Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance'

The partition of Callimachus’ hymns in ‘mimetic’ and ‘not mimetic’ is standard in contemporary philology but has entered a subtle crisis in the last decades. In this work I intend not only to present the reasons behind this crisis, but also to propose a solution using the concept of ‘fiction of orig...

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Autor principal: Abritta, Alejandro
Formato: Artículo publishedVersion Artículo revisado por pares
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/afc/article/view/6840
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=anafilog&d=6840_oai
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spelling I28-R145-6840_oai2025-11-17 Abritta, Alejandro 2019-03-01 The partition of Callimachus’ hymns in ‘mimetic’ and ‘not mimetic’ is standard in contemporary philology but has entered a subtle crisis in the last decades. In this work I intend not only to present the reasons behind this crisis, but also to propose a solution using the concept of ‘fiction of original performance’, presented in Llanos (2017), which, in addition to solving the basic problem, links the Callimachus’ hymnodic collection with other poems of its age in the use of a (meta-)literary technic. The application of the concept is exemplified with an analysis of the Hymn to Artemis.  La división de los himnos de Calímaco entre ‘miméticos’ y ‘no-miméticos’ es estándar en la filología contemporánea, pero ha entrado en una crisis sutil en las últimas décadas. En este trabajo me propongo no solo presentar los motivos de esta crisis, sino proponer una solución desde la noción de ‘ficción de performance original’, presentada en Llanos (2017), que, además de resolver los problemas de fondo, vincula la colección himnódica de Calímaco con otros poemas de su época en el uso de una técnica (meta)literaria. La aplicación del concepto se ejemplifica con un análisis del Himno a Ártemis.  application/pdf https://revistascientificas.filo.uba.ar/index.php/afc/article/view/6840 10.34096/afc.v1i32.6840 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/afc/article/view/6840/6055 Anales de Filología Clásica; Vol. 1 Núm. 32 (2019): Literatura Helenística (coordinado por Daniel Torres); 21-29 2362-4841 0325-1721 Callimachus Hymns fiction of original performance Artemis Calímaco himnos ficción de performance original Artemis Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance' Contra lo 'mimético' en Calímaco a partir del concepto de 'ficción de performance original' info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=anafilog&d=6840_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Callimachus
Hymns
fiction of original performance
Artemis
Calímaco
himnos
ficción de performance original
Artemis
spellingShingle Callimachus
Hymns
fiction of original performance
Artemis
Calímaco
himnos
ficción de performance original
Artemis
Abritta, Alejandro
Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance'
topic_facet Callimachus
Hymns
fiction of original performance
Artemis
Calímaco
himnos
ficción de performance original
Artemis
description The partition of Callimachus’ hymns in ‘mimetic’ and ‘not mimetic’ is standard in contemporary philology but has entered a subtle crisis in the last decades. In this work I intend not only to present the reasons behind this crisis, but also to propose a solution using the concept of ‘fiction of original performance’, presented in Llanos (2017), which, in addition to solving the basic problem, links the Callimachus’ hymnodic collection with other poems of its age in the use of a (meta-)literary technic. The application of the concept is exemplified with an analysis of the Hymn to Artemis. 
format Artículo
publishedVersion
Artículo revisado por pares
author Abritta, Alejandro
author_facet Abritta, Alejandro
author_sort Abritta, Alejandro
title Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance'
title_short Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance'
title_full Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance'
title_fullStr Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance'
title_full_unstemmed Agains the 'mimetic' in Callimachus from the concept of 'fiction of original performance'
title_sort agains the 'mimetic' in callimachus from the concept of 'fiction of original performance'
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2019
url https://revistascientificas.filo.uba.ar/index.php/afc/article/view/6840
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=anafilog&d=6840_oai
work_keys_str_mv AT abrittaalejandro againsthemimeticincallimachusfromtheconceptoffictionoforiginalperformance
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