Artwriting in the first stage of the Revista Moderna
One of the least understood practices to appear in the Mexico’s Revista Moderna is artwriting. Through this hybrid genre, that appeared in all of the issues of the magazine and took on and endless array of forms (prose poems, notes, reviews, short stories, essays, etc.), the modernistas addressed th...
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| Formato: | Artículo publishedVersion |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2019
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/zama/article/view/7349 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=7349_oai |
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I28-R145-7349_oai2020-08-18 Gutiérrez Silva, Manuel 2019-11-01 One of the least understood practices to appear in the Mexico’s Revista Moderna is artwriting. Through this hybrid genre, that appeared in all of the issues of the magazine and took on and endless array of forms (prose poems, notes, reviews, short stories, essays, etc.), the modernistas addressed their encounter with modern art and with the new visual culture that was arriving in the country at the turn of the century. Borrowing the term artwriting from the north American philosopher David Carrier —who coined the phrase to refer to creative non-fictional and fictional work written by poets and novelists about their encounter with art—in this paper I will review the historical, cultural and intellectual context that spawned the use of this genre. My aim is to show the important role artwriting played in the Revista Moderna’s efforts to transform academic discourse about the visual arts. Una de las prácticas menos entendidas de la Revista Moderna es la escritura del arte. A través de este género híbrido, que aparece en todos los números de la revista y toma un sin fin de formas experimentales (poemas en prosa, notas, reseñas, cuentos, ensayos, etc.), los modernistas se enfrentaron al arte moderno y a la nueva cultura visual que recién había arribado al país mexicano. Retomando el término escritura del arte (artwriting) del filósofo norteamericano David Carrier quien lo acuñó para referirse a la escritura creativa no-ficcional y ficcional empleada por poetas y novelistas para narrar sus encuentros con el arte visual, en este trabajo reviso el contexto historiográfico, cultural e intelectual que impulsó a este género para señalar el importante papel que tuvo en el esfuerzo de Revista Moderna para transformar el discurso académico que caracterizaba la discusión de las artes visuales en el siglo xix. Uma das práticas menos compreendidas da Revista Moderna é a escrita da arte. Através deste gênero híbrido, que se faz presente em todas as edições da revista e toma mútiplas formas experimentais (poemas em prosa, notas, resenhas, contos, ensaios, etc.), os modernistas confrontaram a arte moderna e a nova cultura visual que, naquele momento, recém chegara no México. A partir da retomada do termo escrita da arte (artwring), proposto pelo filósofo americano David Carrier, e que faz referência à escrita criativa não-ficcional e ficcional empregada por poetas e romancistas para narrar seus encontros com as artes visuais, no presente trabalho faço a revisão do contexto historiográfico, cultural e intelectual que impulsionou o gênero, com o propósito de salientar o importante papel que desempenhou no esforço da Revista Moderna para transformar o discurso acadêmico que caracterizou a discussão das artes visuais no século xix. application/pdf http://revistascientificas.filo.uba.ar/index.php/zama/article/view/7349 10.34096/zama.a11.n11.7349 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/zama/article/view/7349/6597 Zama; Vol. 11 Núm. 11 (2019); 119-128 2422-6017 1851-6866 artwriting Revista Moderna José Juan Tablada Manuel G. Revilla visual culture Escritura del arte Revista Moderna José Juan Tablada Manuel G. Revilla cultura visual Escrita da arte Revista Moderna José Juan Tablada Manuel G. Revilla cultura visual Artwriting in the first stage of the Revista Moderna La escritura del arte en la primera etapa de la Revista Moderna A escrita da arte na primeira etapa da Revista Moderna info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=7349_oai |
| institution |
Universidad de Buenos Aires |
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I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
artwriting Revista Moderna José Juan Tablada Manuel G. Revilla visual culture Escritura del arte Revista Moderna José Juan Tablada Manuel G. Revilla cultura visual Escrita da arte Revista Moderna José Juan Tablada Manuel G. Revilla cultura visual |
| spellingShingle |
artwriting Revista Moderna José Juan Tablada Manuel G. Revilla visual culture Escritura del arte Revista Moderna José Juan Tablada Manuel G. Revilla cultura visual Escrita da arte Revista Moderna José Juan Tablada Manuel G. Revilla cultura visual Gutiérrez Silva, Manuel Artwriting in the first stage of the Revista Moderna |
| topic_facet |
artwriting Revista Moderna José Juan Tablada Manuel G. Revilla visual culture Escritura del arte Revista Moderna José Juan Tablada Manuel G. Revilla cultura visual Escrita da arte Revista Moderna José Juan Tablada Manuel G. Revilla cultura visual |
| description |
One of the least understood practices to appear in the Mexico’s Revista Moderna is artwriting. Through this hybrid genre, that appeared in all of the issues of the magazine and took on and endless array of forms (prose poems, notes, reviews, short stories, essays, etc.), the modernistas addressed their encounter with modern art and with the new visual culture that was arriving in the country at the turn of the century. Borrowing the term artwriting from the north American philosopher David Carrier —who coined the phrase to refer to creative non-fictional and fictional work written by poets and novelists about their encounter with art—in this paper I will review the historical, cultural and intellectual context that spawned the use of this genre. My aim is to show the important role artwriting played in the Revista Moderna’s efforts to transform academic discourse about the visual arts. |
| format |
Artículo publishedVersion |
| author |
Gutiérrez Silva, Manuel |
| author_facet |
Gutiérrez Silva, Manuel |
| author_sort |
Gutiérrez Silva, Manuel |
| title |
Artwriting in the first stage of the Revista Moderna |
| title_short |
Artwriting in the first stage of the Revista Moderna |
| title_full |
Artwriting in the first stage of the Revista Moderna |
| title_fullStr |
Artwriting in the first stage of the Revista Moderna |
| title_full_unstemmed |
Artwriting in the first stage of the Revista Moderna |
| title_sort |
artwriting in the first stage of the revista moderna |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2019 |
| url |
http://revistascientificas.filo.uba.ar/index.php/zama/article/view/7349 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=7349_oai |
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