Frontiers, Gender and Integration Processes: Acting as a Strategy of Resistance in the Theater of Lola Arias

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This paper aims to investigate the ways in which the notion of frontier is displayed in scenic representation. We will work with the notion of frontier in the context of the refugee crisis in Europe from an intersectional gender perspective. We will take as study case the work Futureland by Lola Ari...

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Autor principal: Cobello, Denise
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2022
Materias:
frontier
Intersectionality
Refugee crisis
Performance
Lola Arias
Frontera
Interseccionalidad
Crisis de refugiados
Actuación
Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11520
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11520_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-11520_oai
record_format dspace
spelling I28-R145-11520_oai2025-11-17 Cobello, Denise Cobello, Denise 2022-10-13 This paper aims to investigate the ways in which the notion of frontier is displayed in scenic representation. We will work with the notion of frontier in the context of the refugee crisis in Europe from an intersectional gender perspective. We will take as study case the work Futureland by Lola Arias, created in 2019 for the Maxim Gorki theater in Berlin, with the purpose of analyzing her acting poetics and the possibilities and limitations of testimony on stage taking into account the corporality of the non-professional interpreters. We propose that the work with repetition allows the recreation of memory but there is also a risk of automatism and control of emotion. Este trabajo se propone indagar las formas de representación escénica que adquiere en la actualidad la noción de frontera ligada a la crisis de les refugiades en Europa, desde una perspectiva de género apoyada, principalmente, en la teoría de la interseccionalidad. Tomaremos como caso de estudio la obra Futureland de Lola Arias, creada en 2019 para el teatro Maxim Gorki de Berlín, con el propósito de analizar su poética actoral y reflexionar acerca de las posibilidades y limitaciones que encuentra el testimonio en escena y la corporalidad de les intérpretes no profesionales. Sostenemos que el trabajo con la repetición permite la recreación de la memoria pero a su vez suscita, en este caso, el riesgo al automatismo y al control de la emoción. application/pdf https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11520 10.34096/tdf.n36.11520 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11520/11065 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 36 (2022) 1669-6301 frontier Intersectionality Refugee crisis Performance Lola Arias Frontera Interseccionalidad Crisis de refugiados Actuación Lola Arias Frontiers, Gender and Integration Processes: Acting as a Strategy of Resistance in the Theater of Lola Arias Fronteras, género y procesos de integración: la actuación como estrategia de resistencia en el teatro de Lola Arias info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11520_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic frontier
Intersectionality
Refugee crisis
Performance
Lola Arias
Frontera
Interseccionalidad
Crisis de refugiados
Actuación
Lola Arias
spellingShingle frontier
Intersectionality
Refugee crisis
Performance
Lola Arias
Frontera
Interseccionalidad
Crisis de refugiados
Actuación
Lola Arias
Cobello, Denise
Cobello, Denise
Frontiers, Gender and Integration Processes: Acting as a Strategy of Resistance in the Theater of Lola Arias
topic_facet frontier
Intersectionality
Refugee crisis
Performance
Lola Arias
Frontera
Interseccionalidad
Crisis de refugiados
Actuación
Lola Arias
description This paper aims to investigate the ways in which the notion of frontier is displayed in scenic representation. We will work with the notion of frontier in the context of the refugee crisis in Europe from an intersectional gender perspective. We will take as study case the work Futureland by Lola Arias, created in 2019 for the Maxim Gorki theater in Berlin, with the purpose of analyzing her acting poetics and the possibilities and limitations of testimony on stage taking into account the corporality of the non-professional interpreters. We propose that the work with repetition allows the recreation of memory but there is also a risk of automatism and control of emotion.
format Artículo
publishedVersion
author Cobello, Denise
Cobello, Denise
author_facet Cobello, Denise
Cobello, Denise
author_sort Cobello, Denise
title Frontiers, Gender and Integration Processes: Acting as a Strategy of Resistance in the Theater of Lola Arias
title_short Frontiers, Gender and Integration Processes: Acting as a Strategy of Resistance in the Theater of Lola Arias
title_full Frontiers, Gender and Integration Processes: Acting as a Strategy of Resistance in the Theater of Lola Arias
title_fullStr Frontiers, Gender and Integration Processes: Acting as a Strategy of Resistance in the Theater of Lola Arias
title_full_unstemmed Frontiers, Gender and Integration Processes: Acting as a Strategy of Resistance in the Theater of Lola Arias
title_sort frontiers, gender and integration processes: acting as a strategy of resistance in the theater of lola arias
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2022
url https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/11520
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=11520_oai
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AT cobellodenise fronterasgeneroyprocesosdeintegracionlaactuacioncomoestrategiaderesistenciaenelteatrodelolaarias
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