Una aproximación a Sin novedad en Shanghai

This essay analyzes five of Panamanian author Rogelio Sinanân short stories published in the anthological volume Sin novedad en Shanghai. The essay proposes a new approach to these texts in the light of recent historical and geopolitical events such as the collapse of the Soviet Union, the US invasi...

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Autor principal: Guardia, Gloria
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires) 2018
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/zama/article/view/5062
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=5062_oai
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spelling I28-R145-5062_oai2025-11-17 Guardia, Gloria 2018-07-05 This essay analyzes five of Panamanian author Rogelio Sinanân short stories published in the anthological volume Sin novedad en Shanghai. The essay proposes a new approach to these texts in the light of recent historical and geopolitical events such as the collapse of the Soviet Union, the US invasion of Panama in 1989, the transfer of the Canal Zone to Panamanian Administration and the dismantling of American military bases in December 1999. With the re-reading of these texts, the author takes into account several proposals belonging to the academic field of cultural studies that help explain recent shifts of philosophical and social paradigms in the Latin America. These changes make a break from the epistemic postulates of Modernity, establish a commitment with popular culture, fragment all types of intellectual authority, and defend hybridization, thus initiating the Postcolonial debate and the concept of peripheral Modernity and Post Modernity in Latin America. Finally, through this trans-disciplinary re-reading of the texts, the author underlines the various linguistic and disciplinary approaches and narrative strategies displayed by Sinán in these short stories and how through the appropriation and recreation of old myths, allegories and legends, he created a cultural product that is both Latin American and Panamanian as well. En este ensayo sobre el libro antológico de cuentos Sin novedad en Shangai, del autor paname-ño Rogelio Sinán (1903-1994), se releen cinco de los textos más representativos a la luz de los cambios suscitados en la geopolítica mundial después del colapso de la Unión Soviética y de lo acontecido en Panamá tras la invasión norteamericana en 1989, el traspaso de la administración de la Zona del Canal y el desmantelamiento de las bases militares en 1999. En esta relectura tam-bién se toman en cuenta las nuevas propuestas de los discursos teóricos culturales que plantean un cambio de paradigma en el pensamiento latinoamericano y en esa medida superan los presu-puestos epistémicos de la modernidad, se comprometen con la cultura popular, descentralizan la autoridad intelectual, defienden la hibridación e inician el debate de la poscolonialidad y de la posmodernidad periférica en el continente. Por último, en esta relectura transdisciplinaria de los textos, se señalan los múltiples lenguajes y las estrategias narrativas empleados por Sinán y la manera como el autor crea, a través de la apropiación y recreación de antiguos mitos, alegorías y leyendas, un producto de cultura, tanto latinoamericano, como panameño. application/pdf https://revistascientificas.filo.uba.ar/index.php/zama/article/view/5062 10.34096/zama.a2.n2.5062 spa Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires) https://revistascientificas.filo.uba.ar/index.php/zama/article/view/5062/4580 Zama; Vol. 2 No. 2 (2010) Zama; Vol. 2 Núm. 2 (2010) Zama; v. 2 n. 2 (2010) 2422-6017 1851-6866 interacción apropiación heterogeneidad interaction appropriation heterogeneity Una aproximación a Sin novedad en Shanghai info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=5062_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic interacción
apropiación
heterogeneidad
interaction
appropriation
heterogeneity
spellingShingle interacción
apropiación
heterogeneidad
interaction
appropriation
heterogeneity
Guardia, Gloria
Una aproximación a Sin novedad en Shanghai
topic_facet interacción
apropiación
heterogeneidad
interaction
appropriation
heterogeneity
description This essay analyzes five of Panamanian author Rogelio Sinanân short stories published in the anthological volume Sin novedad en Shanghai. The essay proposes a new approach to these texts in the light of recent historical and geopolitical events such as the collapse of the Soviet Union, the US invasion of Panama in 1989, the transfer of the Canal Zone to Panamanian Administration and the dismantling of American military bases in December 1999. With the re-reading of these texts, the author takes into account several proposals belonging to the academic field of cultural studies that help explain recent shifts of philosophical and social paradigms in the Latin America. These changes make a break from the epistemic postulates of Modernity, establish a commitment with popular culture, fragment all types of intellectual authority, and defend hybridization, thus initiating the Postcolonial debate and the concept of peripheral Modernity and Post Modernity in Latin America. Finally, through this trans-disciplinary re-reading of the texts, the author underlines the various linguistic and disciplinary approaches and narrative strategies displayed by Sinán in these short stories and how through the appropriation and recreation of old myths, allegories and legends, he created a cultural product that is both Latin American and Panamanian as well.
format Artículo
publishedVersion
author Guardia, Gloria
author_facet Guardia, Gloria
author_sort Guardia, Gloria
title Una aproximación a Sin novedad en Shanghai
title_short Una aproximación a Sin novedad en Shanghai
title_full Una aproximación a Sin novedad en Shanghai
title_fullStr Una aproximación a Sin novedad en Shanghai
title_full_unstemmed Una aproximación a Sin novedad en Shanghai
title_sort una aproximación a sin novedad en shanghai
publisher Instituto de Literatura Hispanoamericana (Facultad de Filosofía y Letras, Universidad de Buenos Aires)
publishDate 2018
url https://revistascientificas.filo.uba.ar/index.php/zama/article/view/5062
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=zama&d=5062_oai
work_keys_str_mv AT guardiagloria unaaproximacionasinnovedadenshanghai
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