A Trap (for Lamartine): Critique of Ontology from the Literature

This work tries to rehearse a critique towards the fundamental ontology in Brazilian literature, focusing on the novel written by Carlos Sussekind, Trap for Lamartine (1975) and to point out at another novel by same author, What do you think he did (1994), whose publications distanced themselves abo...

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Detalles Bibliográficos
Autor principal: Costi Pandolfo, Alexandre
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019
Materias:
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/7137
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spelling I28-R257-article-71372020-02-17T20:02:43Z A Trap (for Lamartine): Critique of Ontology from the Literature Uma Armadilha (para Lamartine): crítica à ontologia na literatura brasileira Costi Pandolfo, Alexandre Trap Memory Ontology Brazilian literature Armadilha Memória Ontologia Literatura brasileira This work tries to rehearse a critique towards the fundamental ontology in Brazilian literature, focusing on the novel written by Carlos Sussekind, Trap for Lamartine (1975) and to point out at another novel by same author, What do you think he did (1994), whose publications distanced themselves about 20 years in time. These novels, which can be understood as discontinuous continuation of one another, are offered here as time, space and matter for the crisis and criticism of the metaphysics of presence, the representational tradition and the logic of authenticity, whose concepts make up the ontological cunning constructions, which were absolute for the twentieth and twenty-first centuries. Este trabalho procura ensaiar uma crítica à ontologia fundamental na literatura brasileira através da abordagem do romance de Carlos Sussekind, Armadilha para Lamartine (1975) e apontando para outro romance do autor, Que pensam vocês que ele fez (1994), cujas publicações distanciam-se cerca de 20 anos no tempo. Tais romances, que podem ser entendidos como continuação descontínua um do outro, oferecem-se aqui como tempo, espaço e matéria para a crise e a crítica da metafísica da presença, da tradição representacional e da lógica da autenticidade, cujos conceitos perfazem as ardilosas construções ontológicas que foram cabais para os séculos XX e XXI. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019-10-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/7137 10.34096/interlitteras.n1.7224 Inter Litteras; Núm. 1 (2019); 116-129 2683-9695 0328-8935 spa http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/7137/6384
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-257
container_title_str Inter Litteras
language Español
format Artículo revista
topic Trap
Memory
Ontology
Brazilian literature
Armadilha
Memória
Ontologia
Literatura brasileira
spellingShingle Trap
Memory
Ontology
Brazilian literature
Armadilha
Memória
Ontologia
Literatura brasileira
Costi Pandolfo, Alexandre
A Trap (for Lamartine): Critique of Ontology from the Literature
topic_facet Trap
Memory
Ontology
Brazilian literature
Armadilha
Memória
Ontologia
Literatura brasileira
author Costi Pandolfo, Alexandre
author_facet Costi Pandolfo, Alexandre
author_sort Costi Pandolfo, Alexandre
title A Trap (for Lamartine): Critique of Ontology from the Literature
title_short A Trap (for Lamartine): Critique of Ontology from the Literature
title_full A Trap (for Lamartine): Critique of Ontology from the Literature
title_fullStr A Trap (for Lamartine): Critique of Ontology from the Literature
title_full_unstemmed A Trap (for Lamartine): Critique of Ontology from the Literature
title_sort trap (for lamartine): critique of ontology from the literature
description This work tries to rehearse a critique towards the fundamental ontology in Brazilian literature, focusing on the novel written by Carlos Sussekind, Trap for Lamartine (1975) and to point out at another novel by same author, What do you think he did (1994), whose publications distanced themselves about 20 years in time. These novels, which can be understood as discontinuous continuation of one another, are offered here as time, space and matter for the crisis and criticism of the metaphysics of presence, the representational tradition and the logic of authenticity, whose concepts make up the ontological cunning constructions, which were absolute for the twentieth and twenty-first centuries.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2019
url http://revistascientificas.filo.uba.ar/index.php/interlitteras/article/view/7137
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first_indexed 2023-06-27T21:11:32Z
last_indexed 2023-06-27T21:11:32Z
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