The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City
This article analyzes the disruptive effects of digital technology in the music industry. We will carry out a critical analysis of Yúdice’s positions around the Music 2.0 model and Chris Anderson's long tail theory. We will analyze what the artists' adaptation process to this new cultural...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2023
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/11237 |
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I28-R250-article-112372023-04-03T18:47:20Z The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City La industria musical y la disrupción de la tecnología digital. El caso de la escena tropical bass en la ciudad de Lima A indústria da música e a ruptura da tecnologia digital. O caso tropical bass na cidade de Lima bailon, Jaime Roncoroni, umberto Majors culturepreneurship digital cumbia tropical bass electronic music EDM, digital audio workstation majors emprendimiento digital cumbia digital tropical bass música electrónica digital audio workstation majors empreendedorismo digital cumbia digital tropical bass música eletrônica estação de trabalho de áudio digital This article analyzes the disruptive effects of digital technology in the music industry. We will carry out a critical analysis of Yúdice’s positions around the Music 2.0 model and Chris Anderson's long tail theory. We will analyze what the artists' adaptation process to this new cultural ecosystem has been like, taking as a case study the production and distribution strategies of the tropical bass electronic music scene in Lima city. Chicha music is the foundation of this style and genre, which, in addition to being an interesting aesthetic phenomenon, also has great social importance: it designates forms of socialization of a large sector of the Peruvian population, and is the result of migrations from rural areas to the capital city, the informal economy, and the political crisis. Este artículo analiza los efectos disruptivos de la tecnología digital en el campo de la industria musical. Abordaremos la conformación del modelo Music 2.0, estudiado por George Yúdice, y la teoría de la larga cola de Chris Anderson. Analizaremos cómo ha sido el proceso de adaptación de los artistas a este nuevo ecosistema cultural, tomando como estudio de caso las estrategias de producción y distribución de la escena de la música electrónica tropical bass en la ciudad de Lima. Este género tiene como una de sus matrices la música chicha, que además de ser un interesante fenómeno estético, tiene a su vez una gran importancia social: designa formas de socialización de un amplio sector de la población peruana y ha sido producto de los procesos migratorios de las zonas rurales a la ciudad capital, la economía informal y la crisis política. Este artigo analisa os efeitos disruptivos da tecnologia digital no campo da indústria musical. Estudaremos a conformação do modelo Music 2.0, estudado por George Yúdice, e a teoria da long tail e Chris Anderson. Analisaremos como tem sido o processo de adaptação dos artistas a esse novo ecossistema cultural, tomando como estudo de caso as estratégias de produção e distribuição da cena tropical bass eletrônico na cidade de Lima. Esse gênero musical tem como uma de suas matrizes a música chicha, além de ser um fenômeno estético interessante, também tem grande importância social: ela designa formas de socialização de um grande setor da população peruana que é resultado das migrações do campo para a capital, da economia informal e da crise política. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023-02-24 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/11237 10.34096/oidopensante.v11n1.11237 El oído pensante; Vol. 11 Núm. 1 (2023): Marzo 2023 - Septiembre 2023 El oído pensante; Vol 11 No 1 (2023): Marzo 2023 - Septiembre 2023 El oído pensante; v. 11 n. 1 (2023): Marzo 2023 - Septiembre 2023 2250-7116 spa http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/11237/11250 Derechos de autor 2023 El oído pensante |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-250 |
| container_title_str |
El oído pensante |
| language |
Español |
| format |
Artículo revista |
| topic |
Majors culturepreneurship digital cumbia tropical bass electronic music EDM, digital audio workstation majors emprendimiento digital cumbia digital tropical bass música electrónica digital audio workstation majors empreendedorismo digital cumbia digital tropical bass música eletrônica estação de trabalho de áudio digital |
| spellingShingle |
Majors culturepreneurship digital cumbia tropical bass electronic music EDM, digital audio workstation majors emprendimiento digital cumbia digital tropical bass música electrónica digital audio workstation majors empreendedorismo digital cumbia digital tropical bass música eletrônica estação de trabalho de áudio digital bailon, Jaime Roncoroni, umberto The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City |
| topic_facet |
Majors culturepreneurship digital cumbia tropical bass electronic music EDM, digital audio workstation majors emprendimiento digital cumbia digital tropical bass música electrónica digital audio workstation majors empreendedorismo digital cumbia digital tropical bass música eletrônica estação de trabalho de áudio digital |
| author |
bailon, Jaime Roncoroni, umberto |
| author_facet |
bailon, Jaime Roncoroni, umberto |
| author_sort |
bailon, Jaime |
| title |
The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City |
| title_short |
The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City |
| title_full |
The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City |
| title_fullStr |
The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City |
| title_full_unstemmed |
The Musical Industry and the Disruption Caused by Digital Technology. The Tropical Bass Independent Music Scene in Lima City |
| title_sort |
musical industry and the disruption caused by digital technology. the tropical bass independent music scene in lima city |
| description |
This article analyzes the disruptive effects of digital technology in the music industry. We will carry out a critical analysis of Yúdice’s positions around the Music 2.0 model and Chris Anderson's long tail theory. We will analyze what the artists' adaptation process to this new cultural ecosystem has been like, taking as a case study the production and distribution strategies of the tropical bass electronic music scene in Lima city. Chicha music is the foundation of this style and genre, which, in addition to being an interesting aesthetic phenomenon, also has great social importance: it designates forms of socialization of a large sector of the Peruvian population, and is the result of migrations from rural areas to the capital city, the informal economy, and the political crisis. |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2023 |
| url |
http://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/11237 |
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