"Ethica. Natura e origine della mente": a performance that suspends and triangulates light / body / mind
That performance by Castellucci I participated in along with many other people back in 2019 sounds awkward today, as this pandemic present connects times. And "Ethica. Natura e origine della mente" demands thinking —from the viewpoint of Spinoza, Romeo and Claudia Castellucci— by placing o...
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10254 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10254_oai |
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I28-R145-10254_oai2023-08-08 Musitano, Adriana 2021-05-29 That performance by Castellucci I participated in along with many other people back in 2019 sounds awkward today, as this pandemic present connects times. And "Ethica. Natura e origine della mente" demands thinking —from the viewpoint of Spinoza, Romeo and Claudia Castellucci— by placing ourselves in our time of interruptions and ceasing of usual movements. In this work of connections, I will try not to give in to the seriousness of the philosophical topic nor the incomprehension of certain signifiers, or the difficulty posed by the allegories that Romeo Castellucci mentions in interviews. This performance challenges us; it seems it would have anticipated the unusual experience of our bodies, which have been “hanging” for over a year in the vast world territory, swinging between listening to the language, to the howl, looking at the electric light, its blinks in the virtuality of screens, and feeling the ferocious animality of certain interactions. It is appealing to articulate the performance with the translation of the figures of the Light and the Camera, triangulating it with our uncertainties between life and death. “If the human body has been affected once by two or more bodies simultaneously, when the mind later imagines one of them, it will immediately remember the others” (Spinoza, Ethics, II, 2020: 133. Text in italics). Hoy resuena incómoda aquella performance de les Castellucci a la que asistí con muchas otras personas en 2019, porque este ahora de pandemia enlaza tiempos. Y "Ethica. Natura e origine della mente" reclama pensar –desde Spinoza, Romeo y Claudia Castellucci– situándonos en nuestro momento de cortes y cese del movimiento acostumbrado. En este trabajo de concatenar imágenes trataré de no ceder a la gravedad del tema filosófico ni a la incomprensión ante ciertos significantes, o la dificultad que traen las alegorías a las que Romeo Castellucci alude en entrevistas. Esta performance nos desafía, pareciera que hubiese anticipado la experiencia inusual de nuestros cuerpos, los que desde hace más de un año penden en el extenso territorio mundial, con una oscilación entre el escuchar el lenguaje, el aullido, mirar la luz eléctrica, sus parpadeos en la virtualidad de las pantallas y sentir la brutal animalidad de ciertas interacciones. Atrae articular la performance con la traducción de las figuras de la Luz y de la Cámara, triangulando con nuestras incertezas, entre la vida y la muerte. “Si el cuerpo humano ha sido afectado una vez por dos o más cuerpos al mismo tiempo, cuando la mente imagine después luego a uno de ellos, al instante recordará también los otros” (Spinoza, Ética, II, 2020: 133. Cursivas del texto). application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10254 10.34096/tdf.n33.10254 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10254/9143 http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10254/9162 Derechos de autor 2021 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 33 (2021) 1669-6301 Performance Body Geometry oscillation translate triangle Castellucci Ethica. Natura e origine della mente performance cuerpo geometría oscilación traducir triángulo Castellucci Ethica. Natura e origine della mente "Ethica. Natura e origine della mente": a performance that suspends and triangulates light / body / mind "Ethica. Natura e origine della mente": una performance que suspende y triangula luz/cuerpo/mente info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10254_oai |
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Universidad de Buenos Aires |
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Performance Body Geometry oscillation translate triangle Castellucci Ethica. Natura e origine della mente performance cuerpo geometría oscilación traducir triángulo Castellucci Ethica. Natura e origine della mente |
| spellingShingle |
Performance Body Geometry oscillation translate triangle Castellucci Ethica. Natura e origine della mente performance cuerpo geometría oscilación traducir triángulo Castellucci Ethica. Natura e origine della mente Musitano, Adriana "Ethica. Natura e origine della mente": a performance that suspends and triangulates light / body / mind |
| topic_facet |
Performance Body Geometry oscillation translate triangle Castellucci Ethica. Natura e origine della mente performance cuerpo geometría oscilación traducir triángulo Castellucci Ethica. Natura e origine della mente |
| description |
That performance by Castellucci I participated in along with many other people back in 2019 sounds awkward today, as this pandemic present connects times. And "Ethica. Natura e origine della mente" demands thinking —from the viewpoint of Spinoza, Romeo and Claudia Castellucci— by placing ourselves in our time of interruptions and ceasing of usual movements. In this work of connections, I will try not to give in to the seriousness of the philosophical topic nor the incomprehension of certain signifiers, or the difficulty posed by the allegories that Romeo Castellucci mentions in interviews. This performance challenges us; it seems it would have anticipated the unusual experience of our bodies, which have been “hanging” for over a year in the vast world territory, swinging between listening to the language, to the howl, looking at the electric light, its blinks in the virtuality of screens, and feeling the ferocious animality of certain interactions. It is appealing to articulate the performance with the translation of the figures of the Light and the Camera, triangulating it with our uncertainties between life and death. “If the human body has been affected once by two or more bodies simultaneously, when the mind later imagines one of them, it will immediately remember the others” (Spinoza, Ethics, II, 2020: 133. Text in italics). |
| format |
Artículo publishedVersion |
| author |
Musitano, Adriana |
| author_facet |
Musitano, Adriana |
| author_sort |
Musitano, Adriana |
| title |
"Ethica. Natura e origine della mente": a performance that suspends and triangulates light / body / mind |
| title_short |
"Ethica. Natura e origine della mente": a performance that suspends and triangulates light / body / mind |
| title_full |
"Ethica. Natura e origine della mente": a performance that suspends and triangulates light / body / mind |
| title_fullStr |
"Ethica. Natura e origine della mente": a performance that suspends and triangulates light / body / mind |
| title_full_unstemmed |
"Ethica. Natura e origine della mente": a performance that suspends and triangulates light / body / mind |
| title_sort |
"ethica. natura e origine della mente": a performance that suspends and triangulates light / body / mind |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2021 |
| url |
http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10254 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10254_oai |
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