Scenic and Performatic bodies: Memory and Poetic Subjectivity

Every cultural representation of the body involves, more or less explicitly, a web of worldviews, social values, conceptions and knowledge about bodyhood and the way art produces and organizes them.We intend to investigate some possible ways in which memory is inscribed in the body, within performat...

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Autor principal: Díaz, Silvina
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021
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Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10241
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spelling I28-R267-article-102412023-10-02T14:21:40Z Scenic and Performatic bodies: Memory and Poetic Subjectivity Cuerpos escénicos y performáticos: memoria y subjetividad poética Díaz, Silvina Body Performance Theatre Memory Liminality cuerpo performance teatro memoria Liminalidad Every cultural representation of the body involves, more or less explicitly, a web of worldviews, social values, conceptions and knowledge about bodyhood and the way art produces and organizes them.We intend to investigate some possible ways in which memory is inscribed in the body, within performatic or scenic practices that appear as a result of research processes and incorporate languages of various arts. They suggest the conception of a plural body (Citro), crossed by multiple inscriptions, while bodily writings design social territories and political cartographies. Both in the case of socio-aesthetic practices that break into the public space and in those stage-based experiences in which the actor or actress becomes the central element of creative work, the body, as support, matter and action (Barría Jara) remains the true political and aesthetic core in which individual and collective memory is recorded and reconstructed.  Toda representación cultural del cuerpo conlleva, de un modo más o menos explícito, un entramado de visiones de mundo, valores sociales, concepciones y saberes sobre la corporalidad y sobre la manera en que el arte los produce y los organiza. Nos proponemos indagar en algunos modos posibles en que la memoria se inscribe en el cuerpo, en el seno de prácticas performáticas o escénicas que aparecen como resultado de procesos de investigación e incorporan lenguajes de diversas artes. En ellas se sugiere la concepción de un cuerpo plural (Citro), atravesado por múltiples inscripciones, al tiempo que las escrituras corporales diseñan los territorios sociales y las cartografías políticas. Tanto en lo que se refiere a las prácticas socio- estéticas que irrumpen en el espacio público, como a aquellas experiencias escénicas en que el actor o la actriz deviene el elemento central del trabajo creativo, su cuerpo -en tanto soporte, materia y acción (Barría Jara)- continúa siendo el verdadero núcleo político y estético en el que se inscribe y se reconstruye la memoria individual y colectiva. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021-05-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10241 10.34096/tdf.n33.10241 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 33 (2021) 1669-6301 spa http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10241/9131 http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10241/9158 Derechos de autor 2021 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-267
container_title_str telondefondo
language Español
format Artículo revista
topic Body
Performance
Theatre
Memory
Liminality
cuerpo
performance
teatro
memoria
Liminalidad
spellingShingle Body
Performance
Theatre
Memory
Liminality
cuerpo
performance
teatro
memoria
Liminalidad
Díaz, Silvina
Scenic and Performatic bodies: Memory and Poetic Subjectivity
topic_facet Body
Performance
Theatre
Memory
Liminality
cuerpo
performance
teatro
memoria
Liminalidad
author Díaz, Silvina
author_facet Díaz, Silvina
author_sort Díaz, Silvina
title Scenic and Performatic bodies: Memory and Poetic Subjectivity
title_short Scenic and Performatic bodies: Memory and Poetic Subjectivity
title_full Scenic and Performatic bodies: Memory and Poetic Subjectivity
title_fullStr Scenic and Performatic bodies: Memory and Poetic Subjectivity
title_full_unstemmed Scenic and Performatic bodies: Memory and Poetic Subjectivity
title_sort scenic and performatic bodies: memory and poetic subjectivity
description Every cultural representation of the body involves, more or less explicitly, a web of worldviews, social values, conceptions and knowledge about bodyhood and the way art produces and organizes them.We intend to investigate some possible ways in which memory is inscribed in the body, within performatic or scenic practices that appear as a result of research processes and incorporate languages of various arts. They suggest the conception of a plural body (Citro), crossed by multiple inscriptions, while bodily writings design social territories and political cartographies. Both in the case of socio-aesthetic practices that break into the public space and in those stage-based experiences in which the actor or actress becomes the central element of creative work, the body, as support, matter and action (Barría Jara) remains the true political and aesthetic core in which individual and collective memory is recorded and reconstructed. 
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2021
url http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10241
work_keys_str_mv AT diazsilvina scenicandperformaticbodiesmemoryandpoeticsubjectivity
AT diazsilvina cuerposescenicosyperformaticosmemoriaysubjetividadpoetica
first_indexed 2023-06-27T21:36:04Z
last_indexed 2023-11-08T21:11:52Z
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