The fourth wall as a Compositional Language?

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This paper is a selected extract from the author’s graduation thesis (Licenciatura en Arte Escénico, Universidad Nacional de La Rioja, 2017; supervised by Daniela Martin, Universidad Nacional de Córdoba). The essay presents a theorical framework that aims to help make visible the modus operandi and...

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Autor principal:	Brizuela Cabeza, Carlos Emmanuel
Formato:	Artículo publishedVersion
Lenguaje:	Español
Publicado:	Facultad de Filosofía y Letras, Universidad de Buenos Aires 2019
Materias:	cuarta pared-Distancia acontecimiento poestético distanciante complicidades forth wall-distance event poesthetic complicities
Acceso en línea:	https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6513 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=6513_oai
Aporte de:	Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires

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spelling	I28-R145-6513_oai2025-11-17 Brizuela Cabeza, Carlos Emmanuel 2019-03-02 This paper is a selected extract from the author’s graduation thesis (Licenciatura en Arte Escénico, Universidad Nacional de La Rioja, 2017; supervised by Daniela Martin, Universidad Nacional de Córdoba). The essay presents a theorical framework that aims to help make visible the modus operandi and compositional possibilities of the fourth wall. First, we focus on the contributions of Denis Diderot, Bertolt Brecht and Augusto Boal regarding the fourth wall. Then, we present a discussion of some related concepts, such as convention, code, fiction and event. Our study begins by reviewing some components of the theatrical event as defined by Jorge Dubatti and moves on to focus on the tensions generated between the perspectives of those who produce a theatrical event and those who are its spectators. These tensions lead us to some theorical ideas relevant to the contemporary scene which we define as distancing strategies and complicities. El presente trabajo corresponde a un recorte de la tesis de grado realizada por el autor para la Licenciatura en Arte Escénico de la Universidad Nacional de La Rioja, asesorado por la docente Daniela Martin (Universidad Nacional de Córdoba) en el año 2017. Consiste en la presentación de un bagaje teórico reflexivo destinado a echar luz sobre los modus operandi y posibilidades compositivas de la cuarta pared. En una primera parte nos enfocamos en los aportes de Denis Diderot, Bertolt Brecht y Augusto Boal en cuanto a la distancia teatral. Luego, exploramos y buscamos desmantelar palabras pertinentes a la discusión sobre la cuarta pared tales como convención, código, ficción y acontecimiento. Nuestra investigación procede paulatinamente desde la revisión de los componentes del acontecimiento teatral visto desde Jorge Dubatti, hasta poner la lupa sobre la tensión entre las perspectivas de quien produce escena y quien la percibe. Esta tensión deriva en reflexiones aplicables en la escena contemporánea capitalizadas como estrategias distanciantes y complicidades. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6513 10.34096/tdf.n29.6513 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6513/5743 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 29 (2019); 46-60 1669-6301 cuarta pared-Distancia acontecimiento poestético distanciante complicidades forth wall-distance event poesthetic complicities The fourth wall as a Compositional Language? ¿La cuarta pared como lenguaje compositivo? info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=6513_oai
institution	Universidad de Buenos Aires
institution_str	I-28
repository_str	R-145
collection	Repositorio Digital de la Universidad de Buenos Aires (UBA)
language	Español
orig_language_str_mv	spa
topic	cuarta pared-Distancia acontecimiento poestético distanciante complicidades forth wall-distance event poesthetic complicities
spellingShingle	cuarta pared-Distancia acontecimiento poestético distanciante complicidades forth wall-distance event poesthetic complicities Brizuela Cabeza, Carlos Emmanuel The fourth wall as a Compositional Language?
topic_facet	cuarta pared-Distancia acontecimiento poestético distanciante complicidades forth wall-distance event poesthetic complicities
description	This paper is a selected extract from the author’s graduation thesis (Licenciatura en Arte Escénico, Universidad Nacional de La Rioja, 2017; supervised by Daniela Martin, Universidad Nacional de Córdoba). The essay presents a theorical framework that aims to help make visible the modus operandi and compositional possibilities of the fourth wall. First, we focus on the contributions of Denis Diderot, Bertolt Brecht and Augusto Boal regarding the fourth wall. Then, we present a discussion of some related concepts, such as convention, code, fiction and event. Our study begins by reviewing some components of the theatrical event as defined by Jorge Dubatti and moves on to focus on the tensions generated between the perspectives of those who produce a theatrical event and those who are its spectators. These tensions lead us to some theorical ideas relevant to the contemporary scene which we define as distancing strategies and complicities.
format	Artículo publishedVersion
author	Brizuela Cabeza, Carlos Emmanuel
author_facet	Brizuela Cabeza, Carlos Emmanuel
author_sort	Brizuela Cabeza, Carlos Emmanuel
title	The fourth wall as a Compositional Language?
title_short	The fourth wall as a Compositional Language?
title_full	The fourth wall as a Compositional Language?
title_fullStr	The fourth wall as a Compositional Language?
title_full_unstemmed	The fourth wall as a Compositional Language?
title_sort	fourth wall as a compositional language?
publisher	Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate	2019
url	https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/6513 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=6513_oai
work_keys_str_mv	AT brizuelacabezacarlosemmanuel thefourthwallasacompositionallanguage AT brizuelacabezacarlosemmanuel lacuartaparedcomolenguajecompositivo AT brizuelacabezacarlosemmanuel fourthwallasacompositionallanguage
_version_	1851376342640099328

The fourth wall as a Compositional Language?

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