The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship

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This article addresses the cultural impact of the First World War in Chile by analyzing its presence in the film market. Despite the neutrality adopted after the war outbreak in Europe, the war became omnipresent on the screens of Chilean theatres and cinemas, attracting a broad audience, both from...

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Autor principal:	Maubert, Lucas
Formato:	Artículo publishedVersion Artículo evaluado por pares
Lenguaje:	Español
Publicado:	Facultad de Filosofía y Letras, Universidad de Buenos Aires 2025
Materias:	Cine Propaganda Censura Comunidades europeas Chile Cinema Censorship European communities
Acceso en línea:	https://revistascientificas.filo.uba.ar/index.php/historiayguerra/article/view/16357 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=histogue&d=16357_oai
Aporte de:	Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires

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spelling	I28-R145-16357_oai2025-11-17 Maubert, Lucas 2025-05-14 This article addresses the cultural impact of the First World War in Chile by analyzing its presence in the film market. Despite the neutrality adopted after the war outbreak in Europe, the war became omnipresent on the screens of Chilean theatres and cinemas, attracting a broad audience, both from Chileans and from foreign communities living in the country. However, in a context of strong national tensions and fragmentation of public opinion, the projections of films related to the European war provoked solid reactions and tensions, forcing the authorities to increase their control over this medium, which meant the censorship of several films. Este artículo aborda el impacto cultural de la Primera Guerra Mundial en Chile mediante el análisis de su presencia en el mercado cinematográfico. Pese a la neutralidad adoptada frente al estallido bélico europeo, la guerra se hizo omnipresente en las pantallas de los teatros y cines chilenos, atrayendo un amplio público, tanto de chilenos como de comunidades extranjeras residentes en el país. No obstante, en un contexto de fuertes tensiones nacionales y de fragmentación de la opinión pública, las proyecciones de cintas relacionadas con la guerra europea provocaron fuertes reacciones y tensiones, obligando a las autoridades a aumentar el control sobre este medio, lo cual significó la censura de varias películas. application/pdf text/html https://revistascientificas.filo.uba.ar/index.php/historiayguerra/article/view/16357 10.34096/hyg.n8.16357 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/historiayguerra/article/view/16357/14922 https://revistascientificas.filo.uba.ar/index.php/historiayguerra/article/view/16357/14934 Derechos de autor 2025 Lucas Maubert Historia & Guerra; No. 8 (2025): July-December; 76-101 Historia & Guerra; Núm. 8 (2025): Julio-Diciembre; 76-101 2796-8650 Cine Propaganda Censura Comunidades europeas Chile Cinema Propaganda Censorship European communities Chile The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship La presencia de la Primera Guerra Mundial en el ámbito cinematográfico chileno. Entre interés popular, propaganda y censura info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo evaluado por pares https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=histogue&d=16357_oai
institution	Universidad de Buenos Aires
institution_str	I-28
repository_str	R-145
collection	Repositorio Digital de la Universidad de Buenos Aires (UBA)
language	Español
orig_language_str_mv	spa
topic	Cine Propaganda Censura Comunidades europeas Chile Cinema Propaganda Censorship European communities Chile
spellingShingle	Cine Propaganda Censura Comunidades europeas Chile Cinema Propaganda Censorship European communities Chile Maubert, Lucas The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship
topic_facet	Cine Propaganda Censura Comunidades europeas Chile Cinema Propaganda Censorship European communities Chile
description	This article addresses the cultural impact of the First World War in Chile by analyzing its presence in the film market. Despite the neutrality adopted after the war outbreak in Europe, the war became omnipresent on the screens of Chilean theatres and cinemas, attracting a broad audience, both from Chileans and from foreign communities living in the country. However, in a context of strong national tensions and fragmentation of public opinion, the projections of films related to the European war provoked solid reactions and tensions, forcing the authorities to increase their control over this medium, which meant the censorship of several films.
format	Artículo publishedVersion Artículo evaluado por pares
author	Maubert, Lucas
author_facet	Maubert, Lucas
author_sort	Maubert, Lucas
title	The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship
title_short	The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship
title_full	The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship
title_fullStr	The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship
title_full_unstemmed	The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship
title_sort	presence of the first world war in the chilean cinema. between popular interest, propaganda and censorship
publisher	Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate	2025
url	https://revistascientificas.filo.uba.ar/index.php/historiayguerra/article/view/16357 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=histogue&d=16357_oai
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The presence of the First World War in the Chilean cinema. Between popular interest, propaganda and censorship

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