On The Expressive Theory Of Art And The Thoughts Of Nelson Goodman And Arthur Danto

Philosophy, in response to a certain essentialist urge, has been compelled, throughout its history, to conceptualize or define complex terms such as art. One of the most accepted and well-founded theories in relation to this task is that which defines works of art as forms of expression. In recent c...

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Autores principales: Sánchez Requejo, Daniel, García Álvarez, César
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Humanidades UNCo 2024
Materias:
Art
Danto
Expression
Philosophy
Goodman
Arte
Expresión
Filosofía
Acceso en línea:https://revele.uncoma.edu.ar/index.php/filosofia/article/view/5627
Aporte de:
Repositorio de Revistas Electrónicas REVELE (UNComahue) de Universidad Nacional del Comahue
id I22-R128-article-5627
record_format ojs
spelling I22-R128-article-56272024-12-06T12:44:56Z On The Expressive Theory Of Art And The Thoughts Of Nelson Goodman And Arthur Danto Sobre la teoría expresivista del arte y los pensamientos de Nelson Goodman y Arthur Danto Sánchez Requejo, Daniel García Álvarez, César Art Danto Expression Philosophy Goodman Arte Danto Expresión Filosofía Goodman Philosophy, in response to a certain essentialist urge, has been compelled, throughout its history, to conceptualize or define complex terms such as art. One of the most accepted and well-founded theories in relation to this task is that which defines works of art as forms of expression. In recent centuries, expression has become a concept closely linked to artistic activity. The advent of analytical philosophy and its emphasis on the linguistic sphere fostered interest in defining the expressive phenomenon as a means of representing reality. In this context, authors such as Nelson Goodman and Arthur Danto, conceived, in their respective thoughts, expression as a process of artistic symbolization. Both authors, who combined analytical methodology and aesthetic concern in their work, contributed to the legitimization of expressivist theory. Through the interrelation of his theories, it is observed how Goodman laid the foundations that would later be taken up and expanded by Danto, in order to form one of the most influential and representative ideologies of contemporary art. La filosofía, atendiendo a cierto afán esencialista, se ha visto abocada, a lo largo de su historia, a la conceptualización o definición de términos tan complejos como el arte. Una de las teorías más aceptadas y fundamentadas en relación a esta tarea es aquella que define las obras de arte como formas de expresión. En estos últimos siglos, la expresión se ha consolidado como un concepto estrechamente vinculado a la actividad artística. La llegada de la filosofía analítica y su énfasis en el ámbito lingüístico fomentó el interés por definir el fenómeno expresivo como medio de representación de la realidad. En este contexto, autores como Nelson Goodman y Arthur Danto, concibieron, en sus respectivos pensamientos, a la expresión como proceso de simbolización artístico. Ambos autores, que conjugaron en su obra la metodología analítica y la preocupación estética, contribuyeron a la legitimación de la teoría expresivista. A través de la interrelación de sus teorías se observa cómo Goodman sentó unas bases que serían recogidas y ampliadas posteriormente por Danto, para así conformar uno de los idearios más influyentes y representativos del arte contemporáneo. Facultad de Humanidades UNCo 2024-12-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revele.uncoma.edu.ar/index.php/filosofia/article/view/5627 ark:/s18537960/e6l8afsfk Páginas de Filosofía; Vol. 25 No. 28 (2024); 7-31 Páginas de Filosofía; Vol. 25 Núm. 28 (2024); 7-31 1853-7960 0327-5108 spa https://revele.uncoma.edu.ar/index.php/filosofia/article/view/5627/62535 https://revele.uncoma.edu.ar/index.php/filosofia/article/view/5627/62537 Derechos de autor 2024 Páginas de Filosofía https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional del Comahue
institution_str I-22
repository_str R-128
container_title_str Repositorio de Revistas Electrónicas REVELE (UNComahue)
language Español
format Artículo revista
topic Art
Danto
Expression
Philosophy
Goodman
Arte
Danto
Expresión
Filosofía
Goodman
spellingShingle Art
Danto
Expression
Philosophy
Goodman
Arte
Danto
Expresión
Filosofía
Goodman
Sánchez Requejo, Daniel
García Álvarez, César
On The Expressive Theory Of Art And The Thoughts Of Nelson Goodman And Arthur Danto
topic_facet Art
Danto
Expression
Philosophy
Goodman
Arte
Danto
Expresión
Filosofía
Goodman
author Sánchez Requejo, Daniel
García Álvarez, César
author_facet Sánchez Requejo, Daniel
García Álvarez, César
author_sort Sánchez Requejo, Daniel
title On The Expressive Theory Of Art And The Thoughts Of Nelson Goodman And Arthur Danto
title_short On The Expressive Theory Of Art And The Thoughts Of Nelson Goodman And Arthur Danto
title_full On The Expressive Theory Of Art And The Thoughts Of Nelson Goodman And Arthur Danto
title_fullStr On The Expressive Theory Of Art And The Thoughts Of Nelson Goodman And Arthur Danto
title_full_unstemmed On The Expressive Theory Of Art And The Thoughts Of Nelson Goodman And Arthur Danto
title_sort on the expressive theory of art and the thoughts of nelson goodman and arthur danto
description Philosophy, in response to a certain essentialist urge, has been compelled, throughout its history, to conceptualize or define complex terms such as art. One of the most accepted and well-founded theories in relation to this task is that which defines works of art as forms of expression. In recent centuries, expression has become a concept closely linked to artistic activity. The advent of analytical philosophy and its emphasis on the linguistic sphere fostered interest in defining the expressive phenomenon as a means of representing reality. In this context, authors such as Nelson Goodman and Arthur Danto, conceived, in their respective thoughts, expression as a process of artistic symbolization. Both authors, who combined analytical methodology and aesthetic concern in their work, contributed to the legitimization of expressivist theory. Through the interrelation of his theories, it is observed how Goodman laid the foundations that would later be taken up and expanded by Danto, in order to form one of the most influential and representative ideologies of contemporary art.
publisher Facultad de Humanidades UNCo
publishDate 2024
url https://revele.uncoma.edu.ar/index.php/filosofia/article/view/5627
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first_indexed 2025-02-05T23:00:32Z
last_indexed 2025-02-05T23:00:32Z
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