No longer Orpheus’ lyre but the qhirqhinchu of layqa: the conception of death in the Andean world in Rosa Cuchillo by Óscar Colchado Lucio and in El pez de oro by Gamaliel Churata
This text analyzes two of the most important works of modern Peruvian literature from the viewpoint of the concept of death in the Andean world. We thus review Gamaliel Churata’s El pez de oro and Oscar Colchado Lucio’s Rosa Cuchillo with a focus on the particular conception of the cosmological spac...
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2020
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Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/zama/article/view/9618 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=9618_oai |
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I28-R145-9618_oai2021-03-12 Di Benedetto, Matías 2020-11-30 This text analyzes two of the most important works of modern Peruvian literature from the viewpoint of the concept of death in the Andean world. We thus review Gamaliel Churata’s El pez de oro and Oscar Colchado Lucio’s Rosa Cuchillo with a focus on the particular conception of the cosmological space associated with the dead and its relationship with History, no longer understood as progress but rather as a recovery from a past in constant tension with the present. We will see how both texts seek a vindication of local knowledges and alternative forms of organization of a territory-specific collective subject. Este texto analiza dos de las obras más importantes de la literatura peruana moderna a partir de la revisión de la categoría de muerte en el mundo andino. Nos interesa poner en relación tanto en El pez de oro de Gamaliel Churata como en Rosa Cuchillo de Óscar Colchado Lucio la particular concepción del espacio cosmológico destinado a los muertos y su específica relación con una idea de la Historia entendida ya no como progreso sino más bien como recuperación de un pasado en constante tensión con el presente. Veremos así cómo ambas textualidades buscan una reivindicación de los saberes locales, así como también formas alternativas de organización de un sujeto colectivo arraigado al territorio. Este texto analisa duas das obras mais importantes da literatura moderna peruana, a partir da revisão da categoria de morte no mundo andino. Estamos interessados em relacionar a concepção particular do espaço cosmológico destinado aos mortos e sua relação específica com uma idéia da história entendida não mais como progresso, mas como uma recuperação de um passado em constante tensão com o presente em El pez de oro, de Gamaliel Churata, e em Rosa Cuchillo, de Oscar Colchado Lucio. Veremos como ambas as textualidades buscam uma reivindicação do conhecimento local, bem como formas alternativas de organização de um sujeito coletivo enraizado no território. application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/zama/article/view/9618 10.34096/zama.a12.n12.9618 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/zama/article/view/9618/8380 http://revistascientificas.filo.uba.ar/index.php/zama/article/view/9618/8402 Zama; Vol. 12 Núm. 12 (2020); 101-112 2422-6017 1851-6866 death history space Churata Colchado muerte historia espacio Churata Colchado morte história espaço Churata Colchado No longer Orpheus’ lyre but the qhirqhinchu of layqa: the conception of death in the Andean world in Rosa Cuchillo by Óscar Colchado Lucio and in El pez de oro by Gamaliel Churata “Ya no la lira de Orfeo sino el qhirqhinchu del layqa”: la concepción de la muerte en el mundo andino en Rosa Cuchillo de Óscar Colchado Lucio y El pez de oro de Gamaliel Churata “Não mais a lira de Orfeo, mas o qhirqhinchu do layqa”: a concepção da morte no mundo andino em Rosa Cuchillo de Óscar Colchado Lucio e El pez de oro de Gamaliel Churata info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=9618_oai |
institution |
Universidad de Buenos Aires |
institution_str |
I-28 |
repository_str |
R-145 |
collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
language |
Español |
orig_language_str_mv |
spa |
topic |
death history space Churata Colchado muerte historia espacio Churata Colchado morte história espaço Churata Colchado |
spellingShingle |
death history space Churata Colchado muerte historia espacio Churata Colchado morte história espaço Churata Colchado Di Benedetto, Matías No longer Orpheus’ lyre but the qhirqhinchu of layqa: the conception of death in the Andean world in Rosa Cuchillo by Óscar Colchado Lucio and in El pez de oro by Gamaliel Churata |
topic_facet |
death history space Churata Colchado muerte historia espacio Churata Colchado morte história espaço Churata Colchado |
description |
This text analyzes two of the most important works of modern Peruvian literature from the viewpoint of the concept of death in the Andean world. We thus review Gamaliel Churata’s El pez de oro and Oscar Colchado Lucio’s Rosa Cuchillo with a focus on the particular conception of the cosmological space associated with the dead and its relationship with History, no longer understood as progress but rather as a recovery from a past in constant tension with the present. We will see how both texts seek a vindication of local knowledges and alternative forms of organization of a territory-specific collective subject. |
format |
Artículo publishedVersion |
author |
Di Benedetto, Matías |
author_facet |
Di Benedetto, Matías |
author_sort |
Di Benedetto, Matías |
title |
No longer Orpheus’ lyre but the qhirqhinchu of layqa: the conception of death in the Andean world in Rosa Cuchillo by Óscar Colchado Lucio and in El pez de oro by Gamaliel Churata |
title_short |
No longer Orpheus’ lyre but the qhirqhinchu of layqa: the conception of death in the Andean world in Rosa Cuchillo by Óscar Colchado Lucio and in El pez de oro by Gamaliel Churata |
title_full |
No longer Orpheus’ lyre but the qhirqhinchu of layqa: the conception of death in the Andean world in Rosa Cuchillo by Óscar Colchado Lucio and in El pez de oro by Gamaliel Churata |
title_fullStr |
No longer Orpheus’ lyre but the qhirqhinchu of layqa: the conception of death in the Andean world in Rosa Cuchillo by Óscar Colchado Lucio and in El pez de oro by Gamaliel Churata |
title_full_unstemmed |
No longer Orpheus’ lyre but the qhirqhinchu of layqa: the conception of death in the Andean world in Rosa Cuchillo by Óscar Colchado Lucio and in El pez de oro by Gamaliel Churata |
title_sort |
no longer orpheus’ lyre but the qhirqhinchu of layqa: the conception of death in the andean world in rosa cuchillo by óscar colchado lucio and in el pez de oro by gamaliel churata |
publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
publishDate |
2020 |
url |
http://revistascientificas.filo.uba.ar/index.php/zama/article/view/9618 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=9618_oai |
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