The mbyá guaraní children's choir: between tourist market and ethnic demands

In a global context that promotes cultural diversity as an economic resource, different government, non-government and private projects have incorporated certain indigenous Mbyá Guaraní expressions within the tourist marketing of the province of Misiones, Argentina. Here are the “children’s...

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Autor principal: Brosky, Jacqueline
Formato: Artículo revista
Lenguaje:Español
Publicado: Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA 2022
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Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/11445
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record_format ojs
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-246
container_title_str Cuadernos de Antropología Social
language Español
format Artículo revista
topic Children's choir
Mbyá guaraní
Patrimoni
Turism
Reivindication
Coro de niños
Mbyá guaraní
Patrimonio
Turismo
Reivindicación
Coro infantil
Mbya guarani
Patrimônio
Turismo
Reivindicação
spellingShingle Children's choir
Mbyá guaraní
Patrimoni
Turism
Reivindication
Coro de niños
Mbyá guaraní
Patrimonio
Turismo
Reivindicación
Coro infantil
Mbya guarani
Patrimônio
Turismo
Reivindicação
Brosky, Jacqueline
The mbyá guaraní children's choir: between tourist market and ethnic demands
topic_facet Children's choir
Mbyá guaraní
Patrimoni
Turism
Reivindication
Coro de niños
Mbyá guaraní
Patrimonio
Turismo
Reivindicación
Coro infantil
Mbya guarani
Patrimônio
Turismo
Reivindicação
author Brosky, Jacqueline
author_facet Brosky, Jacqueline
author_sort Brosky, Jacqueline
title The mbyá guaraní children's choir: between tourist market and ethnic demands
title_short The mbyá guaraní children's choir: between tourist market and ethnic demands
title_full The mbyá guaraní children's choir: between tourist market and ethnic demands
title_fullStr The mbyá guaraní children's choir: between tourist market and ethnic demands
title_full_unstemmed The mbyá guaraní children's choir: between tourist market and ethnic demands
title_sort mbyá guaraní children's choir: between tourist market and ethnic demands
description In a global context that promotes cultural diversity as an economic resource, different government, non-government and private projects have incorporated certain indigenous Mbyá Guaraní expressions within the tourist marketing of the province of Misiones, Argentina. Here are the “children’s choirs”, which are promoted through the internet, audiovisual material and public events, and are proposed as a tourist attraction in visits to indigenous communities. Given that these musical practices carry different meanings to the tourist-commercial logics, it is observed from an ethnographic perspective, the tensions caused by the commercialization and exhibition of the children’s choir in the Mbyá Guaraní community of Pindo Poty. In particular, we examine the reappropriations and the limits of what is marketable and exhibitable that, on its own, the community sets and how the decisions about when and where to exhibit the children’s choir, challenge and exceed the tourist interests of projects that promote it, by being linked to their own political and territorial claims. 
publisher Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA
publishDate 2022
url http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/11445
work_keys_str_mv AT broskyjacqueline thembyaguaranichildrenschoirbetweentouristmarketandethnicdemands
AT broskyjacqueline elcorodeninosmbyaguaranientrelacomercializacionturisticaylareivindicacionetnica
AT broskyjacqueline ocoralinfantilmbyaguaranientreomarketingturisticoeareivindicacaoetnica
AT broskyjacqueline mbyaguaranichildrenschoirbetweentouristmarketandethnicdemands
first_indexed 2023-06-27T21:00:03Z
last_indexed 2023-06-27T21:00:03Z
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spelling I28-R246-article-114452023-05-30T17:28:55Z The mbyá guaraní children's choir: between tourist market and ethnic demands El coro de niños mbyá guaraní: entre la comercialización turística y la reivindicación étnica O coral infantil mbyá guaraní: entre o marketing turístico e a reivindicação étnica Brosky, Jacqueline Children's choir Mbyá guaraní Patrimoni Turism Reivindication Coro de niños Mbyá guaraní Patrimonio Turismo Reivindicación Coro infantil Mbya guarani Patrimônio Turismo Reivindicação In a global context that promotes cultural diversity as an economic resource, different government, non-government and private projects have incorporated certain indigenous Mbyá Guaraní expressions within the tourist marketing of the province of Misiones, Argentina. Here are the “children’s choirs”, which are promoted through the internet, audiovisual material and public events, and are proposed as a tourist attraction in visits to indigenous communities. Given that these musical practices carry different meanings to the tourist-commercial logics, it is observed from an ethnographic perspective, the tensions caused by the commercialization and exhibition of the children’s choir in the Mbyá Guaraní community of Pindo Poty. In particular, we examine the reappropriations and the limits of what is marketable and exhibitable that, on its own, the community sets and how the decisions about when and where to exhibit the children’s choir, challenge and exceed the tourist interests of projects that promote it, by being linked to their own political and territorial claims.     En un contexto global que promueve la diversidad cultural como recurso económico, diferentes proyectos gubernamentales, no gubernamentales y privados han incorporado ciertas expresiones indígenas mbyá guaraní como parte de la comercialización turística de la provincia de Misiones, Argentina. Entre ellas se encuentran los “coros de niños”, los cuales son difundidos a través de Internet, material audiovisual y eventos, y propuestos como atractivo turístico en las visitas a las comunidades indígenas. Dado que estas prácticas musicales conllevan significados disímiles a las lógicas turístico-comerciales, este artículo señala, desde una perspectiva etnográfica, las tensiones que supusieron la comercialización y exhibición del coro de niños de la comunidad mbyá guaraní Pindo Poty. En particular se examinan las reapropiaciones y los límites de lo comercializable y exhibible que, sobre lo propio, fija la comunidad y cómo las decisiones sobre cuándo y dónde exhibir al coro desafían y sobrepasan los intereses turísticos de proyectos que lo promocionan, al vincularse con sus propias reivindicaciones políticas y territoriales.  Em um contexto global que promove a diversidade cultural como recurso econômico, diversos projetos governamentais, não governamentais e privados incorporaram certas expressões indígenas Mbyá Guarani para fazer parte do marketing turístico da província de Misiones, Argentina. Entre elas estão os “corais infantis”, que são divulgados pela internet, material audiovisual e eventos, e propostos como atração turístico em visitas às comunidades indígenas. Tendo em vista que essas práticas musicais carregam significados diferentes das lógicas turístico-comerciais, observa-se, sob uma perspectiva etnográfica, as tensões que envolveram a comercialização e exibição do coral infantil da comunidade Mbyá Guaraní Pindo Poty. Em particular, são analisadas as reapropriações e os limites estabelecidos pela comunidade sobre o que é comercializável e exibível e como as decisões sobre quando e onde expor o coral desafiam e superam os interesses turísticos dos projetos que o promovem, por estarem vinculados com suas próprias reivindicações políticas e territoriais.  Instituto de Ciencias Antropológicas, Facultad de Filosofía y Letras, UBA 2022-10-10 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/11445 10.34096/cas.i56.11445 Cuadernos de antropología social; Núm. 56 (2022): Dossier: Políticas y politizaciones en torno a las prácticas artísticas y culturales; 141-156 1850-275X 0327-3776 spa http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/11445/10663 http://revistascientificas.filo.uba.ar/index.php/CAS/article/view/11445/11005 Derechos de autor 2022 Jacqueline Brosky https://creativecommons.org/licenses/by/4.0