Tonalidad: un tema con variaciones

Tonality is a key musicological concept. Accordingly, a critical question in music research is: what does tonality mean? Moreover, the question may be: how did the concept of tonality evolve over time? This question was addressed here. Specifically, terminology and content analysis techniques were u...

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Autor principal: Anta, Fernando
Formato: Artículo revista
Lenguaje:Español
Publicado: Universidad Nacional del Litoral 2022
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spelling I26-R133-article-114212022-08-02T08:08:40Z Tonalidad: un tema con variaciones Anta, Fernando concepts terminology music history conceptos terminología historia de la música Tonality is a key musicological concept. Accordingly, a critical question in music research is: what does tonality mean? Moreover, the question may be: how did the concept of tonality evolve over time? This question was addressed here. Specifically, terminology and content analysis techniques were used to infer the way in which tonality has been conceived since the first available linguistic record of the term, to present. The selected sources were Choron (1810), Fétis (1867), Schenker (1906), Schönberg (1922), Piston (1959), and also a series of definitions given by members of our academic communities. The conceptual components of tonality found across texts were categorized as perceptual, cognitive, affective, executive, and/or linguistic. Results suggest a bias in tonality’s concept retrieval, in favour of its perceptual and cognitive components. El de tonalidad es un concepto musicológico clave. Así, una pregunta importante en la investigación en música es: ¿qué significa la tonalidad? Es más, la pregunta puede ser: ¿cómo evolucionó el concepto de tonalidad en el tiempo? En el presente trabajo se abordó esta pregunta. Específicamente, se utilizaron técnicas de análisis terminológico y de contenido para inferir el modo en que la tonalidad fue concebida desde el primer registro lingüístico disponible del término, hasta el presente. Las fuentes seleccionadas fueron Choron (1810), Fétis (1867), Schenker (1906), Schönberg (1922), Piston (1959), y también definiciones recolectadas de miembros de nuestras comunidades académicas. Los componentes conceptuales de la noción de tonalidad encontrados en los textos fueron categorizados como perceptuales, cognitivos, afectivos, ejecutivos, y/o lingüísticos. Los resultados sugieren una recuperación sesgada del concepto de tonalidad, en favor de sus componentes perceptuales y cognitivos. Universidad Nacional del Litoral 2022-04-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11421 10.14409/rism.2022.20.e0001 Revista del ISM; Núm. 20 (2022): Revista del Instituto Superior de Música; e0001 Revista del ISM; No. 20 (2022): Revista del Instituto Superior de Música; e0001 2362-3322 1666-7603 10.14409/rism.2022.20 spa https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11421/16154 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11421/16162 Derechos de autor 2022 Revista del ISM
institution Universidad Nacional del Litoral
institution_str I-26
repository_str R-133
container_title_str Biblioteca Virtual - Publicaciones (UNL)
language Español
format Artículo revista
topic concepts
terminology
music history
conceptos
terminología
historia de la música
spellingShingle concepts
terminology
music history
conceptos
terminología
historia de la música
Anta, Fernando
Tonalidad: un tema con variaciones
topic_facet concepts
terminology
music history
conceptos
terminología
historia de la música
author Anta, Fernando
author_facet Anta, Fernando
author_sort Anta, Fernando
title Tonalidad: un tema con variaciones
title_short Tonalidad: un tema con variaciones
title_full Tonalidad: un tema con variaciones
title_fullStr Tonalidad: un tema con variaciones
title_full_unstemmed Tonalidad: un tema con variaciones
title_sort tonalidad: un tema con variaciones
description Tonality is a key musicological concept. Accordingly, a critical question in music research is: what does tonality mean? Moreover, the question may be: how did the concept of tonality evolve over time? This question was addressed here. Specifically, terminology and content analysis techniques were used to infer the way in which tonality has been conceived since the first available linguistic record of the term, to present. The selected sources were Choron (1810), Fétis (1867), Schenker (1906), Schönberg (1922), Piston (1959), and also a series of definitions given by members of our academic communities. The conceptual components of tonality found across texts were categorized as perceptual, cognitive, affective, executive, and/or linguistic. Results suggest a bias in tonality’s concept retrieval, in favour of its perceptual and cognitive components.
publisher Universidad Nacional del Litoral
publishDate 2022
url https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11421
work_keys_str_mv AT antafernando tonalidaduntemaconvariaciones
first_indexed 2022-08-19T12:06:13Z
last_indexed 2022-08-19T12:06:13Z
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