Samuel Beckett por Gilles Deleuze: acontecimiento y construcción de posibles

Samuel Beckett and Gilles Deleuze are two of the most relevant names of the 20th century. They share similarities concerning several problems, such as repetition, habit, the dissolution of identities and the lack of meaning in our experience of the world and of otherness. The crossing of the two ope...

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Autor principal: Heffesse, Solange Aurora
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras. Universidad de Buenos Aires 2023
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Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/Beckettiana/article/view/12606
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institution Universidad de Buenos Aires
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container_title_str Beckettiana
language Español
format Artículo revista
topic Event – Beckett – Deleuze – Becoming-imperceptible – Negativity – Possibles - Vitalism
Acontecimiento – Beckett – Deleuze – Devenir-imperceptible – Negatividad – PosiblesVitalismo
spellingShingle Event – Beckett – Deleuze – Becoming-imperceptible – Negativity – Possibles - Vitalism
Acontecimiento – Beckett – Deleuze – Devenir-imperceptible – Negatividad – PosiblesVitalismo
Heffesse, Solange Aurora
Samuel Beckett por Gilles Deleuze: acontecimiento y construcción de posibles
topic_facet Event – Beckett – Deleuze – Becoming-imperceptible – Negativity – Possibles - Vitalism
Acontecimiento – Beckett – Deleuze – Devenir-imperceptible – Negatividad – PosiblesVitalismo
author Heffesse, Solange Aurora
author_facet Heffesse, Solange Aurora
author_sort Heffesse, Solange Aurora
title Samuel Beckett por Gilles Deleuze: acontecimiento y construcción de posibles
title_short Samuel Beckett por Gilles Deleuze: acontecimiento y construcción de posibles
title_full Samuel Beckett por Gilles Deleuze: acontecimiento y construcción de posibles
title_fullStr Samuel Beckett por Gilles Deleuze: acontecimiento y construcción de posibles
title_full_unstemmed Samuel Beckett por Gilles Deleuze: acontecimiento y construcción de posibles
title_sort samuel beckett por gilles deleuze: acontecimiento y construcción de posibles
description Samuel Beckett and Gilles Deleuze are two of the most relevant names of the 20th century. They share similarities concerning several problems, such as repetition, habit, the dissolution of identities and the lack of meaning in our experience of the world and of otherness. The crossing of the two opens up new perspectives both in Deleuzian and Beckettian studies. On the side of Deleuze, it permits us to reconsider the place of negativity within his affirmative, “joyous” philosophy. Because Deleuze finds in Beckett a certain productivity of impotence, impossibility and silence. On the side of Beckett, this encounter opens up the point of view of the vitalism and the constructivism that can be found in his work, taking distance from some interpretations that turn his work solely into a philosophical consideration of nothingness. First, we will study Deleuze’s general conception of literature, as it is presented in Critique and clinique (1993), which is marked by the beckettian pourpose of “making holes” in the surface of languages in order to show what lies behind the words. Literature confronts us with the limits of language and of our possibles. In that way, it seeks to broaden what is visible, audible, and livable in each time. Then we will follow closely Deleuze’s reading of Beckett drawing on the texts where he directly adresses him. We will unfold the main lines of that reading refering to a series of poetic and philosophical “formulations” in which his aesthetical project can be resumed. In order to accomplish so, we will follow the notions of the event and becoming-imperceptible, focusing on Deleuze’s analysis of Quad and Film.
publisher Facultad de Filosofía y Letras. Universidad de Buenos Aires
publishDate 2023
url http://revistascientificas.filo.uba.ar/index.php/Beckettiana/article/view/12606
work_keys_str_mv AT heffessesolangeaurora samuelbeckettporgillesdeleuzeacontecimientoyconstrucciondeposibles
first_indexed 2023-06-27T20:54:06Z
last_indexed 2024-08-14T02:33:11Z
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spelling I28-R244-article-126062023-12-29T18:23:43Z Samuel Beckett por Gilles Deleuze: acontecimiento y construcción de posibles Heffesse, Solange Aurora Event – Beckett – Deleuze – Becoming-imperceptible – Negativity – Possibles - Vitalism Acontecimiento – Beckett – Deleuze – Devenir-imperceptible – Negatividad – PosiblesVitalismo Samuel Beckett and Gilles Deleuze are two of the most relevant names of the 20th century. They share similarities concerning several problems, such as repetition, habit, the dissolution of identities and the lack of meaning in our experience of the world and of otherness. The crossing of the two opens up new perspectives both in Deleuzian and Beckettian studies. On the side of Deleuze, it permits us to reconsider the place of negativity within his affirmative, “joyous” philosophy. Because Deleuze finds in Beckett a certain productivity of impotence, impossibility and silence. On the side of Beckett, this encounter opens up the point of view of the vitalism and the constructivism that can be found in his work, taking distance from some interpretations that turn his work solely into a philosophical consideration of nothingness. First, we will study Deleuze’s general conception of literature, as it is presented in Critique and clinique (1993), which is marked by the beckettian pourpose of “making holes” in the surface of languages in order to show what lies behind the words. Literature confronts us with the limits of language and of our possibles. In that way, it seeks to broaden what is visible, audible, and livable in each time. Then we will follow closely Deleuze’s reading of Beckett drawing on the texts where he directly adresses him. We will unfold the main lines of that reading refering to a series of poetic and philosophical “formulations” in which his aesthetical project can be resumed. In order to accomplish so, we will follow the notions of the event and becoming-imperceptible, focusing on Deleuze’s analysis of Quad and Film. Samuel Beckett y Gilles Deleuze son dos de las figuras más cautivantes del siglo XX. Sus afinidades se dan en torno a problemáticas tales como la repetición, el hábito, la disolución de las identidades y la carencia de sentido en nuestra experiencia del mundo y de la alteridad. El cruce entre ambos permite, por el lado de los estudios deleuzianos, reconsiderar el lugar que ocupa la negatividad en el marco de su filosofía afirmativa o “de la alegría”, hallando en Beckett cierta productividad de la impotencia, la imposibilidad y el silencio. Por el lado de los estudios beckettianos, se habilita el punto de vista que considera un vitalismo y un constructivismo que se desprende de su obra, alejándonos de lecturas que la convierten únicamente en una reflexión filosófica acerca de la nada. Primero, se analizará la concepción general de la literatura que Deleuze presenta en Crítica y clínica (1993), signada por el propósito beckettiano de “horadar agujeros” en la superficie del lenguaje para mostrar lo que hay detrás, confrontándonos con los límites del lenguaje y de nuestros posibles. De esta manera, para Deleuze la escritura literaria busca ampliar lo visible, lo audible, lo vivenciable en cada época. Luego, seguiremos de cerca aquellos textos de Deleuze que abordan directamente a Beckett, desplegando el entramado de su lectura a partir de algunas “fórmulas” poético-filosóficas en las que puede plasmarse su proyecto estético. Para eso, tomaremos como guía a la noción de acontecimiento y a la interrogación por el sentido del devenir-imperceptible, haciendo hincapié en los análisis deleuzianos de Quad y Film. Facultad de Filosofía y Letras. Universidad de Buenos Aires 2023-03-02 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf http://revistascientificas.filo.uba.ar/index.php/Beckettiana/article/view/12606 10.34096/beckettiana.n19.12606 Beckettiana; Núm. 19 (2022) 2683-9679 0327-7550 spa http://revistascientificas.filo.uba.ar/index.php/Beckettiana/article/view/12606/11323 Derechos de autor 2023 Beckettiana https://creativecommons.org/licenses/by-sa/4.0