SUBJETIVIDADES TECNOARTÍSTICAS: INTERVENCIÓN IMAGINATIVA
The object of study in this work is the musical expression called Live Coding, developed by a group of computer artists, programming live music. The live coder establishs a dialogue in feedback with the programming language he uses in his performances, through the manipulation of l...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Universidad Nacional del Litoral
2019
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| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/DeSignosySentidos/article/view/8497 |
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I26-R133-article-84972019-10-01T20:05:29Z SUBJETIVIDADES TECNOARTÍSTICAS: INTERVENCIÓN IMAGINATIVA Di Prospero, Carolina algorithmic music improvisation new subjectivities imaginative intervention hybridization música algorítmica improvisación nuevas subjetividades intervención imaginativa hibridación The object of study in this work is the musical expression called Live Coding, developed by a group of computer artists, programming live music. The live coder establishs a dialogue in feedback with the programming language he uses in his performances, through the manipulation of live codes (on the fly). In this dialogue, an imaginative intervention that constitutes them as live coders takes place: hybrid language-artist are constituted at the moment of improvisation. The exploratory and experiential intention characterizes this techno–artistic practice. The artist and the software become one, they are confused, and the codes typed in that here and now are projected onto the body of the live coder, who carries them as a mask that covers them throughout the performance. In the present paper the live coder subjectivity is approached: as a computational artist, as an active agent that subsumes several roles in the same person, seeking to eliminate the barriers between those who create programming languages and hose who execute music. We will analyze how, from the improvisation of algorithmic music, live coders build both their artistic expression and their self–understanding as programmers artists. El objeto de estudio en este trabajo es el Live Coding, expresión musical digital desarrollada por un colectivo artistas computacionales, programando música en vivo. El live coder como programador artista, dialoga en un ida y vuelta con el lenguaje de programación que utiliza en sus performances, a través de la manipulación de los códigos en vivo (on the fly). En ese diálogo se produce la intervención imaginativa que los constituye como live coders: híbrido lenguaje–artista constituido en el momento de la improvisación. La intención exploratoria y experiencial caracteriza esta práctica tecnoartística. El artista y el software se hacen uno, se confunden, y los códigos tipeados en ese aquí y ahora se proyectan sobre el cuerpo del live coder, quien los porta como una máscara que los cubre durante toda la performance. En este artículo se aborda la subjetividad live coder: como artista computacional, como agente activo que subsume varios roles en una misma persona buscando eliminar las barreras entre quienes crean los lenguajes de programación y quienes ejecutan la música. Asímismo se analizará cómo a partir de la improvisación de la música algorítmica, los live coders construyen tanto su expresión artística como su autocomprensión como programadores artistas. Universidad Nacional del Litoral 2019-10-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/DeSignosySentidos/article/view/8497 10.14409/ss.v0i20.8497 De Signos y Sentidos; Núm. 20 (2019): De Signos y Sentidos; 6-29 De Signos y Sentidos; No. 20 (2019): De Signos y Sentidos; 6-29 2362-5627 1668-866X 10.14409/ss.v0i20 spa https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/DeSignosySentidos/article/view/8497/11950 Derechos de autor 2019 De Signos y Sentidos |
| institution |
Universidad Nacional del Litoral |
| institution_str |
I-26 |
| repository_str |
R-133 |
| container_title_str |
Biblioteca Virtual - Publicaciones (UNL) |
| language |
Español |
| format |
Artículo revista |
| topic |
algorithmic music improvisation new subjectivities imaginative intervention hybridization música algorítmica improvisación nuevas subjetividades intervención imaginativa hibridación |
| spellingShingle |
algorithmic music improvisation new subjectivities imaginative intervention hybridization música algorítmica improvisación nuevas subjetividades intervención imaginativa hibridación Di Prospero, Carolina SUBJETIVIDADES TECNOARTÍSTICAS: INTERVENCIÓN IMAGINATIVA |
| topic_facet |
algorithmic music improvisation new subjectivities imaginative intervention hybridization música algorítmica improvisación nuevas subjetividades intervención imaginativa hibridación |
| author |
Di Prospero, Carolina |
| author_facet |
Di Prospero, Carolina |
| author_sort |
Di Prospero, Carolina |
| title |
SUBJETIVIDADES TECNOARTÍSTICAS: INTERVENCIÓN IMAGINATIVA |
| title_short |
SUBJETIVIDADES TECNOARTÍSTICAS: INTERVENCIÓN IMAGINATIVA |
| title_full |
SUBJETIVIDADES TECNOARTÍSTICAS: INTERVENCIÓN IMAGINATIVA |
| title_fullStr |
SUBJETIVIDADES TECNOARTÍSTICAS: INTERVENCIÓN IMAGINATIVA |
| title_full_unstemmed |
SUBJETIVIDADES TECNOARTÍSTICAS: INTERVENCIÓN IMAGINATIVA |
| title_sort |
subjetividades tecnoartísticas: intervención imaginativa |
| description |
The object of study in this work is the musical expression called Live Coding, developed by a group of computer artists, programming live music. The live coder establishs a dialogue in feedback with the programming language he uses in his performances, through the manipulation of live codes (on the fly). In this dialogue, an imaginative intervention that constitutes them as live coders takes place: hybrid language-artist are constituted at the moment of improvisation. The exploratory and experiential intention characterizes this techno–artistic practice. The artist and the software become one, they are confused, and the codes typed in that here and now are projected onto the body of the live coder, who carries them as a mask that covers them throughout the performance. In the present paper the live coder subjectivity is approached: as a computational artist, as an active agent that subsumes several roles in the same person, seeking to eliminate the barriers between those who create programming languages and hose who execute music. We will analyze how, from the improvisation of algorithmic music, live coders build both their artistic expression and their self–understanding as programmers artists. |
| publisher |
Universidad Nacional del Litoral |
| publishDate |
2019 |
| url |
https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/DeSignosySentidos/article/view/8497 |
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AT diprosperocarolina subjetividadestecnoartisticasintervencionimaginativa |
| first_indexed |
2023-07-05T23:14:33Z |
| last_indexed |
2023-07-05T23:14:33Z |
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1770624252078194688 |