The language of the actor and the infinite translation
Starting from the function of translation of a drama play for its stage production, we investigate the general process of creating the performance, observing how the act of translation multiplies and actually unfolds in all layers of that process. We concentrate this reflection on the actor's w...
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| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad de Buenos Aires
2021
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| Acceso en línea: | http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10249 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10249_oai |
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I28-R145-10249_oai2023-08-08 Berger, Laurent 2021-05-28 Starting from the function of translation of a drama play for its stage production, we investigate the general process of creating the performance, observing how the act of translation multiplies and actually unfolds in all layers of that process. We concentrate this reflection on the actor's work and his relationship with the director, developing the concept of inner language, to analyze the different translation operations that are used to produce the show and how they work. We show how this dynamic of translation feeds acting creativity, allows to penetrate the inner world of the actor and generates cyclical regimes that transform translation work into an infinite task. Partiendo de la función de la traducción de una obra teatral para su versión escénica, indagamos en el proceso general de creación del espectáculo observando cómo el acto de traducción se multiplica y se despliega en realidad en todos los estratos de ese proceso. Concentramos esta reflexión en el trabajo del actor y su relación con el director, desarrollando el concepto de idioma interior, para analizar las diferentes operaciones de traducción que se utilizan para producir el espectáculo y su funcionamiento. Mostramos cómo esa dinámica de traducción nutre la creatividad actoral, permite penetrar el mundo interior del intérprete y genera regímenes cíclicos que transforman el trabajo de traducción en una tarea infinita. application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10249 10.34096/tdf.n33.10249 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10249/9139 http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10249/9155 Derechos de autor 2021 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 33 (2021) 1669-6301 Actor Director Shakespeare Performance Translation traducción puesta en escena actor director Shakespeare The language of the actor and the infinite translation El idioma del actor y la traducción infinita info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10249_oai |
| institution |
Universidad de Buenos Aires |
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I-28 |
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R-145 |
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Repositorio Digital de la Universidad de Buenos Aires (UBA) |
| language |
Español |
| orig_language_str_mv |
spa |
| topic |
Actor Director Shakespeare Performance Translation traducción puesta en escena actor director Shakespeare |
| spellingShingle |
Actor Director Shakespeare Performance Translation traducción puesta en escena actor director Shakespeare Berger, Laurent The language of the actor and the infinite translation |
| topic_facet |
Actor Director Shakespeare Performance Translation traducción puesta en escena actor director Shakespeare |
| description |
Starting from the function of translation of a drama play for its stage production, we investigate the general process of creating the performance, observing how the act of translation multiplies and actually unfolds in all layers of that process. We concentrate this reflection on the actor's work and his relationship with the director, developing the concept of inner language, to analyze the different translation operations that are used to produce the show and how they work. We show how this dynamic of translation feeds acting creativity, allows to penetrate the inner world of the actor and generates cyclical regimes that transform translation work into an infinite task. |
| format |
Artículo publishedVersion |
| author |
Berger, Laurent |
| author_facet |
Berger, Laurent |
| author_sort |
Berger, Laurent |
| title |
The language of the actor and the infinite translation |
| title_short |
The language of the actor and the infinite translation |
| title_full |
The language of the actor and the infinite translation |
| title_fullStr |
The language of the actor and the infinite translation |
| title_full_unstemmed |
The language of the actor and the infinite translation |
| title_sort |
language of the actor and the infinite translation |
| publisher |
Facultad de Filosofía y Letras, Universidad de Buenos Aires |
| publishDate |
2021 |
| url |
http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10249 http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10249_oai |
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