Dangerous relationships. Abstract art in Buenos Aires during the nineties
This paper analyzes the development of abstract art in Buenos Aires during the nineties from the analysis of two exhibitions: Crimen es ornamento (1994) and The Rational Twist (1996). Attending to the characteristics of these curatorial projects, we investigate the construction of a modern ethos ext...
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2017
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Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/6121 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=cufilo&d=6121_oai |
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I28-R145-6121_oai2023-02-28 Lemus, Francisco 2017-04-22 This paper analyzes the development of abstract art in Buenos Aires during the nineties from the analysis of two exhibitions: Crimen es ornamento (1994) and The Rational Twist (1996). Attending to the characteristics of these curatorial projects, we investigate the construction of a modern ethos extensive to the avant-garde that, in the first half of the 20th century, saw in the ornament an image of waste subordinated to nature, primitive and feminine. Taking these ideas as a starting point, we analyze contemporary art in relation to its conditions of production and recognition and the generation of a queer sensibility as a distinctive aspect. Este artículo analiza el desarrollo del arte abstracto en Buenos Aires durante los años noventa a partir del análisis de dos exposiciones: Crimen es ornamento (1994) y The Rational Twist (1996). Atendiendo a las características de estos proyectos curatoriales, indagamos en la construcción de un ethos moderno, extensivo a la vanguardia, que en la primera mitad del siglo XX vio en el ornamento una imagen del derroche subordinada a la naturaleza, primitiva y afeminada. Teniendo en cuenta estas ideas, abordamos la reflexión sobre las obras contemporáneas en relación a sus condiciones de emergencia y la generación de una sensibilidad queer como marca distintiva de la época. application/pdf http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/6121 10.34096/cf.n69.6121 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/6121/5409 Cuadernos de filosofía; Núm. 69 (2017); 155-170 2362-485X 0590-1901 Argentine art of the 90's abstract art modernity queer arte argentino de los años 90 abstracción modernidad queer Dangerous relationships. Abstract art in Buenos Aires during the nineties Relaciones peligrosas. Arte abstracto en Buenos Aires durante los años noventa info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=cufilo&d=6121_oai |
institution |
Universidad de Buenos Aires |
institution_str |
I-28 |
repository_str |
R-145 |
collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
language |
Español |
orig_language_str_mv |
spa |
topic |
Argentine art of the 90's abstract art modernity queer arte argentino de los años 90 abstracción modernidad queer |
spellingShingle |
Argentine art of the 90's abstract art modernity queer arte argentino de los años 90 abstracción modernidad queer Lemus, Francisco Dangerous relationships. Abstract art in Buenos Aires during the nineties |
topic_facet |
Argentine art of the 90's abstract art modernity queer arte argentino de los años 90 abstracción modernidad queer |
description |
This paper analyzes the development of abstract art in Buenos Aires during the nineties from the analysis of two exhibitions: Crimen es ornamento (1994) and The Rational Twist (1996). Attending to the characteristics of these curatorial projects, we investigate the construction of a modern ethos extensive to the avant-garde that, in the first half of the 20th century, saw in the ornament an image of waste subordinated to nature, primitive and feminine. Taking these ideas as a starting point, we analyze contemporary art in relation to its conditions of production and recognition and the generation of a queer sensibility as a distinctive aspect. |
format |
Artículo publishedVersion |
author |
Lemus, Francisco |
author_facet |
Lemus, Francisco |
author_sort |
Lemus, Francisco |
title |
Dangerous relationships. Abstract art in Buenos Aires during the nineties |
title_short |
Dangerous relationships. Abstract art in Buenos Aires during the nineties |
title_full |
Dangerous relationships. Abstract art in Buenos Aires during the nineties |
title_fullStr |
Dangerous relationships. Abstract art in Buenos Aires during the nineties |
title_full_unstemmed |
Dangerous relationships. Abstract art in Buenos Aires during the nineties |
title_sort |
dangerous relationships. abstract art in buenos aires during the nineties |
publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
publishDate |
2017 |
url |
http://revistascientificas.filo.uba.ar/index.php/CdF/article/view/6121 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=cufilo&d=6121_oai |
work_keys_str_mv |
AT lemusfrancisco dangerousrelationshipsabstractartinbuenosairesduringthenineties AT lemusfrancisco relacionespeligrosasarteabstractoenbuenosairesdurantelosanosnoventa |
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1766024229717803008 |