Tonalidad: un tema con variaciones
Tonality is a key musicological concept. Accordingly, a critical question in music research is: what does tonality mean? Moreover, the question may be: how did the concept of tonality evolve over time? This question was addressed here. Specifically, terminology and content analysis techniques were u...
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Universidad Nacional del Litoral
2022
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I26-R133-article-114212022-08-02T08:08:40Z Tonalidad: un tema con variaciones Anta, Fernando concepts terminology music history conceptos terminología historia de la música Tonality is a key musicological concept. Accordingly, a critical question in music research is: what does tonality mean? Moreover, the question may be: how did the concept of tonality evolve over time? This question was addressed here. Specifically, terminology and content analysis techniques were used to infer the way in which tonality has been conceived since the first available linguistic record of the term, to present. The selected sources were Choron (1810), Fétis (1867), Schenker (1906), Schönberg (1922), Piston (1959), and also a series of definitions given by members of our academic communities. The conceptual components of tonality found across texts were categorized as perceptual, cognitive, affective, executive, and/or linguistic. Results suggest a bias in tonality’s concept retrieval, in favour of its perceptual and cognitive components. El de tonalidad es un concepto musicológico clave. Así, una pregunta importante en la investigación en música es: ¿qué significa la tonalidad? Es más, la pregunta puede ser: ¿cómo evolucionó el concepto de tonalidad en el tiempo? En el presente trabajo se abordó esta pregunta. Específicamente, se utilizaron técnicas de análisis terminológico y de contenido para inferir el modo en que la tonalidad fue concebida desde el primer registro lingüístico disponible del término, hasta el presente. Las fuentes seleccionadas fueron Choron (1810), Fétis (1867), Schenker (1906), Schönberg (1922), Piston (1959), y también definiciones recolectadas de miembros de nuestras comunidades académicas. Los componentes conceptuales de la noción de tonalidad encontrados en los textos fueron categorizados como perceptuales, cognitivos, afectivos, ejecutivos, y/o lingüísticos. Los resultados sugieren una recuperación sesgada del concepto de tonalidad, en favor de sus componentes perceptuales y cognitivos. Universidad Nacional del Litoral 2022-04-18 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11421 10.14409/rism.2022.20.e0001 Revista del ISM; Núm. 20 (2022): Revista del Instituto Superior de Música; e0001 Revista del ISM; No. 20 (2022): Revista del Instituto Superior de Música; e0001 2362-3322 1666-7603 10.14409/rism.2022.20 spa https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11421/16154 https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11421/16162 Derechos de autor 2022 Revista del ISM |
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Universidad Nacional del Litoral |
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I-26 |
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R-133 |
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Biblioteca Virtual - Publicaciones (UNL) |
language |
Español |
format |
Artículo revista |
topic |
concepts terminology music history conceptos terminología historia de la música |
spellingShingle |
concepts terminology music history conceptos terminología historia de la música Anta, Fernando Tonalidad: un tema con variaciones |
topic_facet |
concepts terminology music history conceptos terminología historia de la música |
author |
Anta, Fernando |
author_facet |
Anta, Fernando |
author_sort |
Anta, Fernando |
title |
Tonalidad: un tema con variaciones |
title_short |
Tonalidad: un tema con variaciones |
title_full |
Tonalidad: un tema con variaciones |
title_fullStr |
Tonalidad: un tema con variaciones |
title_full_unstemmed |
Tonalidad: un tema con variaciones |
title_sort |
tonalidad: un tema con variaciones |
description |
Tonality is a key musicological concept. Accordingly, a critical question in music research is: what does tonality mean? Moreover, the question may be: how did the concept of tonality evolve over time? This question was addressed here. Specifically, terminology and content analysis techniques were used to infer the way in which tonality has been conceived since the first available linguistic record of the term, to present. The selected sources were Choron (1810), Fétis (1867), Schenker (1906), Schönberg (1922), Piston (1959), and also a series of definitions given by members of our academic communities. The conceptual components of tonality found across texts were categorized as perceptual, cognitive, affective, executive, and/or linguistic. Results suggest a bias in tonality’s concept retrieval, in favour of its perceptual and cognitive components. |
publisher |
Universidad Nacional del Litoral |
publishDate |
2022 |
url |
https://bibliotecavirtual.unl.edu.ar/publicaciones/index.php/ISM/article/view/11421 |
work_keys_str_mv |
AT antafernando tonalidaduntemaconvariaciones |
first_indexed |
2022-08-19T12:06:13Z |
last_indexed |
2022-08-19T12:06:13Z |
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1770623238763708416 |