In the Border between Music and Theatre: the Case of John Cage's "Water Walk"

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This paper discusses and explores conceptual implications of the piece "Water Walk" by John Cage, considering its relation with the idea of theater and musical composition as well as the interrelation between sound and theatrical action it presents. While there will not be a final answer t...

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Autor principal: Frank, Walter
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2017
Materias:
representation
sonorous action
performance
musical composition
Water Walk
Cage
representación
acción Sonora
composición musical
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3975
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3975_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-3975_oai
record_format dspace
spelling I28-R145-3975_oai2025-11-17 Frank, Walter 2017-12-02 This paper discusses and explores conceptual implications of the piece "Water Walk" by John Cage, considering its relation with the idea of theater and musical composition as well as the interrelation between sound and theatrical action it presents. While there will not be a final answer to the core question about the categorization of "Water Walk", this article attempts to state that this piece by John Cage presents performatic qualities that locate it closer to theater and/or performance than to musical composition.  Este ensayo se propone discutir y explorar implicaciones conceptuales en relación a la pieza "Water Walk" de John Cage, su relación respecto de la idea de teatro y composición musical y la interrelación que presenta entre sonido y acción teatral. Aunque no se dispone de una respuesta final respecto de categorizar "Water Walk" en un género determinado, este escrito intenta establecer que la pieza presenta un carácter performático que la acerca más a una idea teatral y/o de arte de acción que a una composición musical.  application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3975 10.34096/tdf.n26.3975 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3975/3551 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 26 (2017); 25-32 1669-6301 representation sonorous action performance musical composition Water Walk Cage representación acción Sonora performance composición musical Water Walk Cage In the Border between Music and Theatre: the Case of John Cage's "Water Walk" En la frontera de la música y el teatro: el caso de "Water Walk" de John Cage info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3975_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic representation
sonorous action
performance
musical composition
Water Walk
Cage
representación
acción Sonora
performance
composición musical
Water Walk
Cage
spellingShingle representation
sonorous action
performance
musical composition
Water Walk
Cage
representación
acción Sonora
performance
composición musical
Water Walk
Cage
Frank, Walter
In the Border between Music and Theatre: the Case of John Cage's "Water Walk"
topic_facet representation
sonorous action
performance
musical composition
Water Walk
Cage
representación
acción Sonora
performance
composición musical
Water Walk
Cage
description This paper discusses and explores conceptual implications of the piece "Water Walk" by John Cage, considering its relation with the idea of theater and musical composition as well as the interrelation between sound and theatrical action it presents. While there will not be a final answer to the core question about the categorization of "Water Walk", this article attempts to state that this piece by John Cage presents performatic qualities that locate it closer to theater and/or performance than to musical composition. 
format Artículo
publishedVersion
author Frank, Walter
author_facet Frank, Walter
author_sort Frank, Walter
title In the Border between Music and Theatre: the Case of John Cage's "Water Walk"
title_short In the Border between Music and Theatre: the Case of John Cage's "Water Walk"
title_full In the Border between Music and Theatre: the Case of John Cage's "Water Walk"
title_fullStr In the Border between Music and Theatre: the Case of John Cage's "Water Walk"
title_full_unstemmed In the Border between Music and Theatre: the Case of John Cage's "Water Walk"
title_sort in the border between music and theatre: the case of john cage's "water walk"
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2017
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/3975
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=3975_oai
work_keys_str_mv AT frankwalter intheborderbetweenmusicandtheatrethecaseofjohncageswaterwalk
AT frankwalter enlafronteradelamusicayelteatroelcasodewaterwalkdejohncage
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