Stashing and Scavenging. Aesthetics of residuality in Carlos Busqued's Bajo este sol tremendo
In Bajo este sol tremendo (2009) there are two series or two lines that regulate the novel’s figures and motifs: on the one hand, the animal journey that narrates how the kraken is transformed into an Argentine cow; on the other, the process of transformation of things, from merchandise and the obje...
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2023
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| Acceso en línea: | https://revistascientificas.filo.uba.ar/index.php/matadero/article/view/14024 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=matadero&d=14024_oai |
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I28-R145-14024_oai2025-11-17 Cortes Rocca, Paola 2023-12-29 In Bajo este sol tremendo (2009) there are two series or two lines that regulate the novel’s figures and motifs: on the one hand, the animal journey that narrates how the kraken is transformed into an Argentine cow; on the other, the process of transformation of things, from merchandise and the object of use or collection to ruin, waste, and remainder. The novel gathers, accumulates and exhibits them (key verbs for the discussion on contemporary art) to enable a coexistence of different materials and, therefore, of different regimes of meaning and visibility. Busqued gathers and piles up elements in a veritable discursive garbage dump and uses the novel and the book as a device to exhibit them. This essay approaches this book from the idea of installation and underlines the effects of the residual on the notion of temporality explored by the story. En Bajo este sol tremendo (2009) hay dos series o dos líneas que rigen la selección de figuras y motivos del relato: por un lado, el recorrido animal que narra cómo el kraken se transforma en una vaca argentina; por otro, el proceso de transformación de la naturaleza de las cosas, desde la mercancía y el objeto de uso o colección a la ruina, el desecho y el resto. La novela los reúne, los acumula y los exhibe (verbos centrales para los debates sobre arte contemporáneo) para habilitar una convivencia de materiales diferentes y, por lo tanto, de regímenes distintos de sentido y de visibilidad. Busqued junta y amontona elementos en un verdadero basural discursivo y utiliza la novela y el libro como dispositivo para exhibirlos. Este ensayo aborda este libro pensado a partir de la idea de instalación y subraya los efectos de lo residual en la noción de temporalidad que explora el relato. application/pdf https://revistascientificas.filo.uba.ar/index.php/matadero/article/view/14024 10.34096/em.n17.14024 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/matadero/article/view/14024/13260 Derechos de autor 2023 Revista Crítica de Literatura Argentina. El Matadero El Matadero Revista Crítica de Literatura Argentina; Núm. 17 (2023) 2683-9687 0329-9546 animalidad, residualidad, instalación, linajes, temporalidad. Stashing and Scavenging. Aesthetics of residuality in Carlos Busqued's Bajo este sol tremendo Rejunte y cirujeo. Estética de lo residual en Bajo este sol tremendo de Carlos Busqued info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=matadero&d=14024_oai |
| institution |
Universidad de Buenos Aires |
| institution_str |
I-28 |
| repository_str |
R-145 |
| collection |
Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
animalidad, residualidad, instalación, linajes, temporalidad. |
| spellingShingle |
animalidad, residualidad, instalación, linajes, temporalidad. Cortes Rocca, Paola Stashing and Scavenging. Aesthetics of residuality in Carlos Busqued's Bajo este sol tremendo |
| topic_facet |
animalidad, residualidad, instalación, linajes, temporalidad. |
| description |
In Bajo este sol tremendo (2009) there are two series or two lines that regulate the novel’s figures and motifs: on the one hand, the animal journey that narrates how the kraken is transformed into an Argentine cow; on the other, the process of transformation of things, from merchandise and the object of use or collection to ruin, waste, and remainder. The novel gathers, accumulates and exhibits them (key verbs for the discussion on contemporary art) to enable a coexistence of different materials and, therefore, of different regimes of meaning and visibility. Busqued gathers and piles up elements in a veritable discursive garbage dump and uses the novel and the book as a device to exhibit them. This essay approaches this book from the idea of installation and underlines the effects of the residual on the notion of temporality explored by the story. |
| format |
Artículo publishedVersion |
| author |
Cortes Rocca, Paola |
| author_facet |
Cortes Rocca, Paola |
| author_sort |
Cortes Rocca, Paola |
| title |
Stashing and Scavenging. Aesthetics of residuality in Carlos Busqued's Bajo este sol tremendo |
| title_short |
Stashing and Scavenging. Aesthetics of residuality in Carlos Busqued's Bajo este sol tremendo |
| title_full |
Stashing and Scavenging. Aesthetics of residuality in Carlos Busqued's Bajo este sol tremendo |
| title_fullStr |
Stashing and Scavenging. Aesthetics of residuality in Carlos Busqued's Bajo este sol tremendo |
| title_full_unstemmed |
Stashing and Scavenging. Aesthetics of residuality in Carlos Busqued's Bajo este sol tremendo |
| title_sort |
stashing and scavenging. aesthetics of residuality in carlos busqued's bajo este sol tremendo |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2023 |
| url |
https://revistascientificas.filo.uba.ar/index.php/matadero/article/view/14024 https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=matadero&d=14024_oai |
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