The Music of Oral Tradition in the Times of World Music. Is Legal Protection Possible Beyond Copyright?
Intellectual property, as defined by Western law, has tended to ignore the specificities and multiplicities of musical creation. The mechanisms designed from this conception, based on the invariability of the texts and on economic exploitation, have favored a system that allows the indiscriminate us...
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2020
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7598 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7598_oai |
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I28-R145-7598_oai2025-11-17 Olave Soler, Sebastian 2020-02-10 Intellectual property, as defined by Western law, has tended to ignore the specificities and multiplicities of musical creation. The mechanisms designed from this conception, based on the invariability of the texts and on economic exploitation, have favored a system that allows the indiscriminate use of community expressions, in particular of those of the music of oral tradition. Through the notions of authenticity and artistic property, this article reflects on the need to expand and adapt the intellectual property right, in the search for protection mechanisms for this type of music, which take into account their artistic and social peculiarities La propiedad intelectual, tal como ha sido definida por el derecho occidental, ha tendido a ignorar las especificidades y multiplicidades de la creación musical. Los mecanismos diseñados a partir de esta concepción, basados en la invariabilidad de los textos y en el aprovechamiento económico, han favorecido un sistema que permite el uso indiscriminado de expresiones comunitarias, en particular de las músicas de tradición oral. A través de las nociones de autenticidad y de propiedad artística, este artículo reflexiona sobre la necesidad de ampliar y adaptar el derecho de propiedad intelectual, en la búsqueda de mecanismos de protección para dichas músicas, que tengan en cuenta sus particularidades artísticas y sociales. A propriedade intelectual, de acordo com o direito ocidental, tende a ignorar as especificidades e multiplicidades da criação musical. Os mecanismos projetados a partir dessa concepção, baseados na invariabilidade dos textos e no proveito económico, favoreceram um sistema que permite o uso indiscriminado de expressões comunitárias, em particular das músicas de tradição oral. Fazendo uso das noções de autenticidade e propriedade artística, este artigo reflete sobre a necessidade de ampliar e adaptar o direito de propriedade intelectual, na busca de mecanismos de proteção para essas músicas, levando em consideração as suas peculiaridades artísticas e sociais. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7598 10.34096/oidopensante.v8n1.7598 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7598/6797 https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7598/7542 El oído pensante; Vol. 8 No. 1 (2020): Febrero 2020 - Julio 2020 El oído pensante; Vol. 8 Núm. 1 (2020): Febrero 2020 - Julio 2020 El oído pensante; v. 8 n. 1 (2020): Febrero 2020 - Julio 2020 2250-7116 música tradicional world music autenticidad propiedad intelectual música tradicional world music autenticidade propriedade intelectual traditional music world music authenticity intellectual property The Music of Oral Tradition in the Times of World Music. Is Legal Protection Possible Beyond Copyright? La música de tradición oral en los tiempos de la world music. ¿Es posible una protección legal más allá del derecho de autor? A música de tradição oral em tempos de world music. É possível uma proteção legal para além dos direitos de autor? info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7598_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
música tradicional world music autenticidad propiedad intelectual música tradicional world music autenticidade propriedade intelectual traditional music world music authenticity intellectual property |
| spellingShingle |
música tradicional world music autenticidad propiedad intelectual música tradicional world music autenticidade propriedade intelectual traditional music world music authenticity intellectual property Olave Soler, Sebastian The Music of Oral Tradition in the Times of World Music. Is Legal Protection Possible Beyond Copyright? |
| topic_facet |
música tradicional world music autenticidad propiedad intelectual música tradicional world music autenticidade propriedade intelectual traditional music world music authenticity intellectual property |
| description |
Intellectual property, as defined by Western law, has tended to ignore the specificities and multiplicities of musical creation. The mechanisms designed from this conception, based on the invariability of the texts and on economic exploitation, have favored a system that allows the indiscriminate use of community expressions, in particular of those of the music of oral tradition. Through the notions of authenticity and artistic property, this article reflects on the need to expand and adapt the intellectual property right, in the search for protection mechanisms for this type of music, which take into account their artistic and social peculiarities |
| format |
Artículo publishedVersion |
| author |
Olave Soler, Sebastian |
| author_facet |
Olave Soler, Sebastian |
| author_sort |
Olave Soler, Sebastian |
| title |
The Music of Oral Tradition in the Times of World Music. Is Legal Protection Possible Beyond Copyright? |
| title_short |
The Music of Oral Tradition in the Times of World Music. Is Legal Protection Possible Beyond Copyright? |
| title_full |
The Music of Oral Tradition in the Times of World Music. Is Legal Protection Possible Beyond Copyright? |
| title_fullStr |
The Music of Oral Tradition in the Times of World Music. Is Legal Protection Possible Beyond Copyright? |
| title_full_unstemmed |
The Music of Oral Tradition in the Times of World Music. Is Legal Protection Possible Beyond Copyright? |
| title_sort |
music of oral tradition in the times of world music. is legal protection possible beyond copyright? |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2020 |
| url |
https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7598 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7598_oai |
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