Researching other Theaters: the Theater in the Interior in Uruguay, an Invisible Theater

The work pursues a theoretical reflection in order to problematize both, the horizon and the object of theater studies —the theatrical field or system as defined by criticism, the concept of theater— arguing in favor of broadening the gaze and also making the concept of theater more flexible in orde...

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Autor principal: Remedi, Gustavo
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021
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Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10243
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spelling I28-R267-article-102432023-10-02T14:21:40Z Researching other Theaters: the Theater in the Interior in Uruguay, an Invisible Theater Investigar otros teatros: el teatro en el interior en Uruguay, un teatro invisibilizado. Remedi, Gustavo Uruguyan theater the field of theater theatricalities popular theater theater in the interior teatro uruguayo sistema teatral teatralidades teatro popular teatro del interior The work pursues a theoretical reflection in order to problematize both, the horizon and the object of theater studies —the theatrical field or system as defined by criticism, the concept of theater— arguing in favor of broadening the gaze and also making the concept of theater more flexible in order to be able to encompass other theatricalities, other forms of theatrical expression, various manifestations of popular theater —such as the carnival theater— historically neglected by the official theater world (critics, researchers, authorities, etc.), and especially, the theater of the / in "the interior" of the country, a theater which in the case of Uruguay has been long and incomprehensibly left out of focus and out of the picture. El trabajo desarrolla una reflexión teórica a efectos de problematizar el horizonte y el objeto de los estudios teatrales —el campo o el sistema teatral, el concepto de teatro— argumentando en favor de ampliar la mirada y también flexibilizar el concepto de teatro de modo de poder abarcar otras teatralidades, otras formas de expresión teatral, diversas manifestaciones de teatro popular, como por ejemplo el teatro de carnaval, históricamente dejadas de lado por el mundo del teatro (la crítica, los investigadores, las autoridades de la cultura, etc.), y especialmente, el teatro del/en “el interior” del país, que en el caso de Uruguay ha sido larga e incomprensiblemente dejado fuera del foco y del cuadro. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021-05-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10243 10.34096/tdf.n33.10243 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 33 (2021) 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10243/9133 http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10243/9150 Derechos de autor 2021 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-267
container_title_str telondefondo
language Español
format Artículo revista
topic Uruguyan theater
the field of theater
theatricalities
popular theater
theater in the interior
teatro uruguayo
sistema teatral
teatralidades
teatro popular
teatro del interior
spellingShingle Uruguyan theater
the field of theater
theatricalities
popular theater
theater in the interior
teatro uruguayo
sistema teatral
teatralidades
teatro popular
teatro del interior
Remedi, Gustavo
Researching other Theaters: the Theater in the Interior in Uruguay, an Invisible Theater
topic_facet Uruguyan theater
the field of theater
theatricalities
popular theater
theater in the interior
teatro uruguayo
sistema teatral
teatralidades
teatro popular
teatro del interior
author Remedi, Gustavo
author_facet Remedi, Gustavo
author_sort Remedi, Gustavo
title Researching other Theaters: the Theater in the Interior in Uruguay, an Invisible Theater
title_short Researching other Theaters: the Theater in the Interior in Uruguay, an Invisible Theater
title_full Researching other Theaters: the Theater in the Interior in Uruguay, an Invisible Theater
title_fullStr Researching other Theaters: the Theater in the Interior in Uruguay, an Invisible Theater
title_full_unstemmed Researching other Theaters: the Theater in the Interior in Uruguay, an Invisible Theater
title_sort researching other theaters: the theater in the interior in uruguay, an invisible theater
description The work pursues a theoretical reflection in order to problematize both, the horizon and the object of theater studies —the theatrical field or system as defined by criticism, the concept of theater— arguing in favor of broadening the gaze and also making the concept of theater more flexible in order to be able to encompass other theatricalities, other forms of theatrical expression, various manifestations of popular theater —such as the carnival theater— historically neglected by the official theater world (critics, researchers, authorities, etc.), and especially, the theater of the / in "the interior" of the country, a theater which in the case of Uruguay has been long and incomprehensibly left out of focus and out of the picture.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2021
url http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10243
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first_indexed 2023-06-27T21:36:04Z
last_indexed 2023-11-08T21:11:52Z
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