Musical Nuances and the Aesthetic Experience of Popular Music Hooks: Theoretical Considerations and Analytical Approaches
This article discusses the concept of musical nuances from a process-oriented perspective, with a particular emphasis on the aesthetic experience of hooks in Western popular music. First, the text elaborates on the particularities of nuances from the perspective of cognitive psychology. Second, it h...
Guardado en:
Autor principal: | |
---|---|
Formato: | Artículo revista |
Lenguaje: | Español |
Publicado: |
Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
|
Materias: | |
Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8360 |
Aporte de: |
id |
I28-R250-article-8360 |
---|---|
record_format |
ojs |
institution |
Universidad de Buenos Aires |
institution_str |
I-28 |
repository_str |
R-250 |
container_title_str |
El oído pensante |
language |
Español |
format |
Artículo revista |
topic |
Rhythmic nuances melodic nuances process-oriented analysis aesthetic experience popular music hooks matices rítmicos matices melódicos análisis de procesos experiencia estética, hooks de música popular nuances rítmicas nuances melódicas análise orientada para o processo experiência estética popular music hooks |
spellingShingle |
Rhythmic nuances melodic nuances process-oriented analysis aesthetic experience popular music hooks matices rítmicos matices melódicos análisis de procesos experiencia estética, hooks de música popular nuances rítmicas nuances melódicas análise orientada para o processo experiência estética popular music hooks Steinbrecher, Bernhard Musical Nuances and the Aesthetic Experience of Popular Music Hooks: Theoretical Considerations and Analytical Approaches |
topic_facet |
Rhythmic nuances melodic nuances process-oriented analysis aesthetic experience popular music hooks matices rítmicos matices melódicos análisis de procesos experiencia estética, hooks de música popular nuances rítmicas nuances melódicas análise orientada para o processo experiência estética popular music hooks |
author |
Steinbrecher, Bernhard |
author_facet |
Steinbrecher, Bernhard |
author_sort |
Steinbrecher, Bernhard |
title |
Musical Nuances and the Aesthetic Experience of Popular Music Hooks: Theoretical Considerations and Analytical Approaches |
title_short |
Musical Nuances and the Aesthetic Experience of Popular Music Hooks: Theoretical Considerations and Analytical Approaches |
title_full |
Musical Nuances and the Aesthetic Experience of Popular Music Hooks: Theoretical Considerations and Analytical Approaches |
title_fullStr |
Musical Nuances and the Aesthetic Experience of Popular Music Hooks: Theoretical Considerations and Analytical Approaches |
title_full_unstemmed |
Musical Nuances and the Aesthetic Experience of Popular Music Hooks: Theoretical Considerations and Analytical Approaches |
title_sort |
musical nuances and the aesthetic experience of popular music hooks: theoretical considerations and analytical approaches |
description |
This article discusses the concept of musical nuances from a process-oriented perspective, with a particular emphasis on the aesthetic experience of hooks in Western popular music. First, the text elaborates on the particularities of nuances from the perspective of cognitive psychology. Second, it highlights their importance for musical interpretation, characterization, memorization, and valuation. Third, it critically reflects on analytical approaches to rhythmic and melodic nuances and gets into alternative methods to analyze such microscopic subtleties in the context of musical hooks. Fourth, analytical examples examine nuance-related intricacies in song phrases as processes regarding the aesthetic experience of increasing and decreasing intensity, tension, and motion. Finally, the findings and theoretical considerations are discussed in the broader context of mainstream popular music analysis. |
publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
publishDate |
2021 |
url |
http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8360 |
work_keys_str_mv |
AT steinbrecherbernhard musicalnuancesandtheaestheticexperienceofpopularmusichookstheoreticalconsiderationsandanalyticalapproaches AT steinbrecherbernhard losmaticesmusicalesylaexperienciaesteticadeloshooksdemusicapopularconsideracionesteoricasyenfoquesanaliticos AT steinbrecherbernhard nuancesmusicaiseaexperienciaesteticadospopularmusichooksconsideracoesteoricaseabordagensanaliticas |
first_indexed |
2023-06-27T21:04:36Z |
last_indexed |
2023-06-27T21:04:36Z |
_version_ |
1769891301418860544 |
spelling |
I28-R250-article-83602021-03-22T22:34:16Z Musical Nuances and the Aesthetic Experience of Popular Music Hooks: Theoretical Considerations and Analytical Approaches Los matices musicales y la experiencia estética de los hooks de música popular: consideraciones teóricas y enfoques analíticos Nuances musicais e a experiência estética dos popular music hooks: considerações teóricas e abordagens analíticas Steinbrecher, Bernhard Rhythmic nuances melodic nuances process-oriented analysis aesthetic experience popular music hooks matices rítmicos matices melódicos análisis de procesos experiencia estética, hooks de música popular nuances rítmicas nuances melódicas análise orientada para o processo experiência estética popular music hooks This article discusses the concept of musical nuances from a process-oriented perspective, with a particular emphasis on the aesthetic experience of hooks in Western popular music. First, the text elaborates on the particularities of nuances from the perspective of cognitive psychology. Second, it highlights their importance for musical interpretation, characterization, memorization, and valuation. Third, it critically reflects on analytical approaches to rhythmic and melodic nuances and gets into alternative methods to analyze such microscopic subtleties in the context of musical hooks. Fourth, analytical examples examine nuance-related intricacies in song phrases as processes regarding the aesthetic experience of increasing and decreasing intensity, tension, and motion. Finally, the findings and theoretical considerations are discussed in the broader context of mainstream popular music analysis. Este artículo discute el concepto de “matices musicales” desde una perspectiva procesual, con particular énfasis en la experiencia estética de los hooks en la música popular occidental. En primer lugar, el texto desarrolla las particularidades de los matices desde la perspectiva de la psicología cognitiva. En segundo lugar, destaca su importancia para la interpretación, caracterización, memorización y valoración musical. En tercer lugar, reflexiona críticamente sobre los enfoques analíticos de los matices rítmicos y melódicos e introduce métodos alternativos para analizar tales sutilezas microscópicas en el contexto de los hooks musicales. En cuarto lugar, los ejemplos analíticos examinan las complejidades relacionadas con los matices en frases de canciones como procesos relativos a la experiencia estética de la intensidad, tensión y movimiento crecientes y decrecientes. Finalmente, los hallazgos analíticos y las consideraciones teóricas se discuten en el contexto más amplio de la interpretación de la música popular. Este artigo discute o conceito de nuances musicais numa perspetiva orientada para o processo, com particular ênfase na experiência estética dos popular music hooks ganchos na música popular ocidental. Em primeiro lugar, o texto desenvolve as particularidades das nuances a partir da perspetiva da psicologia cognitiva. Em segundo lugar, destaca a sua importância para a performance musical, caracterização, memorização e apreciação. Em terceiro lugar, reflete criticamente sobre as abordagens analíticas de nuances rítmicas e melódicas e introduz métodos alternativos para analisar tais subtilezas microscópicas no contexto de music hooks ganchos musicais. Em quarto lugar, os exemplos analíticos examinam as complexidades relacionadas com as nuances das frases canções como processos relacionados com a experiência estética de intensidade, tensão e movimento crescentes e decrescentes. Finalmente, os resultados analíticos e as considerações teóricas são discutidos no contexto mais amplo da interpretação da música popular mainstream. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021-02-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8360 10.34096/oidopensante.v9n1.8360 El oído pensante; Vol. 9 Núm. 1 (2021): Febrero 2021 - Agosto 2021 El oído pensante; Vol 9 No 1 (2021): Febrero 2021 - Agosto 2021 El oído pensante; v. 9 n. 1 (2021): Febrero 2021 - Agosto 2021 2250-7116 spa http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8360/8706 http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/8360/8727 Derechos de autor 2021 El oído pensante |