"Those who walk". A Calchaquí narrative event valued from archeology and ethnohistory
The Late rock art recorded in the Quillivil cave, located in the Calchaquíes Valleys, in the Argentine Northwest, exhibits a series of rows of painted human figures, walking in one direction or another. These figures wear decorated garb and important headdresses suggesting that they are elite charac...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Sección Etnohistoria, Instituto de Ciencias Antropológicas. FFyL, UBA
2021
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/MA/article/view/PDF https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=MA&d=8706_oai |
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I28-R145-8706_oai2025-11-17 de Hoyos, María 2021-06-30 The Late rock art recorded in the Quillivil cave, located in the Calchaquíes Valleys, in the Argentine Northwest, exhibits a series of rows of painted human figures, walking in one direction or another. These figures wear decorated garb and important headdresses suggesting that they are elite characters. Who are these characters and what was their destiny? To try to answer these questions, I adopted, as a methodology, a narrative perspective based on the passage of actors through different media; that is, identifying similar pilgrimages in other sites with art or in archaeological pieces of the region. These changes of scenery are forming the thread of a narrative and the comparisons facilitate the identification of the trappings and objects present in the paintings. This information, added to that from Andean ethnohistoric sources -local and regional- allows formulating hypotheses about the event that is portrayed. El arte rupestre Tardío registrado en la cueva Quillivil, ubicada en los Valles Calchaquíes, en el Noroeste argentino, exhibe una serie de hileras de figuras humanas pintadas, caminando en una u otra dirección. Estas figuras lucen atuendos decorados e importantes tocados cefálicos sugiriendo que se trata de personajes de elite ¿Quiénes son estos personajes y cuál era su destino? Para intentar responder a estas preguntas adopté, como metodología, una perspectiva narrativa que tiene como fundamento el transcurrir de actores a través de diferentes soportes; es decir, identificar romerías similares en otros sitios con arte o en piezas arqueológicas de la región. Estos cambios de escenario van conformando el hilo de una narración y las comparaciones facilitan la identificación de los atavíos y objetos presentes en las pinturas. Esta información sumada a la proveniente de fuentes etnohistóricas andinas -locales y regionales- permite formular hipótesis acerca del acontecimiento que se está escenificando. A arte rupestre Tardia registrada na caverna Quillivil, localizada nos Vales Calchaquíes, no noroeste da Argentina, exibe uma série de fileiras de figuras humanas pintadas, caminhando em uma direção ou outra. Essas figuras usam trajes decorados e importantes cocares, sugerindo que são figuras de elite. Quem são essas figuras e qual era seu destino? Para responder a essas perguntas, adotei uma perspectiva narrativa baseada na passagem de atores por diferentes meios; ou seja, identificando peregrinações semelhantes em outros sítios de arte ou em artefatos arqueológicos da região. Essas mudanças de cenário formam o fio condutor de uma narrativa, e as comparações facilitam a identificação dos trajes e objetos presentes nas pinturas. Essas informações, combinadas com informações de fontes etno-históricas andinas locais e regionais, nos permitem formular hipóteses sobre o evento retratado. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/MA/article/view/PDF 10.34096/mace.v29i1.8706 spa Sección Etnohistoria, Instituto de Ciencias Antropológicas. FFyL, UBA https://revistascientificas.filo.uba.ar/index.php/MA/article/view/PDF/9095 https://revistascientificas.filo.uba.ar/index.php/MA/article/view/PDF/9284 Derechos de autor 2021 Memoria Americana. Cuadernos de Etnohistoria Memoria Americana. Cuadernos de Etnohistoria; Vol. 29 No. 1 (2021); 6-26 Memoria Americana. Cuadernos de Etnohistoria; Vol. 29 Núm. 1 (2021); 6-26 1851-3751 0327-5752 rock art Argentine Northwest walkers hypothesis arte rupestre Noroeste argentino caminantes hipótesis arte rupestre Noroeste da Argentina caminhantes hipóteses "Those who walk". A Calchaquí narrative event valued from archeology and ethnohistory "Los que caminan". Un acontecimiento narrativo calchaquí valorado desde la arqueología y la etnohistoria "Aqueles que caminham". Um evento narrativo calchaquí valorizado sob a perspectiva da arqueologia e da etnohistória. info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=MA&d=8706_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
rock art Argentine Northwest walkers hypothesis arte rupestre Noroeste argentino caminantes hipótesis arte rupestre Noroeste da Argentina caminhantes hipóteses |
| spellingShingle |
rock art Argentine Northwest walkers hypothesis arte rupestre Noroeste argentino caminantes hipótesis arte rupestre Noroeste da Argentina caminhantes hipóteses de Hoyos, María "Those who walk". A Calchaquí narrative event valued from archeology and ethnohistory |
| topic_facet |
rock art Argentine Northwest walkers hypothesis arte rupestre Noroeste argentino caminantes hipótesis arte rupestre Noroeste da Argentina caminhantes hipóteses |
| description |
The Late rock art recorded in the Quillivil cave, located in the Calchaquíes Valleys, in the Argentine Northwest, exhibits a series of rows of painted human figures, walking in one direction or another. These figures wear decorated garb and important headdresses suggesting that they are elite characters. Who are these characters and what was their destiny? To try to answer these questions, I adopted, as a methodology, a narrative perspective based on the passage of actors through different media; that is, identifying similar pilgrimages in other sites with art or in archaeological pieces of the region. These changes of scenery are forming the thread of a narrative and the comparisons facilitate the identification of the trappings and objects present in the paintings. This information, added to that from Andean ethnohistoric sources -local and regional- allows formulating hypotheses about the event that is portrayed. |
| format |
Artículo publishedVersion |
| author |
de Hoyos, María |
| author_facet |
de Hoyos, María |
| author_sort |
de Hoyos, María |
| title |
"Those who walk". A Calchaquí narrative event valued from archeology and ethnohistory |
| title_short |
"Those who walk". A Calchaquí narrative event valued from archeology and ethnohistory |
| title_full |
"Those who walk". A Calchaquí narrative event valued from archeology and ethnohistory |
| title_fullStr |
"Those who walk". A Calchaquí narrative event valued from archeology and ethnohistory |
| title_full_unstemmed |
"Those who walk". A Calchaquí narrative event valued from archeology and ethnohistory |
| title_sort |
"those who walk". a calchaquí narrative event valued from archeology and ethnohistory |
| publisher |
Sección Etnohistoria, Instituto de Ciencias Antropológicas. FFyL, UBA |
| publishDate |
2021 |
| url |
https://revistascientificas.filo.uba.ar/index.php/MA/article/view/PDF https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=MA&d=8706_oai |
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AT dehoyosmaria thosewhowalkacalchaquinarrativeeventvaluedfromarcheologyandethnohistory AT dehoyosmaria losquecaminanunacontecimientonarrativocalchaquivaloradodesdelaarqueologiaylaetnohistoria AT dehoyosmaria aquelesquecaminhamumeventonarrativocalchaquivalorizadosobaperspectivadaarqueologiaedaetnohistoria |
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