Un bateau ivre propio:Pizarnik lectora de Simone de Beauvoir y Virginia Woolf

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The work of the Argentinian poet Alejandra Pizarnik (1936-1972) has not been sufficiently connected with the feminist movement. However, she read the works written by Virginia Woolf and by Simone de Beauvoir, whom she met in the 1960s in Paris. Many of the questions that insistently appear in The se...

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Autor principal: Barbero, Ludmila
Formato: Artículo publishedVersion Artículo revisado por pares
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2020
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/mora/article/view/10090
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=mora&d=10090_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-10090_oai
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spelling I28-R145-10090_oai2023-03-27 Barbero, Ludmila 2020-12-01 The work of the Argentinian poet Alejandra Pizarnik (1936-1972) has not been sufficiently connected with the feminist movement. However, she read the works written by Virginia Woolf and by Simone de Beauvoir, whom she met in the 1960s in Paris. Many of the questions that insistently appear in The second sex (1949) are also present in Pizarnik’s work, and specifically in her diaries, from the difficulties that a woman has to face to choose poetry over family, matrimonial and maternal commands, to less obvious issues such as child sexuality. Also, the text of A room of one’s own (Woolf, 2002 [1929]) is very influential for Pizarnik, both explicitly and implicitly, in the configuration of the “room of her own”: a space ambivalently valued, since it is a refuge and a prison at the same time, as it happens with the body and the poem in Pizarnik’s writings. La obra de la poeta argentina Alejandra Pizarnik (1936-1972) ha recibido escasas críticas que permitan posicionarla en una relación de diálogo y convergencia con el movimiento feminista. Sin embargo, fue lectora de Simone de Beauvoir, a quien conoció en la década de 1960 en París, y también de Virginia Woolf. Muchos de los interrogantes que aparecen obsesivamente en la escritura de El segundo sexo (1949) se hallan presentes en la obra de Pizarnik, específicamente en sus Diarios, desde las dificultades de una mujer para devenir poeta y rechazar los mandatos familiares, matrimoniales y maternales, hasta cuestiones menos evidentes como la pregunta por la sexualidad infantil. También, Un cuarto propio (Woolf, 2002 [1929]) es un texto que deja huellas en Pizarnik, tanto explícitamente como en la configuración de la espacialidad de su cuarto propio: un espacio valorado ambivalentemente y que, como ocurre con el cuerpo y con el poema en esta autora, será a la vez refugio y prisión. application/pdf http://revistascientificas.filo.uba.ar/index.php/mora/article/view/10090 10.34096/mora.n26.10090 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/mora/article/view/10090/8813 Mora; Núm. 26 (2020) 1853-001X 0328-8773 Un bateau ivre propio:Pizarnik lectora de Simone de Beauvoir y Virginia Woolf info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Artículo revisado por pares http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=mora&d=10090_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
description The work of the Argentinian poet Alejandra Pizarnik (1936-1972) has not been sufficiently connected with the feminist movement. However, she read the works written by Virginia Woolf and by Simone de Beauvoir, whom she met in the 1960s in Paris. Many of the questions that insistently appear in The second sex (1949) are also present in Pizarnik’s work, and specifically in her diaries, from the difficulties that a woman has to face to choose poetry over family, matrimonial and maternal commands, to less obvious issues such as child sexuality. Also, the text of A room of one’s own (Woolf, 2002 [1929]) is very influential for Pizarnik, both explicitly and implicitly, in the configuration of the “room of her own”: a space ambivalently valued, since it is a refuge and a prison at the same time, as it happens with the body and the poem in Pizarnik’s writings.
format Artículo
publishedVersion
Artículo revisado por pares
author Barbero, Ludmila
spellingShingle Barbero, Ludmila
Un bateau ivre propio:Pizarnik lectora de Simone de Beauvoir y Virginia Woolf
author_facet Barbero, Ludmila
author_sort Barbero, Ludmila
title Un bateau ivre propio:Pizarnik lectora de Simone de Beauvoir y Virginia Woolf
title_short Un bateau ivre propio:Pizarnik lectora de Simone de Beauvoir y Virginia Woolf
title_full Un bateau ivre propio:Pizarnik lectora de Simone de Beauvoir y Virginia Woolf
title_fullStr Un bateau ivre propio:Pizarnik lectora de Simone de Beauvoir y Virginia Woolf
title_full_unstemmed Un bateau ivre propio:Pizarnik lectora de Simone de Beauvoir y Virginia Woolf
title_sort un bateau ivre propio:pizarnik lectora de simone de beauvoir y virginia woolf
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2020
url http://revistascientificas.filo.uba.ar/index.php/mora/article/view/10090
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=mora&d=10090_oai
work_keys_str_mv AT barberoludmila unbateauivrepropiopizarniklectoradesimonedebeauvoiryvirginiawoolf
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