Practices, representations and discourses of the body. Ambiguity on circus bodies

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This paper will work the practices of contemporary circus artists in the city of Buenos Aires. We will analyse the way in which corporality can become one of the means of identity expression, given that a social group can compose, through body experiences, its own artistic styles, its own definition...

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Autor principal: Infantino, Julieta
Formato: publishedVersion Artículo
Lenguaje:Español
Español
Publicado: Instituto de Ciencias Antropológicas 2016
Materias:
Buenos Aires Circus Artists
Corporality
Hegemony
Risk
Body Training
Artistas Circenses de Buenos Aires
Corporalidad
Hegemonía
Riesgo
Entrenamiento Corporal
Artistas de Circo em Buenos Aires
Corporalidade
Hegemonia
Risco
Treinamentos corporais
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/runa/article/view/757
http://repositorio.filo.uba.ar/handle/filodigital/2121
Aporte de:
FILO Digital - Repositorio de la Facultad de Filosofía y Letras (UBA) de Universidad de Buenos Aires
id I28-R156filodigital-2121
record_format dspace
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-156
collection FILO Digital - Repositorio de la Facultad de Filosofía y Letras (UBA)
language Español
Español
topic Buenos Aires Circus Artists
Corporality
Hegemony
Risk
Body Training
Artistas Circenses de Buenos Aires
Corporalidad
Hegemonía
Riesgo
Entrenamiento Corporal
Artistas de Circo em Buenos Aires
Corporalidade
Hegemonia
Risco
Treinamentos corporais
spellingShingle Buenos Aires Circus Artists
Corporality
Hegemony
Risk
Body Training
Artistas Circenses de Buenos Aires
Corporalidad
Hegemonía
Riesgo
Entrenamiento Corporal
Artistas de Circo em Buenos Aires
Corporalidade
Hegemonia
Risco
Treinamentos corporais
Infantino, Julieta
Practices, representations and discourses of the body. Ambiguity on circus bodies
topic_facet Buenos Aires Circus Artists
Corporality
Hegemony
Risk
Body Training
Artistas Circenses de Buenos Aires
Corporalidad
Hegemonía
Riesgo
Entrenamiento Corporal
Artistas de Circo em Buenos Aires
Corporalidade
Hegemonia
Risco
Treinamentos corporais
description This paper will work the practices of contemporary circus artists in the city of Buenos Aires. We will analyse the way in which corporality can become one of the means of identity expression, given that a social group can compose, through body experiences, its own artistic styles, its own definition of artistic-labour practices, its own legitimate body. We will show how these bodies can at times dispute or reproduce hegemonic conceptions of corporality. We suggest there is a need of thinking these processes in a dynamic way, paying attention to both the mechanisms of power and to its counterpart, the subjects who negotiate, question and/or resist.
format publishedVersion
Artículo
Artículo
author Infantino, Julieta
author_facet Infantino, Julieta
author_sort Infantino, Julieta
title Practices, representations and discourses of the body. Ambiguity on circus bodies
title_short Practices, representations and discourses of the body. Ambiguity on circus bodies
title_full Practices, representations and discourses of the body. Ambiguity on circus bodies
title_fullStr Practices, representations and discourses of the body. Ambiguity on circus bodies
title_full_unstemmed Practices, representations and discourses of the body. Ambiguity on circus bodies
title_sort practices, representations and discourses of the body. ambiguity on circus bodies
publisher Instituto de Ciencias Antropológicas
publishDate 2016
url http://revistascientificas.filo.uba.ar/index.php/runa/article/view/757
http://repositorio.filo.uba.ar/handle/filodigital/2121
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AT infantinojulieta praticasrepresentacoesediscursosdacorporalidadeaambiguidadenoscorposdocirco
bdutipo_str Repositorios
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