The Aesthetics of the Group Convivio in the Coat of Arms of Buenos Aires by Juan Antonio (Spotorno)

Our objective in this paper is to present a semiotic analysis of the version of the Coat of Arms of the City of Buenos Aires by Juan Antonio Spotorno (1937) within the framework of the artistic practices undertaken by Convivio, a group of artists —active between 1927. and c.1947— which was proposed...

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Autores principales: Niño Amieva, Alejandra, Mancuso, Hugo R.
Formato: Artículo revista
Lenguaje:Español
Publicado: Estudios e investigaciones 2022
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/payro/article/view/11776
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Estudios e investigaciones del Instituto de Teoría e Historia del Arte Julio Payró de Universidad de Buenos Aires
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spelling I28-R251-article-117762022-09-07T07:41:39Z The Aesthetics of the Group Convivio in the Coat of Arms of Buenos Aires by Juan Antonio (Spotorno) La estética del grupo Convivio en el escudo de la Ciudad de Buenos Aires de Juan Antonio (Spotorno) Niño Amieva, Alejandra Mancuso, Hugo R. Our objective in this paper is to present a semiotic analysis of the version of the Coat of Arms of the City of Buenos Aires by Juan Antonio Spotorno (1937) within the framework of the artistic practices undertaken by Convivio, a group of artists —active between 1927. and c.1947— which was proposed as a forum for discussion and reflection on artistic, literary, religious and cultural issues and problems in general and promoted artistic exhibitions, editorial undertakings and conferences, among other activities. To this end, we firstly make a brief reference to the sources and background of the subject; secondly, we present the analysis, contextualization and co-textualization of the version of the Coat of Arms of the City of Buenos Aires by Juan Antonio Spotorno to, finally, propose an interpretive update of it within the framework of the aesthetic program of the group Convivio. In this sense, it is possible to notice the proposition about the community dimension (conceived as spiritual communitas, i.e. religious, i.e. Catholic) in the version of this Cout of Arms as a sign action destined to counteract secularization, operated on the reading and image of the emblem of the city of Buenos Aires. Nuestro objetivo en el presente trabajo es presentar un análisis semiótico de la versión del Escudo de la Ciudad de Buenos Aires  de Juan Antonio Spotorno (1937) en el marco de las prácticas artísticas emprendidas por el Convivio, agrupación de artistas —activa entre los años 1927 y c.1947— que se propuso como ámbito de discusión y reflexión de temas y problemas artísticos, literarios, religiosos y culturales en general e impulsó exposiciones artísticas, emprendimientos editoriales y conferencias, entre otras actividades. Con tal fin realizamos en primer lugar una breve referencia a las fuentes y antecedentes del tema; en segundo lugar, exponemos el análisis, contextualización y cotextualización de la versión del Escudo de la Ciudad de Buenos Aires a cargo de Juan Antonio Spotorno para, finalmente, proponer una actualización interpretativa del mismo en el marco del programa estético de la agrupación Convivio. En tal sentido, es posible advertir la proposición sobre la dimensión comunitaria (concebida como communitas espiritual, i.e. religiosa, i.e. católica) en la versión de este Escudo como acción sígnica destinada a contrarrestar la secularización, operada en la lectura e imagen del blasón de la ciudad de Buenos Aires. Estudios e investigaciones 2022-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares application/pdf http://revistascientificas.filo.uba.ar/index.php/payro/article/view/11776 Estudios e investigaciones; Vol. 14 (2019); 35-50 2618-4230 spa http://revistascientificas.filo.uba.ar/index.php/payro/article/view/11776/10447
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-251
container_title_str Estudios e investigaciones del Instituto de Teoría e Historia del Arte Julio Payró
language Español
format Artículo revista
author Niño Amieva, Alejandra
Mancuso, Hugo R.
spellingShingle Niño Amieva, Alejandra
Mancuso, Hugo R.
The Aesthetics of the Group Convivio in the Coat of Arms of Buenos Aires by Juan Antonio (Spotorno)
author_facet Niño Amieva, Alejandra
Mancuso, Hugo R.
author_sort Niño Amieva, Alejandra
title The Aesthetics of the Group Convivio in the Coat of Arms of Buenos Aires by Juan Antonio (Spotorno)
title_short The Aesthetics of the Group Convivio in the Coat of Arms of Buenos Aires by Juan Antonio (Spotorno)
title_full The Aesthetics of the Group Convivio in the Coat of Arms of Buenos Aires by Juan Antonio (Spotorno)
title_fullStr The Aesthetics of the Group Convivio in the Coat of Arms of Buenos Aires by Juan Antonio (Spotorno)
title_full_unstemmed The Aesthetics of the Group Convivio in the Coat of Arms of Buenos Aires by Juan Antonio (Spotorno)
title_sort aesthetics of the group convivio in the coat of arms of buenos aires by juan antonio (spotorno)
description Our objective in this paper is to present a semiotic analysis of the version of the Coat of Arms of the City of Buenos Aires by Juan Antonio Spotorno (1937) within the framework of the artistic practices undertaken by Convivio, a group of artists —active between 1927. and c.1947— which was proposed as a forum for discussion and reflection on artistic, literary, religious and cultural issues and problems in general and promoted artistic exhibitions, editorial undertakings and conferences, among other activities. To this end, we firstly make a brief reference to the sources and background of the subject; secondly, we present the analysis, contextualization and co-textualization of the version of the Coat of Arms of the City of Buenos Aires by Juan Antonio Spotorno to, finally, propose an interpretive update of it within the framework of the aesthetic program of the group Convivio. In this sense, it is possible to notice the proposition about the community dimension (conceived as spiritual communitas, i.e. religious, i.e. Catholic) in the version of this Cout of Arms as a sign action destined to counteract secularization, operated on the reading and image of the emblem of the city of Buenos Aires.
publisher Estudios e investigaciones
publishDate 2022
url http://revistascientificas.filo.uba.ar/index.php/payro/article/view/11776
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first_indexed 2023-06-27T21:05:06Z
last_indexed 2023-06-27T21:05:06Z
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