Romanticism, Criticism and Use: Independent Musical Ventures and Discussions in the Field of Music Studies

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Based on a collective research we perceive an emergent configuration in which the verbs to manage, mix and inhabit are constitutive of the musical experience among young people who participate in the production and use of independent music in the cities of Buenos Aires and La Plata from the year 200...

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Autores principales: Boix, Ornela, Gallo, Guadalupe, Irisarri, Victoria, Semán, Pablo
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7483
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El oído pensante de Universidad de Buenos Aires
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spelling I28-R250-article-74832020-11-10T00:29:54Z Romanticism, Criticism and Use: Independent Musical Ventures and Discussions in the Field of Music Studies Romanticismo, crítica y uso: los emprendimientos musicales independientes y las discusiones del campo de estudios de la música Romantismo, crítica e uso: empreendimentos musicais independentes e as discussões do campo de estudos da música Boix, Ornela Gallo, Guadalupe Irisarri, Victoria Semán, Pablo Based on a collective research we perceive an emergent configuration in which the verbs to manage, mix and inhabit are constitutive of the musical experience among young people who participate in the production and use of independent music in the cities of Buenos Aires and La Plata from the year 2008 to the present. In this article we are interested in connecting certain aspects of that configuration with more abstract theoretical propositions. This work fulfills a double purpose: to give greater heuristic capacity to our initial empirical analyzes and, at the same time, to give grounds for a reflective thought of the notion of “social studies of music”. The aim is to develop the following issues: 1) the relationship between art and market, 2) the relationship between criticism and pragmatics, 3) the relationship between music and social movements and 4) the relationship between these problems and the diverse approaches to the musical phenomena. A partir de una investigación colectiva discernimos una configuración emergente en la que gestionar, mezclar y habitar son verbos constitutivos de la experiencia musical entre jóvenes que participan de espacios de producción y uso de música independiente en las ciudades de Buenos Aires y La Plata desde el año 2008 hasta la actualidad. En este artículo nos interesa conectar aspectos relevantes de esa configuración con proposiciones teóricas más abstractas sosteniendo un doble papel: ampliar la capacidad heurística a nuestros análisis empíricos iniciales y darle fundamentos a una consideración reflexiva de la noción de “campo de estudios sociales de la música”. Este esfuerzo se orienta a desarrollar los siguientes puntos: 1) la relación entre arte y mercado, 2) la relación entre crítica y pragmática, 3) la relación entre música y movimientos sociales y 4) la relación entre estas problematizaciones y las características del campo de análisis de los fenómenos musicales. A partir de uma pesquisa coletiva discernimos uma configuração emergente na qual os termos gerir, mesclar y habitar, são verbos constitutivos da experiência musical entre jovens envolvidos em espaços de produção e uso de música independente nas cidades de Buenos Aires e La Plata, desde 2008. Interessa-nos articular aspetos relevantes dessa configuração com proposições teóricas mais abstratas, um processo que pretende oferecer um duplo contributo: ampliar a capacidade heurística das nossas análises empíricas iniciais e fundamentar a análise reflexiva da noção de “campo de estudos sociais da música”. Este exercício sustenta-se no desenvolvimento dos seguintes pontos: 1) a relação entre arte e mercado, 2) a relação entre crítica e pragmática, 3) a relação entre a música e movimentos sociais e 4) a relação entre essas problematizações e as características do campo de análise dos fenómenos musicais. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018-08-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7483 El oído pensante; Vol. 6 Núm. 2 (2018): Agosto 2018 - Enero 2019 El oído pensante; Vol 6 No 2 (2018): Agosto 2018 - Enero 2019 El oído pensante; v. 6 n. 2 (2018): Agosto 2018 - Enero 2019 2250-7116 spa http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7483/6695
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-250
container_title_str El oído pensante
language Español
format Artículo revista
author Boix, Ornela
Gallo, Guadalupe
Irisarri, Victoria
Semán, Pablo
spellingShingle Boix, Ornela
Gallo, Guadalupe
Irisarri, Victoria
Semán, Pablo
Romanticism, Criticism and Use: Independent Musical Ventures and Discussions in the Field of Music Studies
author_facet Boix, Ornela
Gallo, Guadalupe
Irisarri, Victoria
Semán, Pablo
author_sort Boix, Ornela
title Romanticism, Criticism and Use: Independent Musical Ventures and Discussions in the Field of Music Studies
title_short Romanticism, Criticism and Use: Independent Musical Ventures and Discussions in the Field of Music Studies
title_full Romanticism, Criticism and Use: Independent Musical Ventures and Discussions in the Field of Music Studies
title_fullStr Romanticism, Criticism and Use: Independent Musical Ventures and Discussions in the Field of Music Studies
title_full_unstemmed Romanticism, Criticism and Use: Independent Musical Ventures and Discussions in the Field of Music Studies
title_sort romanticism, criticism and use: independent musical ventures and discussions in the field of music studies
description Based on a collective research we perceive an emergent configuration in which the verbs to manage, mix and inhabit are constitutive of the musical experience among young people who participate in the production and use of independent music in the cities of Buenos Aires and La Plata from the year 2008 to the present. In this article we are interested in connecting certain aspects of that configuration with more abstract theoretical propositions. This work fulfills a double purpose: to give greater heuristic capacity to our initial empirical analyzes and, at the same time, to give grounds for a reflective thought of the notion of “social studies of music”. The aim is to develop the following issues: 1) the relationship between art and market, 2) the relationship between criticism and pragmatics, 3) the relationship between music and social movements and 4) the relationship between these problems and the diverse approaches to the musical phenomena.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2018
url http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7483
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first_indexed 2023-06-27T21:04:14Z
last_indexed 2023-06-27T21:04:14Z
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