Analysis beyond Notation in XXth and XXIst Century Music. Introduction
The present dossier collects contributions of scholars from various European countries who are interested in different aspects of XXth and XXIst century music. The starting point for the essays presented here was a session we organized during the Eight EuroMAC, entitled “Analysis beyond Notation in...
Guardado en:
Autores principales: | , |
---|---|
Formato: | Artículo revista |
Lenguaje: | Inglés |
Publicado: |
Facultad de Filosofía y Letras, Universidad de Buenos Aires
2016
|
Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7528 |
Aporte de: |
id |
I28-R250-article-7528 |
---|---|
record_format |
ojs |
spelling |
I28-R250-article-75282020-11-09T23:37:08Z Analysis beyond Notation in XXth and XXIst Century Music. Introduction Bratus , Alessandro Lutzu, Marco The present dossier collects contributions of scholars from various European countries who are interested in different aspects of XXth and XXIst century music. The starting point for the essays presented here was a session we organized during the Eight EuroMAC, entitled “Analysis beyond Notation in XXth and XXIst Century Music” (University of Leuven, 17-20 September 2014). Our aim was to present and to reflect on the different modes of graphic representation of sound phenomena without the use of staff notation which, particularly from the second half of the XXth century onwards, have been elaborated both for compositional and analytical aims. By gathering together popular music scholars, ethnomusicologists, and musicologists to discuss these matters from an interdisciplinary point of view, the dossier intends to set an agenda of shared problems and questions, as well as to propose strategies and techniques to address these issues across different repertoires and genres. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2016-08-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7528 El oído pensante; Vol. 4 Núm. 1 (2016): Febrero 2016 - Julio 2016 El oído pensante; Vol 4 No 1 (2016): Febrero 2016 - Julio 2016 El oído pensante; v. 4 n. 1 (2016): Febrero 2016 - Julio 2016 2250-7116 eng http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7528/6737 |
institution |
Universidad de Buenos Aires |
institution_str |
I-28 |
repository_str |
R-250 |
container_title_str |
El oído pensante |
language |
Inglés |
format |
Artículo revista |
author |
Bratus , Alessandro Lutzu, Marco |
spellingShingle |
Bratus , Alessandro Lutzu, Marco Analysis beyond Notation in XXth and XXIst Century Music. Introduction |
author_facet |
Bratus , Alessandro Lutzu, Marco |
author_sort |
Bratus , Alessandro |
title |
Analysis beyond Notation in XXth and XXIst Century Music. Introduction |
title_short |
Analysis beyond Notation in XXth and XXIst Century Music. Introduction |
title_full |
Analysis beyond Notation in XXth and XXIst Century Music. Introduction |
title_fullStr |
Analysis beyond Notation in XXth and XXIst Century Music. Introduction |
title_full_unstemmed |
Analysis beyond Notation in XXth and XXIst Century Music. Introduction |
title_sort |
analysis beyond notation in xxth and xxist century music. introduction |
description |
The present dossier collects contributions of scholars from various European countries who are interested in different aspects of XXth and XXIst century music. The starting point for the essays presented here was a session we organized during the Eight EuroMAC, entitled “Analysis beyond Notation in XXth and XXIst Century Music” (University of Leuven, 17-20 September 2014). Our aim was to present and to reflect on the different modes of graphic representation of sound phenomena without the use of staff notation which, particularly from the second half of the XXth century onwards, have been elaborated both for compositional and analytical aims. By gathering together popular music scholars, ethnomusicologists, and musicologists to discuss these matters from an interdisciplinary point of view, the dossier intends to set an agenda of shared problems and questions, as well as to propose strategies and techniques to address these issues across different repertoires and genres. |
publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
publishDate |
2016 |
url |
http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7528 |
work_keys_str_mv |
AT bratusalessandro analysisbeyondnotationinxxthandxxistcenturymusicintroduction AT lutzumarco analysisbeyondnotationinxxthandxxistcenturymusicintroduction |
first_indexed |
2023-06-27T21:04:24Z |
last_indexed |
2023-06-27T21:04:24Z |
_version_ |
1769891288271814656 |