Evil imagination: from W. Shakespeare’s Macbeth to P. Audivert’s Habitación Macbeth

Unlike the reading experience of The tragedy of Macbeth, which for Harold Bloom is imprisoning, since it forces us to face and empathize with the horror of our own evil imagination, attending Pompeyo Audivert’s  Habitación Macbeth means, on the contrary, a totally liberating experience that...

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Autor principal: Restrepo, Andrés
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2023
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/12481
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=12481_oai
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spelling I28-R145-12481_oai2025-11-17 Restrepo, Andrés Restrepo, Andrés 2023-05-25 Unlike the reading experience of The tragedy of Macbeth, which for Harold Bloom is imprisoning, since it forces us to face and empathize with the horror of our own evil imagination, attending Pompeyo Audivert’s  Habitación Macbeth means, on the contrary, a totally liberating experience that —perhaps for being partly purged, forgiven by the invocation and dramatic hierarchy of the three witches— relieves us of the possibility of being evil, since that proleptic imagination transcends itself; it is contained in just one actor and in a sober, hypnotic and brutal staging. A diferencia de la experiencia de lectura de La tragedia de Macbeth, que para Harold Bloom aprisiona, ya que nos obliga a enfrentarnos y a empatizar con el horror de nuestra propia imaginación maligna, asistir a Habitación Macbeth de Pompeyo Audivert significa, por el contrario, una experiencia totalmente liberadora que —tal vez en parte purgados, perdonados por la invocación y jerarquía dramática de las tres brujas— nos alivia de la posibilidad de ser malvados, pues esa imaginación proléptica se trasciende a sí misma; es contenida en un solo actor y en una puesta en escena sobria, hipnótica y brutal. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/12481 10.34096/tdf.n37.12481 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/12481/11618 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 37 (2023) 1669-6301 Shakespeare Macbeth Audivert Artaud imagination Monologue Imagination Shakespeare Macbeth Audivert Artaud imaginación Monólogo Unipersonal Imaginación Evil imagination: from W. Shakespeare’s Macbeth to P. Audivert’s Habitación Macbeth La imaginación del mal: de Macbeth de William Shakespeare a Habitación Macbeth de Pompeyo Audivert info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=12481_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Shakespeare
Macbeth
Audivert
Artaud
imagination
Monologue
Imagination
Shakespeare
Macbeth
Audivert
Artaud
imaginación
Monólogo
Unipersonal
Imaginación
spellingShingle Shakespeare
Macbeth
Audivert
Artaud
imagination
Monologue
Imagination
Shakespeare
Macbeth
Audivert
Artaud
imaginación
Monólogo
Unipersonal
Imaginación
Restrepo, Andrés
Restrepo, Andrés
Evil imagination: from W. Shakespeare’s Macbeth to P. Audivert’s Habitación Macbeth
topic_facet Shakespeare
Macbeth
Audivert
Artaud
imagination
Monologue
Imagination
Shakespeare
Macbeth
Audivert
Artaud
imaginación
Monólogo
Unipersonal
Imaginación
description Unlike the reading experience of The tragedy of Macbeth, which for Harold Bloom is imprisoning, since it forces us to face and empathize with the horror of our own evil imagination, attending Pompeyo Audivert’s  Habitación Macbeth means, on the contrary, a totally liberating experience that —perhaps for being partly purged, forgiven by the invocation and dramatic hierarchy of the three witches— relieves us of the possibility of being evil, since that proleptic imagination transcends itself; it is contained in just one actor and in a sober, hypnotic and brutal staging.
format Artículo
publishedVersion
author Restrepo, Andrés
Restrepo, Andrés
author_facet Restrepo, Andrés
Restrepo, Andrés
author_sort Restrepo, Andrés
title Evil imagination: from W. Shakespeare’s Macbeth to P. Audivert’s Habitación Macbeth
title_short Evil imagination: from W. Shakespeare’s Macbeth to P. Audivert’s Habitación Macbeth
title_full Evil imagination: from W. Shakespeare’s Macbeth to P. Audivert’s Habitación Macbeth
title_fullStr Evil imagination: from W. Shakespeare’s Macbeth to P. Audivert’s Habitación Macbeth
title_full_unstemmed Evil imagination: from W. Shakespeare’s Macbeth to P. Audivert’s Habitación Macbeth
title_sort evil imagination: from w. shakespeare’s macbeth to p. audivert’s habitación macbeth
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2023
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/12481
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=12481_oai
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