Aural Regimes through Music Listening: Ideologies and Institutions in the 21st Century
Is there something such as an aural regime that defines our music listening strategies? If so, how is such regime configured? What listening practices are imparted/supported by which institutions and ideologies and viceversa? This article offers possible interpretations to these questions by tacklin...
Guardado en:
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2019
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7563 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7563_oai |
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Universidad de Buenos Aires |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
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| topic |
auralidad escucha estudios sonoros estudios sensoriales ideología instituciones auralidade escuta estudos sonoros estudos sensorais ideologia instituições aurality listening sound studies sensory studies ideology institutions |
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auralidad escucha estudios sonoros estudios sensoriales ideología instituciones auralidade escuta estudos sonoros estudos sensorais ideologia instituições aurality listening sound studies sensory studies ideology institutions Bieletto-Bueno, Natalia Aural Regimes through Music Listening: Ideologies and Institutions in the 21st Century |
| topic_facet |
auralidad escucha estudios sonoros estudios sensoriales ideología instituciones auralidade escuta estudos sonoros estudos sensorais ideologia instituições aurality listening sound studies sensory studies ideology institutions |
| description |
Is there something such as an aural regime that defines our music listening strategies? If so, how is such regime configured? What listening practices are imparted/supported by which institutions and ideologies and viceversa? This article offers possible interpretations to these questions by tackling contemporary practices of music listening. It presents a working definition of “aural regime” illustrating it through three contemporary problems around music listening, as are the effects of the ideology of multiculturalism in the installment of such a regime, the role of different industries (music, entertainment and tourism) and institutions (universities, cultural centers, archives), in the establishment of pedagogies for music listening as well as in the construction of musically mediated subjectivities. I revise ongoing academic debates concerning the generation of aesthetic judgment of non-western musics and its possible relationship with a “postmodern condition” (García 2012), the ubiquity of diverse, and not so diverse musics and the ensuing problem of attentive music listening (Kassabian 2013), the role of technologies for music listening (Erickson y Johanson 2017), or the debate of agency facing the conundrum of what or not to listen to (Filipovic 2012, Lipari 2014). |
| format |
Artículo publishedVersion |
| author |
Bieletto-Bueno, Natalia |
| author_facet |
Bieletto-Bueno, Natalia |
| author_sort |
Bieletto-Bueno, Natalia |
| title |
Aural Regimes through Music Listening: Ideologies and Institutions in the 21st Century |
| title_short |
Aural Regimes through Music Listening: Ideologies and Institutions in the 21st Century |
| title_full |
Aural Regimes through Music Listening: Ideologies and Institutions in the 21st Century |
| title_fullStr |
Aural Regimes through Music Listening: Ideologies and Institutions in the 21st Century |
| title_full_unstemmed |
Aural Regimes through Music Listening: Ideologies and Institutions in the 21st Century |
| title_sort |
aural regimes through music listening: ideologies and institutions in the 21st century |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2019 |
| url |
https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7563 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7563_oai |
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1851374443533697024 |
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I28-R145-7563_oai2025-11-17 Bieletto-Bueno, Natalia 2019-08-01 Is there something such as an aural regime that defines our music listening strategies? If so, how is such regime configured? What listening practices are imparted/supported by which institutions and ideologies and viceversa? This article offers possible interpretations to these questions by tackling contemporary practices of music listening. It presents a working definition of “aural regime” illustrating it through three contemporary problems around music listening, as are the effects of the ideology of multiculturalism in the installment of such a regime, the role of different industries (music, entertainment and tourism) and institutions (universities, cultural centers, archives), in the establishment of pedagogies for music listening as well as in the construction of musically mediated subjectivities. I revise ongoing academic debates concerning the generation of aesthetic judgment of non-western musics and its possible relationship with a “postmodern condition” (García 2012), the ubiquity of diverse, and not so diverse musics and the ensuing problem of attentive music listening (Kassabian 2013), the role of technologies for music listening (Erickson y Johanson 2017), or the debate of agency facing the conundrum of what or not to listen to (Filipovic 2012, Lipari 2014). ¿Existe un régimen aural que impacta en la escucha musical en el siglo XXI? De ser así, ¿cómo es que dicho régimen se configura?, ¿qué prácticas de escucha son sustentadas por qué tipo de instituciones e ideologías y viceversa? Este artículo aproxima posibles interpretaciones a estas preguntas recurriendo para ello a las prácticas contemporáneas de escucha musical. Presenta una definición de trabajo de “régimen aural” y la ilustra a través de tres problemas contemporáneos en torno a la escucha musical, como son el efecto de la ideología del multiculturalismo en la instauración de dicho régimen, el papel de diferentes industrias (musical, entretenimiento y turismo) e instituciones (universidades, centros culturales y archivos) en el establecimiento de pedagogías de la escucha musical y la construcción de subjetividades musicalmente mediadas. Reviso debates en curso tales como la generación de juicios estéticos sobre las músicas no-occidentales y su relación con una posible “condición postmoderna” (García 2012), la omnipresencia de músicas diversas –y no tan diversas– y el problema resultante de la escucha musical atenta (Kassabian 2013), el papel de las tecnologías para la escucha musical (Erickson y Johanson 2017), y el debate sobre la agencia del sí mismo ante la disyuntiva de qué y no escuchar (Filipovic 2012, Lipari 2014). Existe um regime aural que afeta a audição musical no século XXI? Se sim, como é que este regime está configurado? Que práticas de escuta são apoiadas por que tipo de instituições e ideologias e vice-versa? Este artigo aproxima possíveis interpretações destas questões, recorrendo às práticas de escuta musical contemporânea. Apresenta uma definição de “regime aural” a partir de três problemas contemporâneos em torno da escuta musical, tais como o efeito da ideologia do multiculturalismo no estabelecimento deste regime, o papel de diferentes indústrias (música, entretenimento e turismo) e instituições (universidades, centros culturais e arquivos) no estabelecimento de pedagogias de escuta musical, bem como na construção de subjetividades musicalmente mediadas. Faço uma revisão de debates em curso como a geração de julgamentos estéticos sobre a música não-ocidental e a sua relação com uma possível “condição pós-moderna” (García 2012), a onipresença de diversas músicas –e não tão diversas– e o problema resultante da audição musical atenta (Kassabian 2013), o papel das tecnologias de escuta musical (Erickson e Johanson 2017), e o debate sobre a agência do eu perante o dilema do que escutar e não escutar (Filipovic 2012, Lipari 2014). application/pdf https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7563 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/oidopensante/article/view/7563/6775 El oído pensante; Vol. 7 No. 2 (2019): Agosto 2019 - Enero 2020 El oído pensante; Vol. 7 Núm. 2 (2019): Agosto 2019 - Enero 2020 El oído pensante; v. 7 n. 2 (2019): Agosto 2019 - Enero 2020 2250-7116 auralidad escucha estudios sonoros estudios sensoriales ideología instituciones auralidade escuta estudos sonoros estudos sensorais ideologia instituições aurality listening sound studies sensory studies ideology institutions Aural Regimes through Music Listening: Ideologies and Institutions in the 21st Century Regímenes aurales a través de la escucha musical: ideologías e instituciones en el siglo XXI Regimes aurales através da escuta musical: ideologias e instituições no século XXI info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=eloido&d=7563_oai |