Borges: Authorial fabulations about the Nobel Prize

There is an aspect of “Borge's fabulations” that is highly original and not exclusively textual: the authorial figure he built in Argentine culture. Due to its vast and difficult to apprehend character, its specificities have not yet been the object of study. Based on the vast corpus of essays,...

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Autor principal: Louis, Annick
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023
Materias:
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/14018
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spelling I28-R249-article-140182024-09-11T15:52:26Z Borges: Authorial fabulations about the Nobel Prize Borges: Fabulaciones autoriales acerca del Premio Nobel Louis, Annick Borges, Premio Nobel, figura autorial, prensa, literatura. There is an aspect of “Borge's fabulations” that is highly original and not exclusively textual: the authorial figure he built in Argentine culture. Due to its vast and difficult to apprehend character, its specificities have not yet been the object of study. Based on the vast corpus of essays, notes, interviews published in different media, essentially national, we study in this essay one of the episodes of the vast “oral work” used by Borges to disseminate his conceptions and as well as a series of legends about his life, which allows us to understand the fluctuations and the complexity of his relationship with the media: his attitude and that of the press towards the Nobel Prize for Literature during the last Argentine dictatorship and the beginning of democracy until his death, that is, during the ten years between 1976 and 1986. Existe un aspecto de las “fabulaciones borgeanas” que presenta una gran originalidad y no es exclusivamente textual: la figura autorial que construyó en la cultura argentina. Por su carácter vasto y difícil de aprehender, sus especificidades no han sido aún objeto de estudio. Basándonos en el vasto corpus compuesto de ensayos, notas, entrevistas publicados en diferentes medios, esencialmente nacionales, estudiamos en este ensayo una de las facetas de la vasta “obra oral”, en la que Borges hizo circular sus concepciones y una serie de leyendas sobre su vida, que permite aprehender los vaivenes y la complejidad de su relación con los medios: su actitud y la de la prensa ante el Premio Nobel de Literatura durante la última dictadura argentina y en el comienzo de la democracia hasta su muerte, es decir durante los diez años comprendidos entre 1976 y 1986. Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023-12-29 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/14018 10.34096/em.n17.14018 Revista Crítica de Literatura Argentina. El Matadero; Núm. 17 (2023) 2683-9687 0329-9546 spa http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/14018/13254 Derechos de autor 2023 Revista Crítica de Literatura Argentina. El Matadero
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-249
container_title_str El matadero
language Español
format Artículo revista
topic Borges, Premio Nobel, figura autorial, prensa, literatura.
spellingShingle Borges, Premio Nobel, figura autorial, prensa, literatura.
Louis, Annick
Borges: Authorial fabulations about the Nobel Prize
topic_facet Borges, Premio Nobel, figura autorial, prensa, literatura.
author Louis, Annick
author_facet Louis, Annick
author_sort Louis, Annick
title Borges: Authorial fabulations about the Nobel Prize
title_short Borges: Authorial fabulations about the Nobel Prize
title_full Borges: Authorial fabulations about the Nobel Prize
title_fullStr Borges: Authorial fabulations about the Nobel Prize
title_full_unstemmed Borges: Authorial fabulations about the Nobel Prize
title_sort borges: authorial fabulations about the nobel prize
description There is an aspect of “Borge's fabulations” that is highly original and not exclusively textual: the authorial figure he built in Argentine culture. Due to its vast and difficult to apprehend character, its specificities have not yet been the object of study. Based on the vast corpus of essays, notes, interviews published in different media, essentially national, we study in this essay one of the episodes of the vast “oral work” used by Borges to disseminate his conceptions and as well as a series of legends about his life, which allows us to understand the fluctuations and the complexity of his relationship with the media: his attitude and that of the press towards the Nobel Prize for Literature during the last Argentine dictatorship and the beginning of democracy until his death, that is, during the ten years between 1976 and 1986.
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2023
url http://revistascientificas.filo.uba.ar/index.php/matadero/article/view/14018
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