Reseña de Chamamecero: nuestra manera de ser serie documental de Julio Cáceres; Luis Moulin; Cayo Fernández y Facundo Vallejos Yunes. 1895 Films, 2022
Chamamecero, nuestra manera de ser proposes a comprehensive approach to chamamé, understanding this music as a social practice linked to identity, history and territory. Divided into two seasons, the series traces its origins, its cultural expressions and its expansion through migratory movements, s...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Universidad Nacional del Litoral
2025
|
| Materias: | |
| Acceso en línea: | https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/index/article/view/15152 |
| Aporte de: |
| Sumario: | Chamamecero, nuestra manera de ser proposes a comprehensive approach to chamamé, understanding this music as a social practice linked to identity, history and territory. Divided into two seasons, the series traces its origins, its cultural expressions and its expansion through migratory movements, showing how chamamamé remains alive and in transformation. Based on the poem Chamamecero by Julián Zini, the first season of the series organizes its episodes around key themes, combining testimonies from leading figures of the genre -musicians, researchers, psychologists, historians, anthropologists, poets and dancers- focusing mainly on the province of Corrientes, Argentina. The second season expands the focus to different regions, inviting to think about culture from a regional perspective beyond political divisions. From an ethnomusicological approach, the documentary provides tools to understand how this music is transmitted and what meanings it holds in the communities that practice it. The technical quality, the plurality of voices, the commitment to research and the inclusion of a gender perspective make the series a valuable contribution both for academia and for the general public. Chamamecero does not seek to be a definitive look, but an open invitation to know and value those who live and sustain this musical tradition.
|
|---|