Analysis beyond Notation in XXth and XXIst Century Music. Introduction

The present dossier collects contributions of scholars from various European countries who are interested in different aspects of XXth and XXIst century music. The starting point for the essays presented here was a session we organized during the Eight EuroMAC, entitled “Analysis beyond Notation in...

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Autores principales: Bratus , Alessandro, Lutzu, Marco
Formato: Artículo revista
Lenguaje:Inglés
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2016
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7528
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spelling I28-R250-article-75282020-11-09T23:37:08Z Analysis beyond Notation in XXth and XXIst Century Music. Introduction Bratus , Alessandro Lutzu, Marco The present dossier collects contributions of scholars from various European countries who are interested in different aspects of XXth and XXIst century music. The starting point for the essays presented here was a session we organized during the Eight EuroMAC, entitled “Analysis beyond Notation in XXth and XXIst Century Music” (University of Leuven, 17-20 September 2014). Our aim was to present and to reflect on the different modes of graphic representation of sound phenomena without the use of staff notation which, particularly from the second half of the XXth century onwards, have been elaborated both for compositional and analytical aims. By gathering together popular music scholars, ethnomusicologists, and musicologists to discuss these matters from an interdisciplinary point of view, the dossier intends to set an agenda of shared problems and questions, as well as to propose strategies and techniques to address these issues across different repertoires and genres. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2016-08-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7528 El oído pensante; Vol. 4 Núm. 1 (2016): Febrero 2016 - Julio 2016 El oído pensante; Vol 4 No 1 (2016): Febrero 2016 - Julio 2016 El oído pensante; v. 4 n. 1 (2016): Febrero 2016 - Julio 2016 2250-7116 eng http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7528/6737
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-250
container_title_str El oído pensante
language Inglés
format Artículo revista
author Bratus , Alessandro
Lutzu, Marco
spellingShingle Bratus , Alessandro
Lutzu, Marco
Analysis beyond Notation in XXth and XXIst Century Music. Introduction
author_facet Bratus , Alessandro
Lutzu, Marco
author_sort Bratus , Alessandro
title Analysis beyond Notation in XXth and XXIst Century Music. Introduction
title_short Analysis beyond Notation in XXth and XXIst Century Music. Introduction
title_full Analysis beyond Notation in XXth and XXIst Century Music. Introduction
title_fullStr Analysis beyond Notation in XXth and XXIst Century Music. Introduction
title_full_unstemmed Analysis beyond Notation in XXth and XXIst Century Music. Introduction
title_sort analysis beyond notation in xxth and xxist century music. introduction
description The present dossier collects contributions of scholars from various European countries who are interested in different aspects of XXth and XXIst century music. The starting point for the essays presented here was a session we organized during the Eight EuroMAC, entitled “Analysis beyond Notation in XXth and XXIst Century Music” (University of Leuven, 17-20 September 2014). Our aim was to present and to reflect on the different modes of graphic representation of sound phenomena without the use of staff notation which, particularly from the second half of the XXth century onwards, have been elaborated both for compositional and analytical aims. By gathering together popular music scholars, ethnomusicologists, and musicologists to discuss these matters from an interdisciplinary point of view, the dossier intends to set an agenda of shared problems and questions, as well as to propose strategies and techniques to address these issues across different repertoires and genres.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2016
url http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7528
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first_indexed 2023-06-27T21:04:24Z
last_indexed 2023-06-27T21:04:24Z
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