesthetics and politics, making use of the theatrical gaze in two ways: appealing to the essay as a research laboratory and to the use of theatricality as an awareness that reality and its political structures are not something finished but a continuous process, a staging of modes of representation and perception of this representation. Thus, the strategies of performance and its aesthetics of transience are thought of as the tool of the group to overcome dominant values in the academy, in an attempt to open other lines of escape for theory and writing that circulate normatively in the theater studies El presente ensayo busca visibilizar algunos problemas teóricos a los que arroja la práctica del grupo de investigación Hydra Transfilosofía Escénica, mismo que desde la experimentación busca poner en vilo el canon conceptual del arte, de la filosofía y de la investigación académica, para cuestionar, deconstruir y transvalorar estas definiciones y los entramados de poder que producen tanto sus discursos, como sus espacios e identidades. Se postula la transfilosofía escénica como un pensamiento intersticial que establece un cruce entre la ética, la estética y la política, echando mano de la mirada teatral en dos sentidos: apelando al ensayo como laboratorio de investigación y al uso de la teatralidad como conciencia de que la realidad y sus estructuras políticas no son algo acabado sino un proceso continuo, una puesta en escena de modos de representación y de percepción de esta representación. Así, se piensan las estrategias del performance y su estética de la transitoriedad, como la herramienta del grupo para superar valores dominantes en la academia, en un intento de abrir otras líneas de fuga para la teoría y la escritura que circulan normativamente en la teatrología. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2022-05-20 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11232 10.34096/tdf.n35.11232 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 35 (2022) 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11232/10509 Derechos de autor 2022 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0 |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-267 |
| container_title_str |
telondefondo |
| language |
Español |
| format |
Artículo revista |
| topic |
performative philosophy theatricality becoming-minority critical power academic research Hydra Transfilosofía Escénica filosofía performativa teatralidad minoración potencia crítica investigación académica Hydra Transfilosofía Escénica |
| spellingShingle |
performative philosophy theatricality becoming-minority critical power academic research Hydra Transfilosofía Escénica filosofía performativa teatralidad minoración potencia crítica investigación académica Hydra Transfilosofía Escénica Salcido, Miroslava Hydra and the Philosophising of Action Art. |
| topic_facet |
performative philosophy theatricality becoming-minority critical power academic research Hydra Transfilosofía Escénica filosofía performativa teatralidad minoración potencia crítica investigación académica Hydra Transfilosofía Escénica |
| author |
Salcido, Miroslava |
| author_facet |
Salcido, Miroslava |
| author_sort |
Salcido, Miroslava |
| title |
Hydra and the Philosophising of Action Art. |
| title_short |
Hydra and the Philosophising of Action Art. |
| title_full |
Hydra and the Philosophising of Action Art. |
| title_fullStr |
Hydra and the Philosophising of Action Art. |
| title_full_unstemmed |
Hydra and the Philosophising of Action Art. |
| title_sort |
hydra and the philosophising of action art. |
| description |
This essay seeks to make visible some theoretical problems to which the practice of the Hydra Transfilosofía Escénica research group throws, which from experimentation strives for putting in suspense the conceptual canon of art, philosophy and academic research, in order to question, deconstruct and transvalue these definitions and the frameworks of power that produce their speeches, as well as their spaces and identities. Scenic trans-philosophy is postulated as an interstitial thought that establishes a cross between ethics, aesthetics and politics, making use of the theatrical gaze in two ways: appealing to the essay as a research laboratory and to the use of theatricality as an awareness that reality and its political structures are not something finished but a continuous process, a staging of modes of representation and perception of this representation. Thus, the strategies of performance and its aesthetics of transience are thought of as the tool of the group to overcome dominant values in the academy, in an attempt to open other lines of escape for theory and writing that circulate normatively in the theater studies |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2022 |
| url |
http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11232 |
| work_keys_str_mv |
AT salcidomiroslava hydraandthephilosophisingofactionart AT salcidomiroslava hydraylafilosofizaciondelarteaccion |
| first_indexed |
2023-06-27T21:36:26Z |
| last_indexed |
2023-11-08T21:11:56Z |
| _version_ |
1782031756161974272 |