The New Man and Religion. V. Mayakovsky’s Mystery-Bouffe and A. Lunacharsky’s Ivan in Paradise

Starting from a discussion about the different philosophical, political and literary conceptions regarding the notions of a new man, concept that had a particular development in the russian literature and in the slogans and political ideals of the Russian Revolution, the present article aims to disc...

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Autor principal: López Arriazu, Eugenio
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021
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Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/filologia/article/view/10625
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spelling I28-R253-article-106252021-10-14T17:56:50Z The New Man and Religion. V. Mayakovsky’s Mystery-Bouffe and A. Lunacharsky’s Ivan in Paradise El hombre nuevo y la religión. Misterio Bufo de V. Maiakovski e Iván en el Paraíso de A. Lunacharski López Arriazu, Eugenio new man religion Russian Revolution Mayakovski Lunacharsky hombre nuevo religión Revolución Rusa Lunacharski Maiakovski Starting from a discussion about the different philosophical, political and literary conceptions regarding the notions of a new man, concept that had a particular development in the russian literature and in the slogans and political ideals of the Russian Revolution, the present article aims to discuss the way in which the aforementioned concept is forged and given shape in two literary texts from the beginning of the revolution. In order to do so, we will analyze V. Mayakovsky’s Mystery-Bouffe and A. Lunacharsky’s Ivan in Paradise. Although both texts resort to religion to build by contrast a new secular ideal of man, their poetics and literary techniques produce not only very different models of the new man, but models that reveal the internal tensions among the revolutionary agents in respect of the path they wished for the revolution. A partir de una discusión acerca de las diferentes concepciones filosóficas, políticas y literarias que atañen a la noción de hombre nuevo, concepto que tuvo un desarrollo particular en la literatura rusa y en las consignas e ideales políticos de la Revolución Rusa, el presente artículo se propone discutir la manera en que dicho concepto se forja y modula en dos textos literarios de comienzos de la revolución. Emprenderemos para ello el análisis de Misterio Bufo, de V. Maiakovski e Iván en el Paraíso, de A. Lunacharski. Si bien ambos textos apelan a la religión para construir por contraste un nuevo ideal secular del hombre, sus poéticas y técnicas literarias producen modelos del hombre nuevo no solo muy diferentes entre sí, sino reveladores de las tensiones internas entre los agentes revolucionarios respecto del curso que deseaban para la revolución. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021-10-14 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/filologia/article/view/10625 10.34096/filologia.n53.10625 Filología; Núm. 53 (2021); 37-47 2422-6009 0071-495X spa http://revistascientificas.filo.uba.ar/index.php/filologia/article/view/10625/9318 http://revistascientificas.filo.uba.ar/index.php/filologia/article/view/10625/9335
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-253
container_title_str Filología
language Español
format Artículo revista
topic new man
religion
Russian Revolution
Mayakovski
Lunacharsky
hombre nuevo
religión
Revolución Rusa
Lunacharski
Maiakovski
spellingShingle new man
religion
Russian Revolution
Mayakovski
Lunacharsky
hombre nuevo
religión
Revolución Rusa
Lunacharski
Maiakovski
López Arriazu, Eugenio
The New Man and Religion. V. Mayakovsky’s Mystery-Bouffe and A. Lunacharsky’s Ivan in Paradise
topic_facet new man
religion
Russian Revolution
Mayakovski
Lunacharsky
hombre nuevo
religión
Revolución Rusa
Lunacharski
Maiakovski
author López Arriazu, Eugenio
author_facet López Arriazu, Eugenio
author_sort López Arriazu, Eugenio
title The New Man and Religion. V. Mayakovsky’s Mystery-Bouffe and A. Lunacharsky’s Ivan in Paradise
title_short The New Man and Religion. V. Mayakovsky’s Mystery-Bouffe and A. Lunacharsky’s Ivan in Paradise
title_full The New Man and Religion. V. Mayakovsky’s Mystery-Bouffe and A. Lunacharsky’s Ivan in Paradise
title_fullStr The New Man and Religion. V. Mayakovsky’s Mystery-Bouffe and A. Lunacharsky’s Ivan in Paradise
title_full_unstemmed The New Man and Religion. V. Mayakovsky’s Mystery-Bouffe and A. Lunacharsky’s Ivan in Paradise
title_sort new man and religion. v. mayakovsky’s mystery-bouffe and a. lunacharsky’s ivan in paradise
description Starting from a discussion about the different philosophical, political and literary conceptions regarding the notions of a new man, concept that had a particular development in the russian literature and in the slogans and political ideals of the Russian Revolution, the present article aims to discuss the way in which the aforementioned concept is forged and given shape in two literary texts from the beginning of the revolution. In order to do so, we will analyze V. Mayakovsky’s Mystery-Bouffe and A. Lunacharsky’s Ivan in Paradise. Although both texts resort to religion to build by contrast a new secular ideal of man, their poetics and literary techniques produce not only very different models of the new man, but models that reveal the internal tensions among the revolutionary agents in respect of the path they wished for the revolution.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2021
url http://revistascientificas.filo.uba.ar/index.php/filologia/article/view/10625
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first_indexed 2023-06-27T21:06:42Z
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