Testimonies and altarpieces: migrant boxes, narrative urgencies, the Andean space. A reading of Chungui. Violencia y trazos de memoria by Edilberto Jiménez

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Throughout time, altarpieces have suffered transformations which were recorded, in part, by the Arguedian ethnographic writing: thus, from mobile boxes related to religious motifs, travels, and cattle driving, altarpieces mutated into commercial and popular art objects, by incorporating the ritual a...

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Autor principal: Campuzano, Betina Sandra
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
Materias:
testimony
altarpiece
political violence
migrations
residual
testimonio
retablo
violencia política
migraciones
testemunho
retábulo
violência política
migrações
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/zama/article/view/9616
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=9616_oai
Aporte de:
Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-9616_oai
record_format dspace
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic testimony
altarpiece
political violence
migrations
residual
testimonio
retablo
violencia política
migraciones
residual
testemunho
retábulo
violência política
migrações
residual
spellingShingle testimony
altarpiece
political violence
migrations
residual
testimonio
retablo
violencia política
migraciones
residual
testemunho
retábulo
violência política
migrações
residual
Campuzano, Betina Sandra
Testimonies and altarpieces: migrant boxes, narrative urgencies, the Andean space. A reading of Chungui. Violencia y trazos de memoria by Edilberto Jiménez
topic_facet testimony
altarpiece
political violence
migrations
residual
testimonio
retablo
violencia política
migraciones
residual
testemunho
retábulo
violência política
migrações
residual
description Throughout time, altarpieces have suffered transformations which were recorded, in part, by the Arguedian ethnographic writing: thus, from mobile boxes related to religious motifs, travels, and cattle driving, altarpieces mutated into commercial and popular art objects, by incorporating the ritual and the daily life of the Andean communities during the modernization of the nation. Then, they turned into coffin boxes, and music boxes which portrayed the horror and the political violence in the recent Perú (Ulfe, 2011). In particular, I will focus on Chungui. Violencia y trazos de memoria (2005), by Edilberto Jiménez: there, this Peruvian altarpiece artist and anthropologist re-updates the canonical forms of the altarpiece and the ethnographic testimony by combining letter and image, voice and body to narrate the unspeakable in the armed conflict. The procedural and conceptual transformations, while reminiscent of the work of Guamán Poma, refer to an Andean space which is clearly symbolic. In this sense, I propose to think of this case as a residual, migrant and performative testimony.
format Artículo
publishedVersion
author Campuzano, Betina Sandra
author_facet Campuzano, Betina Sandra
author_sort Campuzano, Betina Sandra
title Testimonies and altarpieces: migrant boxes, narrative urgencies, the Andean space. A reading of Chungui. Violencia y trazos de memoria by Edilberto Jiménez
title_short Testimonies and altarpieces: migrant boxes, narrative urgencies, the Andean space. A reading of Chungui. Violencia y trazos de memoria by Edilberto Jiménez
title_full Testimonies and altarpieces: migrant boxes, narrative urgencies, the Andean space. A reading of Chungui. Violencia y trazos de memoria by Edilberto Jiménez
title_fullStr Testimonies and altarpieces: migrant boxes, narrative urgencies, the Andean space. A reading of Chungui. Violencia y trazos de memoria by Edilberto Jiménez
title_full_unstemmed Testimonies and altarpieces: migrant boxes, narrative urgencies, the Andean space. A reading of Chungui. Violencia y trazos de memoria by Edilberto Jiménez
title_sort testimonies and altarpieces: migrant boxes, narrative urgencies, the andean space. a reading of chungui. violencia y trazos de memoria by edilberto jiménez
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2020
url http://revistascientificas.filo.uba.ar/index.php/zama/article/view/9616
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=9616_oai
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spelling I28-R145-9616_oai2021-03-12 Campuzano, Betina Sandra 2020-11-30 Throughout time, altarpieces have suffered transformations which were recorded, in part, by the Arguedian ethnographic writing: thus, from mobile boxes related to religious motifs, travels, and cattle driving, altarpieces mutated into commercial and popular art objects, by incorporating the ritual and the daily life of the Andean communities during the modernization of the nation. Then, they turned into coffin boxes, and music boxes which portrayed the horror and the political violence in the recent Perú (Ulfe, 2011). In particular, I will focus on Chungui. Violencia y trazos de memoria (2005), by Edilberto Jiménez: there, this Peruvian altarpiece artist and anthropologist re-updates the canonical forms of the altarpiece and the ethnographic testimony by combining letter and image, voice and body to narrate the unspeakable in the armed conflict. The procedural and conceptual transformations, while reminiscent of the work of Guamán Poma, refer to an Andean space which is clearly symbolic. In this sense, I propose to think of this case as a residual, migrant and performative testimony. A lo largo del tiempo, los retablos han sufrido transformaciones registradas en parte por la escritura etnográfica arguediana: de cajas móviles asociadas con motivos religiosos, viajes y arrierismo, mutaron a objetos mercantiles y de arte popular al incorporar el ritual y la cotidianeidad de las comunidades andinas durante el proceso de modernización nacional. Luego, se convirtieron en cajas ataúd y cajas de música que retrataron el horror de la violencia política en el Perú reciente (Ulfe, 2011). En particular, me centraré en Chungui. Violencia y trazos de memoria (2005), de Edilberto Jiménez: allí, el retablista y antropólogo peruano reactualiza las formas canónicas del retablo y el testimonio etnográfico combinando letra e imagen, voz y cuerpo para narrar lo indecible en el conflicto armado. Las transformaciones conceptuales y procedimentales, al tiempo que recuerdan la obra de Guaman Poma, remiten a un espacio andino que es claramente simbólico. En ese sentido, propongo pensar este caso como un testimonio residual, migrante y performático. Ao longo do tempo, os retábulos sofreram transformações registradas em parte pela escritura etnográfica arguediana: de serem caixas móveis associadas com motivos religiosos, viagens e vaqueiros mutaram a objetos mercantis e de arte popular ao incorporar o ritual e a cotidianeidade das comunidades andinas durante a modernização da nação. Depois converteram-se em caixas ataúde e caixas de música que retrataram o horror da violência política no Peru recente (Ulfe, 2011). Em particular, me centrarei em Chungui. Violencia y trazos de memoria (2005), de Edilberto Jiménez: ali, o retabuleiro e antropólogo peruano re-atualiza as formas canônicas do retábulo e o depoimento etnográfico combinando letra e imagen, voz y corpo para narrar o indizível no conflito armado. As transformações conceptuais e procedimentais, enquanto tempo que recorda a obra de Guaman Poma, remetem a um espaço andino que é claramente simbólico (Adorno, 1992; Pease, 2008). Neste sentido, proponho pensar este caso como um testemunho residual, migrante e performático. application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/zama/article/view/9616 10.34096/zama.a12.n12.9616 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/zama/article/view/9616/8378 http://revistascientificas.filo.uba.ar/index.php/zama/article/view/9616/8400 Zama; Vol. 12 Núm. 12 (2020); 71-87 2422-6017 1851-6866 testimony altarpiece political violence migrations residual testimonio retablo violencia política migraciones residual testemunho retábulo violência política migrações residual Testimonies and altarpieces: migrant boxes, narrative urgencies, the Andean space. A reading of Chungui. Violencia y trazos de memoria by Edilberto Jiménez Testimonios y retablos: cajas migrantes, urgencia narrativa y espacio andino. Una lectura de Chungui. Violencia y trazos de memoria de Edilberto Jiménez Testemunhos e retábulos: caixas migrantes, urgência narrativa e espaço andino. Uma leitura de Chungui. Violencia y trazos de memoria de Edilberto Jiménez info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=9616_oai

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