How to poison a composer. Writing within "Amadeus" by Peter Shaffer

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Amadeus (1979, Peter Shaffer) explores the supposed conflict between composers Mozart and Salieri. This play was re-written in several occasions (including its adaptation as the screenplay for a famous film). Those different versions show the persistent construction of an imaginary around writing, a...

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Autor principal: Gagliardi, Lucas
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2018
Materias:
dramatic text
genetic criticism
Shaffer
writing
Amadeus
texto dramático
crítica genética
escritura
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5090
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5090_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-5090_oai
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spelling I28-R145-5090_oai2025-11-17 Gagliardi, Lucas 2018-12-21 Amadeus (1979, Peter Shaffer) explores the supposed conflict between composers Mozart and Salieri. This play was re-written in several occasions (including its adaptation as the screenplay for a famous film). Those different versions show the persistent construction of an imaginary around writing, a practice which is perceived as dangerous and which, at the same time, regulates the conflictive relation between the characters. From the theoretical and methodological frame of genetic criticism, we approach writing and its representations within Amadeus, taking as objects both the dramatic text and the screenplay.  En Amadeus (1979) de Peter Shaffer se aborda el supuesto conflicto entre los compositores Mozart y Salieri. La pieza teatral fue reescrita en numerosas ocasiones (incluyendo un guión para cine); las reversiones escriturales de la obra muestran la construcción persistente de un imaginario en torno a la escritura, la cual es percibida como peligro y regula la conflictiva relación entre los personajes. Desde el marco teórico y metodológico de la crítica genética, abordamos la escritura en Amadeus en el texto dramático y cinematográfico firmado por Shaffer.  application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5090 10.34096/tdf.n27.5090 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5090/4607 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 27 (2018); 77-88 1669-6301 dramatic text genetic criticism Shaffer writing Amadeus texto dramático crítica genética Shaffer escritura Amadeus How to poison a composer. Writing within "Amadeus" by Peter Shaffer Instrucciones para envenenar a un compositor. La escritura en "Amadeus", de Peter Shaffer info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5090_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic dramatic text
genetic criticism
Shaffer
writing
Amadeus
texto dramático
crítica genética
Shaffer
escritura
Amadeus
spellingShingle dramatic text
genetic criticism
Shaffer
writing
Amadeus
texto dramático
crítica genética
Shaffer
escritura
Amadeus
Gagliardi, Lucas
How to poison a composer. Writing within "Amadeus" by Peter Shaffer
topic_facet dramatic text
genetic criticism
Shaffer
writing
Amadeus
texto dramático
crítica genética
Shaffer
escritura
Amadeus
description Amadeus (1979, Peter Shaffer) explores the supposed conflict between composers Mozart and Salieri. This play was re-written in several occasions (including its adaptation as the screenplay for a famous film). Those different versions show the persistent construction of an imaginary around writing, a practice which is perceived as dangerous and which, at the same time, regulates the conflictive relation between the characters. From the theoretical and methodological frame of genetic criticism, we approach writing and its representations within Amadeus, taking as objects both the dramatic text and the screenplay. 
format Artículo
publishedVersion
author Gagliardi, Lucas
author_facet Gagliardi, Lucas
author_sort Gagliardi, Lucas
title How to poison a composer. Writing within "Amadeus" by Peter Shaffer
title_short How to poison a composer. Writing within "Amadeus" by Peter Shaffer
title_full How to poison a composer. Writing within "Amadeus" by Peter Shaffer
title_fullStr How to poison a composer. Writing within "Amadeus" by Peter Shaffer
title_full_unstemmed How to poison a composer. Writing within "Amadeus" by Peter Shaffer
title_sort how to poison a composer. writing within "amadeus" by peter shaffer
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2018
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/5090
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=5090_oai
work_keys_str_mv AT gagliardilucas howtopoisonacomposerwritingwithinamadeusbypetershaffer
AT gagliardilucas instruccionesparaenvenenarauncompositorlaescrituraenamadeusdepetershaffer
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