The “Baile Funk” circuit, the “Forbidden Funk”, and the imagined community: challenges in the songs of the slums

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The subject of this paper lies on a song compilation recorded between the years of 2000 and 2010 at bailes funk of the Rio de Janeiro’s favelas, and disseminated via homemade CD-Rs, through which we address the constitution of a musical scene at Rio de Janeiro’s periphery. It occurs due to factors w...

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Autor principal: Pimentel, Ary
Formato: Artículo revista
Lenguaje:Portugués
Publicado: Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA 2017
Materias:
Forbidden Funk
Baile Circuit
Baile Funk
Imagined Community
Carioca Funk Parties
Funk Prohibido
Circuito
Baile
Comunidad imaginada
Fiesta funk
Funk Proibido
Comunidade imaginada
Festa funk
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/runa/article/view/2632
Aporte de:
Runa de Universidad de Buenos Aires
id I28-R265-article-2632
record_format ojs
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-265
container_title_str Runa
language Portugués
format Artículo revista
topic Forbidden Funk
Baile Circuit
Baile Funk
Imagined Community
Carioca Funk Parties
Funk Prohibido
Circuito
Baile
Comunidad imaginada
Fiesta funk
Funk Proibido
Circuito
Baile
Comunidade imaginada
Festa funk
spellingShingle Forbidden Funk
Baile Circuit
Baile Funk
Imagined Community
Carioca Funk Parties
Funk Prohibido
Circuito
Baile
Comunidad imaginada
Fiesta funk
Funk Proibido
Circuito
Baile
Comunidade imaginada
Festa funk
Pimentel, Ary
The “Baile Funk” circuit, the “Forbidden Funk”, and the imagined community: challenges in the songs of the slums
topic_facet Forbidden Funk
Baile Circuit
Baile Funk
Imagined Community
Carioca Funk Parties
Funk Prohibido
Circuito
Baile
Comunidad imaginada
Fiesta funk
Funk Proibido
Circuito
Baile
Comunidade imaginada
Festa funk
author Pimentel, Ary
author_facet Pimentel, Ary
author_sort Pimentel, Ary
title The “Baile Funk” circuit, the “Forbidden Funk”, and the imagined community: challenges in the songs of the slums
title_short The “Baile Funk” circuit, the “Forbidden Funk”, and the imagined community: challenges in the songs of the slums
title_full The “Baile Funk” circuit, the “Forbidden Funk”, and the imagined community: challenges in the songs of the slums
title_fullStr The “Baile Funk” circuit, the “Forbidden Funk”, and the imagined community: challenges in the songs of the slums
title_full_unstemmed The “Baile Funk” circuit, the “Forbidden Funk”, and the imagined community: challenges in the songs of the slums
title_sort “baile funk” circuit, the “forbidden funk”, and the imagined community: challenges in the songs of the slums
description The subject of this paper lies on a song compilation recorded between the years of 2000 and 2010 at bailes funk of the Rio de Janeiro’s favelas, and disseminated via homemade CD-Rs, through which we address the constitution of a musical scene at Rio de Janeiro’s periphery. It occurs due to factors which intervened at the form on how were framed the speeches propagated through the lyrics of the musical subgenre named Proibidão. This research broaches the specific case of live-presented street party songs, sold at the informal market slums’ stands CDs. The chosen method to comprehend the slums operation as “emotional communities” was reflecting upon the production and the hearing within the musical subgenre. A subgenre which express a micro-location identitary process, glance shifting our attention to zones where new intersubjective experiences emerge, where cultural values, representation strategies, and the marks of a small collectivity belongingness are all negotiated.
publisher Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA
publishDate 2017
url http://revistascientificas.filo.uba.ar/index.php/runa/article/view/2632
work_keys_str_mv AT pimentelary thebailefunkcircuittheforbiddenfunkandtheimaginedcommunitychallengesinthesongsoftheslums
AT pimentelary ocircuitodebailesofunkproibidoeacomunidadeimaginadabalbuciosedesafiosdarepresentacaonamusicadasfavelas
AT pimentelary elcircuitodebaileselfunkprohibidoylacomunidadimaginadadesafiosdelarepresentacionenlamusicadelasfavelas
AT pimentelary bailefunkcircuittheforbiddenfunkandtheimaginedcommunitychallengesinthesongsoftheslums
first_indexed 2023-06-27T21:26:28Z
last_indexed 2023-06-27T21:26:28Z
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spelling I28-R265-article-26322023-06-27T21:23:28Z The “Baile Funk” circuit, the “Forbidden Funk”, and the imagined community: challenges in the songs of the slums O circuito de bailes, o Funk Proibido e a comunidade imaginada: balbucios e desafios da representação na música das favelas El circuito de bailes, el Funk Prohibido y la comunidad imaginada: desafíos de la representación en la música de las favelas Pimentel, Ary Forbidden Funk Baile Circuit Baile Funk Imagined Community Carioca Funk Parties Funk Prohibido Circuito Baile Comunidad imaginada Fiesta funk Funk Proibido Circuito Baile Comunidade imaginada Festa funk The subject of this paper lies on a song compilation recorded between the years of 2000 and 2010 at bailes funk of the Rio de Janeiro’s favelas, and disseminated via homemade CD-Rs, through which we address the constitution of a musical scene at Rio de Janeiro’s periphery. It occurs due to factors which intervened at the form on how were framed the speeches propagated through the lyrics of the musical subgenre named Proibidão. This research broaches the specific case of live-presented street party songs, sold at the informal market slums’ stands CDs. The chosen method to comprehend the slums operation as “emotional communities” was reflecting upon the production and the hearing within the musical subgenre. A subgenre which express a micro-location identitary process, glance shifting our attention to zones where new intersubjective experiences emerge, where cultural values, representation strategies, and the marks of a small collectivity belongingness are all negotiated. Tendo como objeto de estudo coletâneas de músicas difundidas em CDs gravados nos bailes funk promovidos em favelas do Rio de Janeiro entre 2000 e 2010, abordamos neste trabalho a constituição de um circuito musical na periferia carioca em função de fatores que interferiram na forma como se constituiriam os discursos veiculados através das letras do subgênero do Funk Carioca que se chamou “Proibidão”. A pesquisa aborda o caso específico das músicas apresentadas ao vivo em festas de rua e difundidas através de CDs vendidos no mercado informal. O método escolhido para tentar compreender o funcionamento das favelas como “comunidades de sentimentos” foi o de pensar a produção e a escuta de um subgênero musical que expressa um processo de microlocalização identitária, deslocando o olhar para zonas onde emergem novas experiências intersubjetivas e se negociam valores culturais, estratégias de representação e marcas de pertencimento a pequenas coletividades. Partiendo del estudio de los registros musicales hechos en CDs de canciones grabadas en bailes funk promovidos en favelas de Río de Janeiro entre 2000 y 2010, este artículo brinda un panorama general de la constitución de un circuito musical en la periferia carioca y discute los factores que interfirieron de modo directo en la forma como se constituyeron los discursos transmitidos a través de las letras del subgénero del Funk Carioca que se llamó “Proibidão”. La investigación se dedica a las músicas presentadas en fiestas callejeras y distribuidas en el mercado informal de comunidades populares. El método elegido para intentar comprender las favelas como zonas donde surgen nuevas experiencias intersubjetivas y se negocian otras estrategias de representación fue el de pensar, desde un punto de vista sociológico y también en sus dimensiones estéticas, la producción y la escucha de un subgénero musical que expresa un complejo proceso de microlocalización identitaria. Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA 2017-08-17 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículos evaluados por pares application/pdf http://revistascientificas.filo.uba.ar/index.php/runa/article/view/2632 10.34096/runa.v38i1.2632 RUNA, archivo para las ciencias del hombre; Vol 38 No 1 (2017); 93-109 RUNA, archivo para las ciencias del hombre; Vol. 38 Núm. 1 (2017); 93-109 RUNA, archivo para las ciencias del hombre; v. 38 n. 1 (2017); 93-109 1851-9628 0325-1217 por http://revistascientificas.filo.uba.ar/index.php/runa/article/view/2632/3394

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