Rock art conservation and management in Bolivia. Experiences during 30 years (1988-2017)

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This article begins with brief reflections on rock art and its conservation. It refers to the legal framework concerning cultural heritage and rock art site conservation in Bolivia. The latest version of the Constitution of the Plurinational State of Bolivia —in contrast to the former constitution—...

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Autor principal: Taboada, Freddy
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021
Materias:
Cultural heritage
Heritage preservation
Native communities
Patrimonio cultural
Preservación del patrimonio
Comunidades originarias
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8582
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=arqueo&d=8582_oai
Aporte de:
Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-8582_oai
record_format dspace
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Cultural heritage
Heritage preservation
Native communities
Patrimonio cultural
Preservación del patrimonio
Comunidades originarias
spellingShingle Cultural heritage
Heritage preservation
Native communities
Patrimonio cultural
Preservación del patrimonio
Comunidades originarias
Taboada, Freddy
Rock art conservation and management in Bolivia. Experiences during 30 years (1988-2017)
topic_facet Cultural heritage
Heritage preservation
Native communities
Patrimonio cultural
Preservación del patrimonio
Comunidades originarias
description This article begins with brief reflections on rock art and its conservation. It refers to the legal framework concerning cultural heritage and rock art site conservation in Bolivia. The latest version of the Constitution of the Plurinational State of Bolivia —in contrast to the former constitution— defines collective ownership and postulates the general society as responsible for the conservation and preservation of the Bolivian cultural heritage, with the State acting as supervisor. The Bolivian Rock Art Research Society (SIARB) has worked in the last 30 years in the conservation of rock art sites, after having defined the institutional protocol for rock art conservation and research. The SIARB has established a corporative model for its activities involving: preventive conservation, specific conservation, measures and management of sites, including consultation and agreements between experts and different stakeholders such as municipal governments and communities, official permission for the works to be carried out, archaeological and ethnohistorical research, analysis of conservation status and basic treatment, development of sites with adequate infrastructure for visitation, education campaigns, and training workshops for tourist guides, rules for administration and a management plan that includes monitoring conservation conditions. Finally, this article mentions the activities carried out by different institutions that made interventions in rock art sites with neither technical nor scientific basis, whose results have been detrimental for the conservation of rock art.
format Artículo
publishedVersion
author Taboada, Freddy
author_facet Taboada, Freddy
author_sort Taboada, Freddy
title Rock art conservation and management in Bolivia. Experiences during 30 years (1988-2017)
title_short Rock art conservation and management in Bolivia. Experiences during 30 years (1988-2017)
title_full Rock art conservation and management in Bolivia. Experiences during 30 years (1988-2017)
title_fullStr Rock art conservation and management in Bolivia. Experiences during 30 years (1988-2017)
title_full_unstemmed Rock art conservation and management in Bolivia. Experiences during 30 years (1988-2017)
title_sort rock art conservation and management in bolivia. experiences during 30 years (1988-2017)
publisher Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2021
url https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8582
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=arqueo&d=8582_oai
work_keys_str_mv AT taboadafreddy rockartconservationandmanagementinboliviaexperiencesduring30years19882017
AT taboadafreddy conservacionyadministraciondelarterupestreenboliviaexperienciasdurante30anos19882017
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spelling I28-R145-8582_oai2025-11-17 Taboada, Freddy 2021-12-06 This article begins with brief reflections on rock art and its conservation. It refers to the legal framework concerning cultural heritage and rock art site conservation in Bolivia. The latest version of the Constitution of the Plurinational State of Bolivia —in contrast to the former constitution— defines collective ownership and postulates the general society as responsible for the conservation and preservation of the Bolivian cultural heritage, with the State acting as supervisor. The Bolivian Rock Art Research Society (SIARB) has worked in the last 30 years in the conservation of rock art sites, after having defined the institutional protocol for rock art conservation and research. The SIARB has established a corporative model for its activities involving: preventive conservation, specific conservation, measures and management of sites, including consultation and agreements between experts and different stakeholders such as municipal governments and communities, official permission for the works to be carried out, archaeological and ethnohistorical research, analysis of conservation status and basic treatment, development of sites with adequate infrastructure for visitation, education campaigns, and training workshops for tourist guides, rules for administration and a management plan that includes monitoring conservation conditions. Finally, this article mentions the activities carried out by different institutions that made interventions in rock art sites with neither technical nor scientific basis, whose results have been detrimental for the conservation of rock art. El artículo comienza con consideraciones sobre el arte rupestre y su conservación. Luego se realiza un abordaje al marco legal que establece las pautas de gestión y la conservación del arte rupestre en Bolivia, donde se analiza la última Constitución Política del Estado Plurinacional de Bolivia, que, en contraste con la anterior constitución, establece su propiedad colectiva y empodera a la sociedad en general como dueña y responsable de la conservación y preservación del Patrimonio Cultural Boliviano teniendo como rector al Estado. Posteriormente se presenta la labor de la Sociedad de Investigación del Arte Rupestre de Bolivia (SIARB) en la conservación del arte rupestre durante los últimos 30 años, desde sus inicios hasta lograr protocolos institucionalizados para su conservación e investigación. Se presenta el modelo desarrollado por la SIARB, para la Conservación Preventiva, Curativa y Gestión del arte rupestre que involucra: concertación entre los Gobiernos Municipales y las comunidades originarias, permisos correspondientes, investigación arqueológica y etnohistórica, el diagnóstico de conservación y tratamientos básicos, el desarrollo de los sitios con una infraestructura adecuada para las visitas, talleres de concientización para autoridades y público en general, talleres de capacitación para “guardaruinas” y guías turísticos, reglamentos de gestión y administración y un plan de manejo a corto y mediano plazo, que incluye el monitoreo de conservación. Finalmente, se mencionan brevemente las actividades de diferentes instituciones que realizaron intervenciones sin una base técnica y científica, cuyos resultados han sido más bien perjudiciales. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8582 10.34096/arqueologia.t27.n3.8582 spa Instituto de Arqueología, Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8582/9669 https://revistascientificas.filo.uba.ar/index.php/Arqueologia/article/view/8582/12031 Derechos de autor 2021 Freddy Taboada Arqueología; Vol. 27 No. 3 (2021): September-December; 85-108 Arqueología; Vol. 27 Núm. 3 (2021): septiembre-diciembre; 85-108 1853-8126 0327-5159 Cultural heritage Heritage preservation Native communities Patrimonio cultural Preservación del patrimonio Comunidades originarias Rock art conservation and management in Bolivia. Experiences during 30 years (1988-2017) Conservación y administración del arte rupestre en Bolivia. Experiencias durante 30 años (1988- 2017) info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=arqueo&d=8582_oai

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